Category Archives: Release Info

Lindsey Buckingham Drops Jubilating New Single ‘Scream’ | Rolling Stone

By
Sept 1, 2021
Rolling Stone

“It just seemed like a good place to start the album,” Buckingham says. “It’s very upbeat and very optimistic and very positive”

Lindsey Buckingham has dropped “Scream,” the opening track to his upcoming self-titled solo LP.

The single opens with instrumentation that builds as Buckingham’s voice enters in a cathartic rush. “I love you when you scream,” he sings on the chorus.

“Everything on the record is me, for better or worse,” Buckingham said. “Many of the songs on this album are about the work and discipline it takes in maintaining a long-term relationship. Some of them are more about the discipline and some of them are more about the perks. ‘Scream’ is about the perks. It felt very celebratory and it was also very, very simple and short. To the point. It didn’t evolve into some huge thing. It made its case and got the hell out.”

“It just seemed like a good place to start the album, somehow,” he added. “It’s very upbeat and very optimistic and very positive. It’s a celebration of an aspect of life.”

“Scream” follows the singles “I Don’t Mind” and “On the Wrong Side.” Lindsey Buckingham arrives on September 17th via Reprise. Buckingham will kick off his tour in support of the record on Wednesday, hitting the Pabst Theater in Milwaukee, Wisconsin. The U.S. trek wraps up in Boulder, Colorado on December 20th.

Mick Fleetwood: ‘You’re talking to the dude who never gives up. We’re still a band’ | The Times (UK)

Will Hodgkinson
The Times

The drummer talks about the soap opera that has been Fleetwood Mac since 1967 — and the all-star tribute to bandmate Peter Green

Mick Fleetwood at last year’s London Palladium concert
ROSS HALFIN

For the past 54 years Mick Fleetwood, 73, has kept Fleetwood Mac going in the face of insurmountable odds. When the guitarist Lindsey Buckingham was fired from the band in 2018, in part linked to his former girlfriend Stevie Nicks announcing that she could not bear to share a stage with him again, it was just the latest hurdle for the soft-rock stadium fillers who have faced everything from divorces to affairs to drug-induced breakdowns.

The problems began when Peter Green, the band’s founder and one of the greatest guitarists, took LSD at a commune in Munich in March 1970 and never recovered. He left Fleetwood Mac a few months later.

“He was a lot of fun, right up until the day he walked out of the band,” says Fleetwood down the line from his home in Hawaii. “He had a real sense of ambition about what he wanted to do. You can listen to Man of the World now and hear the signs [in 1977 Green was diagnosed with schizophrenia], but I thought Peter had just written a sad song about a feeling.”

Perhaps that hindsight helped to spur Fleetwood on to put together a remarkable concert, which took place at the London Palladium on February 25, 2020 — just before the pandemic hit the UK — in honour of Green. Everyone from Fleetwood Mac’s keyboardist and singer Christine McVie to Pete Townshend to David Gilmour joined in, alongside some rather surprising Peter Green fans. Continue reading Mick Fleetwood: ‘You’re talking to the dude who never gives up. We’re still a band’ | The Times (UK)

Fleetwood Mac’s ‘Live’ is better then ever on expanded remaster | Pop Matters

By Jordan Blum
6 April 2021

Fleetwood Mac’s Live sounds better than ever, giving both longtime fans and newcomers a stronger glimpse into how immaculate they were at the turn of the decade.

Almost no other rock band was bigger than Fleetwood Mac in the mid-to-late 1970s. Sure, they’d been going strong for roughly a decade by then; however, it was the inclusion of Stevie Nicks and Lindsey Buckingham (following the departure of Bob Welch) on 1975’s self-titled tenth LP that took their mainstream appeal to the next level. Of course, 1977’s Rumours was even bigger, while 1979’s experimental double album, Tusk, continued their creative prosperity (despite being considered a commercial failure at the time).

Naturally, the greatness of that trilogy meant that the band’s debut concert recording, 1980’s Live, was as highly anticipated as it was enormously satisfying. Comprised mostly of material from the 1979 – 1980 Tusk tour (as well as a few pieces from the preceding Rumors and Fleetwood Mac tours, of course), it contained virtually every song you could possibly want to hear from their most recent records. Continue reading Fleetwood Mac’s ‘Live’ is better then ever on expanded remaster | Pop Matters

Fleetwood Mac Prep Deluxe Edition of 1980 Live Album, Drop ‘The Chain’ Performance | Rolling Stone

By Angie Martoccio
Rolling Stone
Feb 10, 2021

Majority of the album was recorded during the Tusk tour

UNITED KINGDOM – JUNE 25: WEMBLEY ARENA Photo of FLEETWOOD MAC, L-R: John McVie, Lindsey Buckingham, Christine McVie, Stevie Nicks performing live onstage (Photo by Pete Still/Redferns)

Fleetwood Mac are revisiting their 1980 live album for a super-deluxe edition out April 9th via Rhino.

Fleetwood Mac Live was mostly recorded mostly during their tour for Tusk, but the super deluxe-edition will contain unreleased live music recorded between 1977 and 1982. The collection comprises a three-CD/two-LP set, as well as a bonus 7-inch single of previously unreleased demos for “Fireflies” and “One More Night.” To accompany the release, the band dropped a raucous version of “The Chain” from the Richfield Coliseum in Cleveland, Ohio, which took place on May 20th, 1980.

The deluxe edition of Live is packaged in a slipcase containing a booklet, an itinerary for the Tusk tour, and a history of the album by writer David Wild. “Then and now, Fleetwood Mac Live artfully marks a fascinating time period for a group that, in one form or another, has been on the global stage for more than half a century,” he wrote. “It’s a wildly entertaining rock & roll circus in full swing under a big tent of the band’s own creation as they leave audiences dazzled in locales from Paris, France, to Passaic, New Jersey.”

Rhino is also selling a “Tour Edition” limited to 1,000 copies, which contains replicas of ephemera, from a backstage pass to an iron-on patch. Both editions are available on Rhino’s website. 

Continue reading Fleetwood Mac Prep Deluxe Edition of 1980 Live Album, Drop ‘The Chain’ Performance | Rolling Stone

Stevie Nicks: “In Fleetwood Mac, Christine McVie and I were a force of nature” | NME

On the eve of her new concert film, the Fleetwood Mac singer talks new solo material, Trump’s response to COVID-19 and the chances of a ‘Rumours’-era reunion

SACRAMENTO, CA – DECEMBER 13: Stevie Nicks performs during her “24 Karat Gold Tour” at Golden 1 Center on December 13, 2016, in Sacramento, California. (Photo by Tim Mosenfelder/Getty Images)

Nothing will slow Stevie Nicks down. When Fleetwood Mac concluded their year-long world tour at the end of 2019, the 72-year-old singer songwriter decamped to her Santa Monica home with the intention of taking the year off from touring. Like the rest of us, she didn’t expect to be holed-up for quite so long. “I’ve been quarantined solid since March,” Nicks tells NME. “I figured that I’d probably do about ten gigs and then I was just going to work on a miniseries for Rhiannon but then the door slams and we have a pandemic.”

Out of these dark days, Nicks has kept a busy schedule. ‘Show Them The Way’, worked upon remotely with the help of Dave Grohl, is her first single in six years. She has also helped produce 24 Karat Gold The Concert, a spellbinding concert film from the 2016/7 tour of the same name, which in cinemas for two nights later this month featuring staples such as ‘Edge of Seventeen’ and ‘Stop Draggin’ My Heart Around’ alongside unreleased gems and deep cuts.

Whilst a viral TikTok video may have drawn headlines and pushed her song ‘Dreams’ back into the charts recently, the two-time Rock and Roll Hall of Famer had other things on her mind when we caught up with her, including her issues with Trump, the lost ‘Buckingham Nicks’ album and why she is fatalistic if ‘Rumours’era Fleetwood Mac are to never play together again.

Your first single for six years and the 24 Karat Gold The Concert film – this is turning into a very busy time for you…

“In a million years, I never thought I’d have two projects coming out within two weeks of each other. It’s been a lot of work over the last two months, let me tell you. I’m pretty excited and really proud of everything. I think the film is the closest anyone is going to get to a real, serious concert until the pandemic is over. And I think the song is ‘right now’ with what’s going on in our country. Our country is so divisive. We have gone back so far. It is very sad and very scary.” Continue reading Stevie Nicks: “In Fleetwood Mac, Christine McVie and I were a force of nature” | NME

Rock Goddess Stevie Nicks On Insomnia, Inventing Her Own Style, And Her White Knight Harry Styles | Vogue

BY KERRY MCDERMOTT
14 OCTOBER 2020

© Fin Costello

Stevie Nicks had a call from a surprising white knight during the lockdown. Just as people in the UK were offering up their spare tins of tomatoes or dropping off prescriptions for vulnerable neighbours, that same sense of community spirit was flourishing in LA. But when the Fleetwood Mac singer picked up her phone to an offer of help, it was Harry Styles on the line. “He called a couple of times and said if you guys need anything, I can drop by,” says Nicks, 72, who was isolating at her Spanish Colonial home in Santa Monica with one goddaughter, one roommate, one assistant and three dogs.

Of course, Stevie and Styles go back. She’s previously joked that the 26-year-old is “Mick [Fleetwood]’s and my love child”, while he called her “a magical gypsy godmother”. Their love-in continued last year, when the Gucci muse inducted Nicks into the Rock and Roll Hall of Fame (her second time), and joined her on stage for a rendition of “Stop Draggin’ My Heart Around”. So perhaps it’s no wonder that, when the over-70s were instructed to stay at home in March, it was Stevie that Styles thought of on his Erewhon run.

On stage in her signature look, which she scribbled down on a “stick girl” for designer Margi Kent. © Richard McCaffrey

“He is an amazing man,” says Nicks over the phone from California. “He’s so talented, he is a really, really great artist, and he’s so funny. He could actually have a TV show, like James Corden or Johnny Carson – he could do that. When you’re with Harry Styles, you’re not with a famous person, he’s just Harry.” Continue reading Rock Goddess Stevie Nicks On Insomnia, Inventing Her Own Style, And Her White Knight Harry Styles | Vogue

Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’ | The Guardian

By Jenny Stevens
The Guardian
Oct 14, 2020

At 72, the singer is still looking for adventure. She talks about her years with Fleetwood Mac, the abortion that made them possible, and her friendship with Harry Styles

Stevie Nicks: ‘I’m an independent woman, and that is not attractive to men.’ Photograph: Randee St Nicholas

Stevie Nicks has been taking the pandemic even more seriously than most. She has barely left her home in Los Angeles this year. “My assistant, God bless her, she puts on her hazmat suit and goes to get food, otherwise we’d starve to death,” she says. She fell seriously ill in March 2019, ending up in intensive care with double pneumonia; after that shock, she fears contracting Covid-19 could end her singing career: “My mom was on a ventilator for three weeks when she had open-heart surgery and she was hoarse for the rest of her life.”

What would it mean to her to stop singing? “It would kill me,” she says. “It isn’t just singing; it’s that I would never perform again, that I would never dance across the stages of the world again.” She pauses and sighs. “I’m not, at 72 years old, willing to give up my career.”

It is nearly midnight in LA when we speak on the phone; not a problem for Nicks, who is “totally nocturnal”. The night she fell ill last year, she had just become the first woman to be inducted into the Rock and Roll Hall of Fame twice – an honour that reflects her wild success as one of the lead singers of Fleetwood Mac and as a solo artist, as a writer and singer of raw, magical songs about love and freedom, including Dreams, Rhiannon, Gold Dust Woman, Landslide and Edge of Seventeen. Nicks is unabashedly funny, dry as a bone, often sidling into sarcasm.

I ask about her approach to spirituality. She says that, for all her fears about her career, “some people are really afraid of dying, but I’m not. I’ve always believed in spiritual forces. I absolutely know that my mom is around all the time.” Just after her mother died, in 2012, Nicks was standing in her kitchen with “really bad acid reflux”. “And I felt something almost tap my shoulder and this voice go: ‘It’s that Gatorade you’re drinking,’” she says. “I’d been sick and chugging down the Hawaiian Punch. Now, that’s not some romantic, gothic story of your mother coming back to you. It’s your real mother, walking into your kitchen and saying” – she puts on a rasp – “‘Don’t drink any more of that shit.’” She pauses, waiting for me to laugh, then cackles. Continue reading Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’ | The Guardian

Stevie Nicks shares new song ‘Show Them The Way’ with Dave Grohl on drums | NME

By Josh Martin
9th October 2020
NME

Inspired by a dream Nicks had in 2008

Photo credit: Dimitrios Kambouris/Getty Images.

Stevie Nicks has shared a new single, ‘Show Them The Way’, recorded with Dave Grohl on drums and produced by Greg Kurstin.

In a recent interview with Associated Press, Nicks said the song was inspired by a dream she had in 2008 where she played at a political benefit attended by Dr. Martin Luther King Jr., John Lennon, John Lewis, John F. Kennedy and Bobby Kennedy. The inspiration is reflected literally in the lyrics.

I was ready for the Kennedys/ I don’t know if it was 1960 or 1963,”

Everything was timeless, even me/ I wasn’t old, I wasn’t young, I was just part of their dream/ A shadow walked with me down the hall, it was Martin Luther King.”

Nicks sings on the track.

Listen to ‘Show Them The Way’ and an acoustic piano version below.

A music video directed by Cameron Crowe will be released soon. Continue reading Stevie Nicks shares new song ‘Show Them The Way’ with Dave Grohl on drums | NME

Chatting with Stevie Nicks: The Reigning Empress of Rock and Roll | Digital Journal

By MARKOS PAPADATOS
October 3, 2020

Two-time Rock and Roll Hall of Fame inductee Stevie Nicks chatted with Digital Journal’s Markos Papadatos about her “24 Karat Gold” concert film, her live album, upcoming single on October 9, and she shared the key to longevity in the music industry.

Track and field legend Wilma Rudolph once said: “Never underestimate the power of dreams and the influence of the human spirit. We are all the same in this notion: The potential for greatness lives within each of us.” Stevie Nicks is a woman that embodies this wise quotation.

Nicks has been hailed by this music aficionado as the perennial “Empress of Rock and Roll,” and rightfully so. She possesses one of the most significant and powerful voices in the music business; moreover, she has had an illustrious music career that has spanned well over five decades. She scored six Top 10 albums, eight Grammy nominations for her solo work, and she has sold in excess of 140 million albums collectively as a solo recording artist and as part of the iconic rock group Fleetwood Mac.

She earned several Grammy Awards as a member of the Fleetwood Mac: their seminal studio album Rumours won the Grammy for “Album of the Year” in 1978, and two Fleetwood Mac albums have been inducted into the coveted Grammy Hall of Fame: Rumours in 2003 and Fleetwood Mac in 2016 respectively. Last year, she made music history because she was the first woman inducted into the coveted Rock and Roll Hall of Fame twice.

This interview delves into the conscience of Stevie Nicks as a prolific songwriter, vocalist, poet, storyteller, and a song stylist. Continue reading Chatting with Stevie Nicks: The Reigning Empress of Rock and Roll | Digital Journal

The moonlight confessions of Stevie Nicks | Los Angeles Times

AMY KAUFMAN
SEP. 30, 2020

“It makes me very, very sad,” says Nicks of the split with her former romantic partner and bandmate Lindsey Buckingham.(Christopher Buzelli / For The Times)

Stevie Nicks was in her early 30s when her father told her she’d never get married.

She had just released her solo album, 1981’s “Bella Donna,” embarking on a second career that would fill any time she wasn’t spending with Fleetwood Mac. Her music, Nicks’ dad said, would always consume her.

She considered the possibility. She certainly was not a woman who liked to be told what to do. Still, the words stung: “No man would be happy being Mr. Stevie Nicks for very long.” Had he doomed her to a life of solitude simply by speaking the thought into existence?

“Nobody,” she laughs now, decades later, “dooms me to anything but myself.”

Steve Nicks on life after the pandemic: “I want to be able to pull up those black velvet platform boots and put on my black chiffon outfit and twirl onto a stage again.”(Randee St. Nichols)

At 72, Nicks has had a few great loves. Some we know about — Lindsey Buckingham, Don Henley, JD Souther — and many we don’t. She did get married once, back in 1983, an ill-fated three-month relationship with the husband of her best friend, who had just died of leukemia. She would have considered taking another spouse, had she met the right person — someone who wasn’t jealous of her, who got a kick out of her crazy girlfriends. But ultimately, her father pretty much got it right: She has yet to feel more devoted toward a man than her muse.

Which is why, in part, this pandemic has hit her so hard. Two projects due out this month have, she says, offered a vestige of normalcy: “24 Karat Gold: The Concert,” a cinematic version of her 2017 solo show, and a politically minded new single, “Show Them the Way,” which will be accompanied by a Cameron Crowe-directed music video. She’s also decided that she wants to make another solo album and plans to spend the rest of quarantine turning the poetry from her journals into lyrics.

But with touring on hold, she’s bored and depressed, conditions she’s claimed to never before suffer from. She’s cripplingly afraid of catching the coronavirus, fearing that going on a ventilator would leave her hoarse and ruin her voice.

“I have put a magical shield around me, because I am not going to give up the last eight years — what I call my last youthful years — of doing this,” she vows. “I want to be able to pull up those black velvet platform boots and put on my black chiffon outfit and twirl onto a stage again.”

Continue reading The moonlight confessions of Stevie Nicks | Los Angeles Times