Release of ‘Live in 1967’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

Live in '67 Low Res Cover copyOn Apr 20th Forty Below Records will release ‘Live in 1967’ from John Mayall’s Bluesbreakers on CD that includes the first live captured performance of Mick Fleetwood, John McVie and Peter Green before they formed Fleetwood Mac.

John Mayall’s Bluesbrealers – Live in 1967

John Mayall – Vocals, Harmonica
Peter Green – Guitar
John McVie – Bass Guitar
Mick Fleetwood – Drums

In 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John’s Mayall Bluesbreakers. The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel to reel tape recorder into five London clubs and capture this exciting glimpse into music history. For almost fifty years these tapes habe remained unheard until John recenetly got them and began restoring them with the technical assistance of Eric Come of Forty Below Records. Come adds “While the source recording was very rough and final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

You can pre-order this CD, MP3 or Vinyl via the links below:
CD | Vinyl | MP3
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25 Years Ago: Fleetwood Mac Release ‘Behind the Mask’ Without Lindsey Buckingham | Ultimate Classic Rock

by Jeff Giles
April 10, 2015 10:44 AM
Ultimate Classic Rock Website

By the time they achieved massive mainstream success in the mid-’70s, Fleetwood Mac had already been through more lineup changes than most bands manage in their entire careers, and their best-selling album, Rumours, was partly inspired by a pair of collapsing relationships between bandmates.

fleetwood-mac-behind-the-mask

They were accustomed to forging on in the face of personal and professional drama, in other words — but even so, the trials they faced before recording their 15th studio album, 1990′s Behind the Mask, proved particularly threatening.

All things considered, it should have been an easy time for Fleetwood Mac, who battled back from some early ’80s doldrums with 1987′s commercially resurgent Tango in the Night. With another multiplatinum hit at their backs and a fresh slew of Top 40 singles marching up the charts, the band might have been able to settle into the sort of groove that had proven difficult in the years after Rumours‘ unwieldy success, if not for one thing: the inconveniently timed exit of guitarist Lindsey Buckingham, whose songwriting and meticulous studio work had increasingly come to define their sound.

Buckingham’s departure was confirmed in the summer of 1988, causing the band to scramble to fill his parts before their tour for Tango. It was just the kind of painful and potentially disastrous conflict that the band had unfortunately become known for, but as drummer Mick Fleetwood later admitted, the split was a long time coming — and exacerbated by moves the other band members had made in the years leading up to it. Continue reading