Fleetwood Mac: Tango In The Night Deluxe Edition Review | Classic Rock Magazine

The soundtrack to the Yuppie era in all its designer-suited finery.

There’s a reason that 1980s nostalgia has never really taken hold, and that’s because the 1980s generally sucked. Sure, interesting things were happening on the fringes, but mainstream culture was taking the express elevator all the way down to Yuppie Hell. And playing through the speakers in that elevator was Tango In The Night.

With 1977’s Rumours, Fleetwood Mac had accidentally invented the 80s in all its self-absorbed cocaine glory three years early. A decade on, the pharmaceutical vitality which gave that album its spirit had given way to the hollow-souled, million-dollar chintz of Tango In The Night. That it sold by the truckload tells you all you need to know about 1987.

This 30th-anniversary ‘deluxe’ edition is the musical equivalent of digging up a Blue Peter time capsule and finding the films of Sylvester Stallone on VHS. In both cases, you can’t help thinking: “Did people really like that shit?” As with Rocky IV and Rambo, Fleetwood Mac’s 14th album has not aged well. The twinkling keyboards and electronic drums that cling to Everywhere and Little Lies like an Exxon Valdez oil slick may have been state of the art in 1987, but then so was the Sinclair C5.

But the production isn’t the biggest problem here — the songs are. Whatever magic Mac once possessed had long since been dispelled by time and internal psychodramas. Lindsey Buckingham would once have dismissed Family Man and You And I, Part II for being too trite, Christine McVie’s Mystified is barely a breath away from lift music, while Stevie Nicks’ increasingly strangulated warbling has the emotional resonance of a goat being strangled by a goose. Continue reading

Fleetwood Mac members announce new album – without Stevie Nicks | Sky News

Entitled simply Lindsey Buckingham/Christine McVie, the 10-track album will come out on 9 June and will be followed by a US tour.

Members of the rock band Fleetwood Mac stand together on stage after performing a concert on NBC’s ‘Today’ show in New York City, October 9, 2014. REUTERS/Mike Segar

Members of rock group Fleetwood Mac have announced a new album that will bring together all of the classic lineup – minus Stevie Nicks.

Entitled simply Lindsey Buckingham/Christine McVie, the 10-track album will be the first for the band’s guitarist and keyboardist as a duo.

Christine McVie, who stayed out of the spotlight for years, rejoined Fleetwood Mac for a 2014-15 global tour alongside Buckingham.

The pair said in a statement that the two started working on new material when McVie joined rehearsals for the tour and “their natural creative chemistry was reignited”.

Drummer Mick Fleetwood and bassist John McVie, two of the founding members of the group, joined their bandmates in the studio in Los Angeles – but not Nicks. Continue reading

Album Review: Fleetwood Mac: Tango In The Night Deluxe | The Times

Will Hodgkinson
March 31 2017, 12:01am,
The Times

★★★★☆

Fleetwood Mac’s 1977 masterpiece, Rumours, is remembered as the ultimate cocaine album, but the warring superstar rockers saved the real excesses for ten years later. Tango in the Night is the last word in sophisticated, expensively produced soft rock, with such FM radio classics as Christine McVie’s Everywhere and Lindsey Buckingham’s Big Love sounding as if they were made for driving your Ferrari down Sunset Strip to.

The songs were, however, born of total chaos. The bassist John McVie was drinking himself into a stupor; Stevie Nicks, busy swapping cocaine for the damaging tranquilliser Klonopin, while also building up her now successful solo career, rarely turned up at the studio. The whole thing came to an end when guitarist Buckingham announced he was leaving the band, reportedly leading to an ugly physical confrontation between him and his former girlfriend Nicks.

All these years later the album seems less like a soundtrack to a designer lifestyle and more a portrait of collapse. Nicks’s little-girl-gone-to-seed croak on the ballad When I See You Again is heartbreaking, and the evergreen synthesizer pop of McVie’s Little Lies smoothes over words about refusing to face up to reality, something the band members appear to have been quite good at.

On this three-disc set not all of the alternative versions are strictly necessary, and Buckingham’s comedy voices on Family Man are as dated as a piano necktie, but for the most part the quintessential Eighties album has ended up being far more profound and enduring than anyone could have predicted. (Warner Bros)

Meet The Neighbours: Christine McVie, Fleetwood Mac

Henry & James
Property News, Belgravia & Chelsea
24th March 2017

Christine McVie and Lindsey Buckingham are releasing a duet album this summer. In a rare interview, Christine, the legendary Fleetwood Mac singer songwriter and keyboardist talks to us about her love of London, her inspirations and early years in the music business.

Q: How did you get started?
A: I was originally taught to play the piano at an early age. And became quite good at it, reaching Grade 7, my parents very generously supported me. One day I found some Fats Domino scores in a music stool and started to write a couple of songs, then I went to art college. Eventually, I left college and joined Chicken Shack, playing in blues clubs up and down the M1.

Q: What attracted you to the music business?
A: I really enjoyed blues music. It just felt right for me. I often find myself in that situation – things feel right. I naturally morphed into music.

Q: If you were stranded on a desert island, what three things would you take with you?
A: Umm, can I have electricity? [Yes]. Then I would take a hair dryer. I would eat fresh fruit and there would be plenty of fish in the ocean to eat. I would also like to take some French bread with me. And music? I would take an anthology of the Beatles – a good collection of their songs. And classical music? Possibly some Elgar. Plus some Jazz: oh yes, Miles Davis.

Q: Who or what inspires you in life?
A: It would have to be Fleetwood – it is a living, breathing eternity in my life. Fleetwood Mac will be playing in America with (15 concerts around June) and are coming to London in 2019.

Q: If you could sing with anyone in the world, who would it be?
A: It would have to be Paul McCartney because we would sing well together.

Q: What were your favourite Fleetwood Mac songs over the years?
A: I still play a lot of great songs: Dreams, Go Your Own Way and Songbird.

Q: How many albums did you sell?
A: Over the years, we sold millions and millions of records.

Q: What do you like about London?
A: I lived in the country for a while, in Kent, but now live in London. I have gone back to my roots. London is electrifying. We used to play and gravitate to the Berkeley Hotel in Knightsbridge, south west London.

Q: Do you have a new album coming out? Can you tell us a little about it?
A: Yes, I have duet album being released with Lindsey Buckingham. It will be released on June 9. You can buy it on iTunes and vinyl – it will be available everywhere! And that’s another good song… Continue reading

Fleetwood Mac: Tango in the Night review – timely reissue coasts from gloss to gloom | The Guardian

Alexis Petridis’s album of the week
The Guardian
March 23rd, 2017

This 1987 classic is a blend of solid-gold pop and super-slick production, interwoven with the sound of a band sliding into chaos

Fleetwood Mac … ‘No gloss can hide the turmoil’ Photograph: Alamy Stock Photo

The mid-80s were not the kindest time for 60s and 70s rock legends. For every gimlet-eyed operator who successfully navigated an alien and unforgiving landscape of power ballads, crashing snare drums, Fairlight synthesisers and MTV moonmen – the Eagles’ Don Henley and Glenn Frey; Tina Turner – there were scores who seemed utterly lost. It was a world in which the natural order of things had been turned on its head to such a degree that the drummer from Genesis was now one of the biggest stars on the planet. David Bowie, Bob Dylan, Neil Young, Joni Mitchell, Lou Reed … at best, they ended up making albums that diehard fans pick over for tiny morsels that suggest they’re not as bad as the reputations preceding them; at worst they made stuff they’d spend subsequent years loudly disowning, involving terrible clothes, inappropriate producers, awful cover versions and – in extreme cases – attempts to rap. Continue reading

Christine McVie: “Fleetwood Mac’s 2018 tour is supposed to be a farewell tour” | Uncut Magazine

Tom Pinnock
March 16, 2017

McVie and Lindsey Buckingham reveal all about their collaboration in our exclusive interview

The pair’s debut as Buckingham McVie – also featuring Mick Fleetwood and John McVie – is set for release this summer.

“I’ve grown up a lot since the last time I really worked with [Christine],” explains Buckingham. “I realised: ‘Oh, here I am, a completely different person. I’m a father of three children. I’ve been married almost 20 years. I’ve had my journey, and Christine has had her own journey.’”

However, the singer, keyboardist and songwriter also reveals that the future of Fleetwood Mac is far from certain.

“The 2018 tour is supposed to be a farewell tour,” says McVie. “But you take farewell tours one at a time. Somehow we always come together, this unit. We can feel it ourselves.”

Buckingham and McVie are on the cover of the new Uncut, dated May 2017 and on sale March 16.

Click here to buy the issue digitally

Stevie Nicks: Recording ‘Tango’ in my ex-boyfriend’s bedroom was ‘extremely strange | Miami Herald

BY HOWARD COHEN
hcohen@miamiherald.com

On Friday, March 10 (re-scheduled till March 31), Fleetwood Mac releases a 30th anniversary expanded edition of one of its most popular and influential albums, “Tango in the Night.” The lavishly packaged reissue offers a remastered version of the original album, a disc of B-sides and outtakes, plus another disc of 12-inch dance mixes of its hit singles like “Big Love” and “Little Lies” and a vinyl LP.

The 30th anniversary edition of Fleetwood Mac’s 1987 album, “Tango in the Night,” hits retail on March 10. The album includes four Top 40 singles, “Big Love,” “Seven Wonders,” “Little Lies” and “Everywhere” and remains the last studio album to feature the original “Rumours” lineup. Warner Bros./Rhino

For Stevie Nicks, the group’s star attraction, recording her parts for the 1987 album proved difficult. After the completion of a ragged tour for her third solo album, 1985’s “Rock a Little,” she went into rehab at the Betty Ford Center for a cocaine addiction. After her release, she was misguidedly placed on a Klonopin regimen. Few in her inner circle thought rehab would stick unless she was dosed on anxiety medication. They were wrong.

Her first test: joining her Fleetwood Mac band mates for the 1986 tracking sessions for “Tango in the Night.” The band hadn’t recorded since the release of “Mirage” in 1982.

Nicks’ ex-boyfriend Lindsey Buckingham, the group’s guitarist, was co-producing the band’s efforts, again, but this time the tension was poisonous, even by Fleetwood Mac’s standards.

“When I started recording for ‘Tango,’ they were recording at Lindsey’s house up on Mulholland somewhere. He lived there with his girlfriend Cheri and this record was being recorded at his house and I didn’t find that to be a great situation for me. Especially coming out of rehab,” Nicks said in an interview last year. “And then I was on Klonopin and not quite understanding why I was feeling so weird and this doctor kept saying, ‘This is what you need.’ It’s the typical scenario of a groupie doctor. Discuss rock and roll with you, so in order to do that he would keep upping your dose so you’d come in once a week.”

John McVie (seated), Mick Fleetwood (standing), Christine McVie (on floor), Lindsey Buckingham and Stevie Nicks (on seat) in a photo shoot from the “Tango in the Night” sessions. The original album was released in April 1987 and was a worldwide hit, especially in England where it hit No. 1. In the United States the album spent 44 weeks in the Top 40. Warners Bros./Rhino

Nicks sets the scenario: “I can remember going up there and not being happy to even be there and we were doing vocals in their master bedroom and that was extremely strange. In all fairness, it was like the only empty room and they had a beautiful master bedroom all set up like a vocal booth but I found it very uncomfortable, personally. I guess I didn’t go very often and when I did go I would get like, ‘Give me a shot of brandy and let me sing on four or five songs off the top of my head.’” Continue reading

Fleetwood Mac – Hear an unreleased version of Seven Wonders | The Guardian

Michael Hann
The Guardian
16th Feb 2017

We’ve got an early version of one of the standouts from Tango in the Night for you. Have a listen and let us know what you think

Stevie Nicks … on stage with Fleetwood Mac in 1987. Photograph: Jim Dyson/Redferns/Getty Images

Fleetwood Mac have spent the past few years reissuing their peerless back catalogue in the obligatory remastered, expanded, deluxe editions. Last year brought us the 1982 album Mirage, which somehow managed to make an album already slathered in cocaine sound even more cokey, all sheen and shine.

Next up is Tango in the Night, coming out on Warner on 10 March, and we’ve got this early, unreleased version of the Stevie Nicks track Seven Wonders for you. It’s longer but also a little harsher than the album version, drawing out the fatalism of the chorus and de-emphasising the keyboard hook.

Open Stream in New Windows (UK viewers only)

Tango in the Night came out five years after Mirage, and had originally been planned as a Lindsey Buckingham solo record – Nicks spent only two weeks in the studio with the band because she was concentrating on her solo career. Be thankful that it became a full-band record, because the album became defined not by his songs but by the contributions of the other writers; without the two singles from Christine McVie – Everywhere and Little Lies – it would be a very different record. While many Mac fans might have their favourite writer in the group, it takes all three of Buckingham, Nicks and McVie to balance the group. It was noticeable how different the shows with McVie back in the band were to those when the group was performing only the Buckingham and Nicks songs; it was if her songs were the bridge between Nicks’s airy proto-gothiness and Buckingham’s barely suppressed rage.

Continue reading

Fleetwood Mac Unearth Rare Tracks for ‘Tango in the Night’ Reissue | Rolling Stone

Rolling Stone
By: Ryan Reed
25th Jan, 2017

Deluxe, remastered edition of 1987 LP includes previously unheard demos, alternate recordings

Fleetwood Mac prepped a remastered, 30th anniversary reissue of 1987 LP ‘Tango in the Night’ featuring rare tracks and unheard recordings. Pictorial Press Ltd/Alamy

Fleetwood Mac will release an expansive, 30th anniversary edition of their 14th studio album, 1987’s Tango in the Night, on March 10th via Warner Bros. Records. The reissue is packaged in three formats: a one-CD set featuring remastered audio, an expanded two-CD version with rare and unreleased recordings and a deluxe version featuring three CDs, a 180-gram LP and a DVD with music videos and a high-resolution version of the album.

With Tango in the Night, Fleetwood Mac fully immersed themselves in the decade’s glossy production style. Showcasing the diverse styles of primary songwriters Lindsey Buckingham, Stevie Nicks and Christine McVie, the 12-track LP spawned a quartet of hit singles: “Big Love,” “Seven Wonders,” “Everywhere” and “Little Lies.” Their second highest-selling album behind 1977 masterwork Rumours, it remains the group’s final studio project with the classic quintet line-up of Buckingham, Nicks, McVie, John McVie and Mick Fleetwood.

The deluxe and expanded reissues features a disc of 13 previously unheard recordings, including an alternate version of shimmering Christine McVie ballad “Mystified,” a demo of Buckingham’s epic, percussion-heavy title-track and rare B-sides “Down Endless Street” and “Ricky.” The deluxe edition offers a third disc with 14 12-inch mixes – including dub versions of “Seven Wonders and “Everywhere” – and a DVD with videos of “Big Love,” “Seven Wonders,” “Little Lies,” “Family Man” and “Everywhere.”

Buckingham and Christine McVie recently announced an album of duets tentatively titled Buckingham McVie. The set, which features contributions from John McVie and Fleetwood, is loosely slated for a May release. Continue reading

Stevie Nicks says another Fleetwood Mac album is unlikely: ‘We’re not 40 anymore’ | Standard

London Evening Standard
By Alistair Foster
Tues 17th Jan, 2017

The music icon says the band are more keen to focus on touring

Stevie Nicks says she does not think Fleetwood Mac will make another album together — because they are “not 40” any more.

The singer, 68, believes the band are more likely to focus on touring and doubts they will ever record a follow-up to 2003’s Say You Will.

She said: “If the five of us were to get together to make a record it would take a year, which is what it always takes us.

“It would be a whole year of recording, then press, then rehearsal, and by the time we got back onto the road, it would be heading towards the second year, and I don’t know whether at this time it’s better for us just to do a big tour.”

Iconic: Stevie Nicks and Lindsey Buckingham of Fleetwood Mac perform (Getty)

The band has sold more than 100 million records and reformed with the classic line-up of Nicks, Lindsey Buckingham, John and Christine McVie and Mick Fleetwood for a world tour, which ended in 2015.

Nicks said: “It’s every single penny we make divided by five, so the expense of making a record, which is huge, and then to get back on tour … we are not 40.

“We have to take that into consideration — how long can we do tours that are three-hour shows? Would you rather spend a year in the studio or get back on the road? I think that the band would choose to tour.”

Nicks, who is focusing on her solo career, is also reluctant to make new music.