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Lindsey Buckingham Drops Jubilating New Single ‘Scream’ | Rolling Stone

By
Sept 1, 2021
Rolling Stone

“It just seemed like a good place to start the album,” Buckingham says. “It’s very upbeat and very optimistic and very positive”

Lindsey Buckingham has dropped “Scream,” the opening track to his upcoming self-titled solo LP.

The single opens with instrumentation that builds as Buckingham’s voice enters in a cathartic rush. “I love you when you scream,” he sings on the chorus.

“Everything on the record is me, for better or worse,” Buckingham said. “Many of the songs on this album are about the work and discipline it takes in maintaining a long-term relationship. Some of them are more about the discipline and some of them are more about the perks. ‘Scream’ is about the perks. It felt very celebratory and it was also very, very simple and short. To the point. It didn’t evolve into some huge thing. It made its case and got the hell out.”

“It just seemed like a good place to start the album, somehow,” he added. “It’s very upbeat and very optimistic and very positive. It’s a celebration of an aspect of life.”

“Scream” follows the singles “I Don’t Mind” and “On the Wrong Side.” Lindsey Buckingham arrives on September 17th via Reprise. Buckingham will kick off his tour in support of the record on Wednesday, hitting the Pabst Theater in Milwaukee, Wisconsin. The U.S. trek wraps up in Boulder, Colorado on December 20th.

Covid: Stevie Nicks cancels US performances to ‘keep healthy’ | BBC News

11 Aug 2021

Singer Stevie Nicks has cancelled all of her gigs for the rest of the year due to rising Covid cases in the US.

The 73-year-old Fleetwood Mac and solo star had been due to perform at events in Colorado, California and Texas.

“My primary goal is to keep healthy so I can continue singing for the next decade or longer,” she said.

America is currently averaging more than 100,000 new cases a day for the first time since February, due to the Delta variant of the virus.

“These are challenging times with challenging decisions that have to be made,” the singer explained in a statement.

“I want everyone to be safe and healthy and the rising Covid cases should be of concern to all of us.”

‘Extremely cautious’

Nicks made her name in the 1970s as the frontwoman of the second incarnation of Fleetwood Mac, singing hits like Go Your Own Way and Dreams, and went on to enjoy success as a solo star

“While I’m vaccinated, at my age, I am still being extremely cautious and for that reason have decided to skip the five performances I had planned for 2021,” she continued.

“Because singing and performing have been my whole life, my primary goal is to keep healthy so I can continue singing for the next decade or longer.

“I’m devastated and I know the fans are disappointed, but we will look towards a brighter 2022.”

Her cancelled concerts include appearances at the Austin City Limits Music and BottleRock Napa Valley festivals.

Christine McVie Sells 115-Song Catalog, Including Fleetwood Mac Songs, Solo Material | American Songwriter

Fleetwood Mac’s Christine McVie has sold her 115-title song catalog to Hipgnosis, making her the fourth of the band’s five members to sell their publishing rights within the past nine months.

CHRISTINE MCVIE (PHOTO: THOMAS COOPER)

In January, Lindsey Buckingham also sold 100 percent of his publishing rights to Hipgnosis, which has spent more than $2 billion in the past three years to acquire the rights to a collection of popular songs from artists, including recent deals with Shakira, Barry Manilow, Red Hot Chili Peppers, and Neil Young.

Earlier this year Mick Fleetwood also made a similar deal with BMG, while Stevie Nicks sold off rights to her work to Primary Wave, which recently acquired a large portion of Prince’s rights, in December of 2020.

Hipgnosis has acquired worldwide copyright, ownership, and financial interest, including the writer’s share of McVie’s compositions and neighboring rights, according to the official announcement.

“Christine McVie is one of the greatest songwriters of all time, having guided Fleetwood Mac to almost 150 million albums sold and making them one of the best-selling bands of all time globally,” said Merck Mercuriadis, founder Hipgnosis, in a statement. “In the last 46 years, the band has had three distinct writers and vocalists but Christine’s importance is amply demonstrated by the fact that eight of the 16 songs on the band’s greatest albums are from Christine.” Continue reading Christine McVie Sells 115-Song Catalog, Including Fleetwood Mac Songs, Solo Material | American Songwriter

Lindsey Buckingham Announces First Solo Album in a Decade | Rolling Stone

Rolling Stone Online
By CLAIRE SHAFFER
June 8, 2021

Former Fleetwood Mac member also shared the single “I Don’t Mind”

Lindsey Buckingham announced on Tuesday that he’ll be releasing a self-titled album — his first solo LP in a decade — on September 17th via Reprise.

Alongside the announcement, Buckingham shared the album’s first single, “I Don’t Mind.”

“‘I Don’t Mind’, like many of the songs on my new album, is about the challenges couples face in long-term relationships,” Buckingham says. “Over time, two people inevitably find the need to augment their initial dynamic with one of flexibility, an acceptance of each others’ flaws, and a willingness to continually work on issues; it is the essence of a good long-term relationship. This song celebrates that spirit and discipline.”

Lindsey Buckingham will be the singer-songwriter’s first solo album since 2011’s Seeds We Sow, and his first since his departure from Fleetwood Mac. The album will feature new original songs as well as a cover of Sixties folk group the Pozo-Seco Singers’ hit single “Time.”

“I wanted to make a pop album, but I also wanted to make stops along the way with songs that resemble art more than pop,” he says. “As you age, hopefully, you keep getting a little more grounded in the craft of what you’re doing. For me, getting older has probably helped to reinforce the innocence and the idealism that hopefully was always there.”

Buckingham will embark on a U.S. tour in support of the album, marking his first in-person shows both since the pandemic and since undergoing open-heart surgery in 2019. The tour kicks off at Milwaukee’s Pabst Theatre on September 18th and wraps in Boulder, Colorado, on December 20th. Tickets go on sale on June 11th at 10:00 a.m. local time.


Lindsey Buckingham 2021 Tour Dates
Continue reading Lindsey Buckingham Announces First Solo Album in a Decade | Rolling Stone

Lindsey Buckingham says he never got “closure” with Stevie Nicks | NME

“We had to spend an awful lot of time together without ever having gotten closure from each other”

Stevie Nicks and Lindsey Buckingham. CREDIT: Lester Cohen/Getty Images

Lindsey Buckingham has said he never got “closure” with former Fleetwood Mac bandmate and ex-parter Stevie Nicks following their much-publicised breakup.

Speaking in a new interview, Buckingham, who was fired from the band in April 2018, discussed his relationship with Nicks and reflected on not getting any closure after their fallout.

“And really, again, that was part of the deal with Stevie and me was that we had to spend an awful lot of time together without ever having gotten closure from each other,” he told Nile Rodgers on his Apple Music 1 show Deep Hidden Meaning Radio With Nile Rodgers.

Buckingham continued: “Most people, when they break up, they don’t see each other for a long time or maybe ever again. But you’re not constantly having to not only see someone but, in my case, make the choice to do right for someone when I didn’t always feel that I wanted to, you know?

“In order to take a song of hers, like ‘Dreams’, which needed so much construction around it to take those same two chords and make them evolve from section A to section B to section C. And the love and the choice to do the right thing and to have the integrity to do that. It comes at a price sometimes, you know? It comes at the price of having your defences come up, and sometimes over a period of time, it’s hard to get those down.

Continue reading Lindsey Buckingham says he never got “closure” with Stevie Nicks | NME

Stevie Nicks – On The Wings Of A Dove | Classic Rock

Classic Rock Magazine
Issue 288, June 2021
By Bill Demain

Forty years ago, Stevie Nicks stepped out from the chaos and control of Fleetwood Mac with a hit-laden debut solo album that showed she could fly just as high on her own.

It’s September 1980. From the deck of the Pacific Palisades home that Stevie Nicks was sharing with her new boyfriend, producer Jimmy lovine, you could hear the hypnotic push and pull of the ocean. Inside, among the tropical plants, Persian rugs and paintings of dragons and gypsies, there was the even more alluring sound of three siren voices dovetailing in perfect harmony. Stevie and Lori Perry and Sharon Celani, her two closest friends, would spend hours around the upright piano, singing everything from old country and western covers to Stevie’s new songs. It was here that the seeds took root for Bella Donna, the breakout solo record that forever changed both the dynamic in Fleetwood Mac and Nicks’s life as an artist.

Exhausted from the previous two years of high-stakes drama around the recording and touring of Fleetwood Mac’s epic double album Tusk, the 32-year-old singer welcomed the laid-back etting and easy camaraderie with her girlfriends.

“In Fleetwood Mac there’s always a chaos,” Nicks told me in 2003. “It’s not easy for us. It never will be. It hasn’t ever been. Whenever we get back into a room together and start working, we don’t agree on a lot of stuff. And we’ve fought through every single record we have ever made.”

Part of that fight was getting songs on a record. Having three songwriters in Mac meant that after six years in the band Nicks had built up a backlog of unused top-drawer material. “When we’d do an album, they’d hear fifteen of my songs and invariably pick the two that were my least favourite,” she complained. “Some of my favourite songs wouldn’t get used.” Continue reading Stevie Nicks – On The Wings Of A Dove | Classic Rock

Mick Fleetwood: ‘You’re talking to the dude who never gives up. We’re still a band’ | The Times (UK)

Will Hodgkinson
The Times

The drummer talks about the soap opera that has been Fleetwood Mac since 1967 — and the all-star tribute to bandmate Peter Green

Mick Fleetwood at last year’s London Palladium concert
ROSS HALFIN

For the past 54 years Mick Fleetwood, 73, has kept Fleetwood Mac going in the face of insurmountable odds. When the guitarist Lindsey Buckingham was fired from the band in 2018, in part linked to his former girlfriend Stevie Nicks announcing that she could not bear to share a stage with him again, it was just the latest hurdle for the soft-rock stadium fillers who have faced everything from divorces to affairs to drug-induced breakdowns.

The problems began when Peter Green, the band’s founder and one of the greatest guitarists, took LSD at a commune in Munich in March 1970 and never recovered. He left Fleetwood Mac a few months later.

“He was a lot of fun, right up until the day he walked out of the band,” says Fleetwood down the line from his home in Hawaii. “He had a real sense of ambition about what he wanted to do. You can listen to Man of the World now and hear the signs [in 1977 Green was diagnosed with schizophrenia], but I thought Peter had just written a sad song about a feeling.”

Perhaps that hindsight helped to spur Fleetwood on to put together a remarkable concert, which took place at the London Palladium on February 25, 2020 — just before the pandemic hit the UK — in honour of Green. Everyone from Fleetwood Mac’s keyboardist and singer Christine McVie to Pete Townshend to David Gilmour joined in, alongside some rather surprising Peter Green fans. Continue reading Mick Fleetwood: ‘You’re talking to the dude who never gives up. We’re still a band’ | The Times (UK)

Drug abuse, violence, and the making of Fleetwood Mac’s Tango In The Night | Classic Rock

Forget Rumours: Fleetwood Mac’s craziest album was Tango In The Night

(Image credit: Barry King/Getty Images)

In December 2012, three members of Fleetwood Mac cried together, in public, at the memory of something that had happened all of 25 years previously.

Singer Stevie Nicks, guitarist Lindsey Buckingham and drummer Mick Fleetwood were doing a round of media interviews to announce the band’s 2013 tour when they were asked about the events of 1987, when Buckingham quit the band following the release of the album Tango In The Night.

Buckingham did not respond directly to the interviewer. Instead he turned to Nicks and Fleetwood and reiterated his reasons for leaving the group at a critical stage of their career: foremost among them, his sense that Nicks and Fleetwood had lost their minds and souls to drugs.

“What Lindsey said in that interview was very moving,” Fleetwood says. “He told us: ‘I just couldn’t stand to see you doing what you were doing to yourselves. Did you ever realise that? You were so out of control that it made me incredibly sad, and I couldn’t take it any more.’ It was really powerful stuff. This was someone saying: ‘I love you.’ It hit Stevie and me like a ton of bricks. And we all cried, right there in the interview.”

It was a moment that Mick Fleetwood describes as “profound”. But even after all these years, his memories of that time in 1987 are still raw. For when Lindsey Buckingham walked out on Fleetwood Mac, he did not go quietly. When Buckingham told the band he was leaving, it led to a blazing argument that rapidly escalated into a physical altercation between him and former lover Nicks, in which she claimed she feared for her life. Continue reading Drug abuse, violence, and the making of Fleetwood Mac’s Tango In The Night | Classic Rock

April 1987: Fleetwood Mac’s Classic Lineup Bows Out Big with TANGO IN THE NIGHT | Rhino

April 13, 2021
Rhino Insider

Fleetwood Mac was in pretty rough shape when the band got together to record what would become the group’s 14th studio effort, Tango in the Night. The record was originally conceived as a Lindsey Buckingham solo project; it was Mick Fleetwood who  coerced the guitarist into morphing it into a full Fleetwood Mac release.

Remastered CD

“That was in my estimation when everybody in the band was personally at their worst,” Buckingham recalled years later. “If you take the whole subculture that existed in the 1970s, and what it led to — and how it degraded — by the time we did Tango in the Night, everybody was leading their lives in a way that they would not be too proud of today. It was difficult for everybody.”

That included singer Stevie Nicks, who spent most of the laborious 18-month process making Tango in the Night out on the road promoting her third solo album, Rock a Little. Ultimately spending only two weeks at Buckingham’s home studio over the course of recording, Nicks customarily got drunk on brandy before singing her vocal takes. Most of them were left on the cutting room floor.

Once the dust settled, Fleetwood Mac released Tango in the Night on April 13, 1987. Much like Rumours, the behind-the-scenes drama was the genesis for hit records. Lead single “Big Love” cruised up the charts, peaking at #5 on the Hot 100 for the week of May 21, 1987. The song was also a hit on the dance floor, with an extended remix of the track twirling all the way to #11 on the Billboard Dance Sales chart in June 1987.

The second single from Tango in the Night was another radio winner: “Seven Wonders.” The Stevie Nicks showcase made a formidable chart run, breaking into the top 20 to peak at #19 on the Hot 100 for the week of August 15, 1987.

It was Christine McVie who shined on third Tango in the Night single, “Little Lies.” Peaking at #4 on the Hot 100 in November 1987, the song soared all the way to #1 on the Adult Contemporary chart for the week of October 10, 1987.

Christine McVie again took the spotlight with the album’s fourth single, “Everywhere.” The song followed “Little Lies” up the Adult Contemporary chart, hitting #1 on January 15. 1988. Over on the Hot 100, “Everywhere” broke into the top 20 to peak at #14 in February 1988. Continue reading April 1987: Fleetwood Mac’s Classic Lineup Bows Out Big with TANGO IN THE NIGHT | Rhino

Fleetwood Mac’s ‘Live’ is better then ever on expanded remaster | Pop Matters

By Jordan Blum
6 April 2021

Fleetwood Mac’s Live sounds better than ever, giving both longtime fans and newcomers a stronger glimpse into how immaculate they were at the turn of the decade.

Almost no other rock band was bigger than Fleetwood Mac in the mid-to-late 1970s. Sure, they’d been going strong for roughly a decade by then; however, it was the inclusion of Stevie Nicks and Lindsey Buckingham (following the departure of Bob Welch) on 1975’s self-titled tenth LP that took their mainstream appeal to the next level. Of course, 1977’s Rumours was even bigger, while 1979’s experimental double album, Tusk, continued their creative prosperity (despite being considered a commercial failure at the time).

Naturally, the greatness of that trilogy meant that the band’s debut concert recording, 1980’s Live, was as highly anticipated as it was enormously satisfying. Comprised mostly of material from the 1979 – 1980 Tusk tour (as well as a few pieces from the preceding Rumors and Fleetwood Mac tours, of course), it contained virtually every song you could possibly want to hear from their most recent records. Continue reading Fleetwood Mac’s ‘Live’ is better then ever on expanded remaster | Pop Matters