Christine McVie: “Fleetwood Mac’s 2018 tour is supposed to be a farewell tour” | Uncut Magazine

Tom Pinnock
March 16, 2017

McVie and Lindsey Buckingham reveal all about their collaboration in our exclusive interview

The pair’s debut as Buckingham McVie – also featuring Mick Fleetwood and John McVie – is set for release this summer.

“I’ve grown up a lot since the last time I really worked with [Christine],” explains Buckingham. “I realised: ‘Oh, here I am, a completely different person. I’m a father of three children. I’ve been married almost 20 years. I’ve had my journey, and Christine has had her own journey.’”

However, the singer, keyboardist and songwriter also reveals that the future of Fleetwood Mac is far from certain.

“The 2018 tour is supposed to be a farewell tour,” says McVie. “But you take farewell tours one at a time. Somehow we always come together, this unit. We can feel it ourselves.”

Buckingham and McVie are on the cover of the new Uncut, dated May 2017 and on sale March 16.

Click here to buy the issue digitally

Don’t believe the rumours: Christine McVie and Lindsey Buckingham’s duets album is bad news for Fleetwood Mac fans | The Telegraph

The Telegraph
Neil McCormick
Jan 17th, 2017

Fleetwood Mac are celebrated as one of the great dysfunctional soap operas of rock and roll, a dynastic saga set to music. They are almost as famous for the bed-hopping, powder sniffing, emotional traumas they have inflicted upon one another over the years as for their era-defining monster hits.

So news that two of its most cherished members are making an album together is a cause for intrigue, a sense that there may still be a twist or two ahead in the long running and increasingly convoluted narrative.

It was revealed this week that guitarist, singer and songwriter Lindsey Buckingham has been working on an album of duets with keyboard player, singer and songwriter Christine McVie. It is tentatively scheduled to be released in May, under the name Buckingham McVie. That in itself represents an inescapable reference to Buckingham Nicks, the pre-Fleetwood duo made up of Lindsey and former lover Stevie Nicks.

To add spice to the rumour mill, the rhythm section of drummer Mick Fleetwood and bassist (and Christine’s ex-husband) John McVie appear on the album. So the only one of the famous five missing is the elusive Nicks.

There have been 16 members over Fleetwood Mac’s 50 year career, in a constant shuffling of roles that would leave the scriptwriters for Dallas breathless. Most of the bit part players have been forgotten by now but the five leads who united in the mid-70s to create some of the most glorious pop rock ever heard continue to exert fascination.

Legendary albums such as Rumours and Tusk were created in a whirl of narcotic excess, sexual shenanigans and romantic betrayal that lent an undoubted frisson and emotional subtext to songs of love, longing, loss and reconciliation, in which tough emotions were glossed with glorious melodies and sparkling harmonies.

When the classic line up reunited with Christine McVie in 2015, it was intriguing to note that there were three former couples sharing a stage, taking into account that Mick Fleetwood romanced Nicks behind Buckingham’s back during the making of Tusk. Fleetwood has often described the band’s complicated dynamic as a form of ongoing “group therapy”. Continue reading

Fleetwood Mac duet album to be released | The Guardian

The Guardian Music
Monday 16 January 2017 11.01 GMT

Former members Lindsey Buckingham and Christine McVie return with their duet album in May, which will feature John McVie and Mick Fleetwood

Fleetwood Mac in 1977: (From left) Stevie Nicks, Mick Fleetwood, Christine McVie, John McVie and Lindsey Buckingham. Photograph: Michael Ochs Archives

Fleetwood Mac’s Lindsey Buckingham and Christine McVie are set to record a duet album together under the name Buckingham McVie. The moniker harks back to the cult duo Buckingham Nicks, which Lindsey and Stevie Nicks formed before joining Fleetwood Mac.
The singers told the LA Times that their new record should be released in May, with Buckingham commenting on the particular chemistry between the two: “All these years we’ve had this rapport, but we’d never really thought about doing a duet album before.” he said.

McVie added: “We’ve always written well together, Lindsey and I, and this has just spiralled into something really amazing that we’ve done between us.”

The partnership had been hinted at several months previously when drummer Mick Fleetwood told Rolling Stone that the pair “could probably have a mighty strong duet album if they want.”

However the project is slightly more of a group affair than the title suggests – fellow Mac members bassist John McVie and Fleetwood are set to perform on it. This is despite the fact there is still no sign of the first Fleetwood Mac since 2003’s Say You Will. Fans had hoped that when McVie rejoined the band in 2014 following a 16 year break, there would be a new album – but securing time with Stevie Nicks, who has been concentrating on her solo career, has been the stumbling block.

In October last year, McVie told the Guardian that the album was “half-finished … it’s just seven tracks that we’ve got, and they’re only with guide vocals”. Talking of its “fantastic variety of songs” she said she hoped to finish the album before last Christmas

Is Stevie Nicks damaging the Fleetwood Mac legacy?

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Will Fleetwood Mac release a new studio album?
Will Stevie Nicks join the band in recording the album?
Will Stevie Nicks tour again with Fleetwood Mac?
Is there a future for Fleetwood Mac?

So many questions, all without any real answers from the band, other then Stevie Nicks is touring her 2014 album “24 Karat Gold: Songs From The Vault” making up time the gave to Fleetwood Mac for the “On With The Show” that brought Christine McVie back into Fleetwood Mac.

However, the rest of the band (well that is not technically accurate as John McVie does not generally say anything to the press) have been talking about recording new music for a new potential Fleetwood Mac studio album and the possibility of another worldwide tour that is likely to be scheduled to co-incide with the 40th anniversary of Rumours, as well as the 50th anniversary of the band being formed and the 30th anniversary of Tango In The Night and 20th anniversary of The Dance (Fleetwood Mac seem to have a thing for years with seven in them!!)

But, Stevie Nicks appears not to be committing to the band, is she about to splinter the group and and force a Fleetwood, McVie, McVie and Buckingham version of the band to cement their legacy in the huge commercial opening that will begin next year within the anniversary year for Fleetwood Mac, this I s likely their last hurrah before old father time call’s it a day. Continue reading

Christine McVie on Fleetwood Mac: ‘Without one of us, we’re incomplete’ | The Guardian (UK)

The Guardian
6th Oct 2016
By Peter Robinson

The singer on the band’s half-finished album, the visitation she had when writing Songbird, and growing up with a psychic mum

Christine McVie: ‘We’re supposed to be talking about – what’s it called? – Mirage.’ Photograph: PR Company Handout

Christine McVie: ‘We’re supposed to be talking about – what’s it called? – Mirage.’ Photograph: PR Company Handout

Hi, Christine. What was it like growing up with the surname Perfect (1)?
It was difficult. Teachers would say: “I hope you live up to your name, Christine.” So, yes, it was tough. I used to joke that I was perfect until I married John.

Fleetwood Mac’s Mirage is being reissued as a box set for £50 (2). Does that seem like a fair price?
It’s a really nice item! It’s quality, isn’t it? It’s good value for money – you’ve got a lot of outtakes, a lot of previously unheard demo versions of songs, you’ve got the vinyl … a CD, I believe, is in there? I mean it’s a nice package! I haven’t had a good look at it, but the label has given me one to take home. I get a free one!

Have you listened to the demos and outtakes?
No. I’m not a big fan of those things. I know people are interested but for my own personal enjoyment I prefer not to listen to them. My songwriting, when I’m writing, is nothing like it is in its finished form – but you have to start somewhere.

Is the new album finished?
No, it’s half-finished. It’s just seven tracks that we’ve got, and they’re only with guide vocals. Continue reading

Lindsey Buckingham On Writing With Christine McVie on ‘Mirage’ | wror.com

Sept 23rd, 2016
By Erica Banas
wror.com

Arriving in store today (September 23) are deluxe editions of Fleetwood Mac’s 1982 album Mirage.

The new set comes as a single-disc remastered version of the album along with a two-disc Expanded edition and a Deluxe package that includes three CDs, a DVD and an LP. The latter two include bonus demos, rarities and alternative tracks, while the Deluxe also features a 1982 concert from Los Angeles.

Mirage was the more “traditional” follow-up to 1979’s experimental Tusk and hit No. 1 on the Billboard 200, going on to be certified double platinum. Lindsey Buckingham tells us that it was also on album on which he and singer-keyboardist Christine McVie — who wrote the first single “Hold Me” — clicked in a way that was different from the way he worked with Stevie Nicks:

“I would say that it’s…an intangible thing. It’s a very strong thing of what I always thought was, for lack of a better term, the whole being greater than the sum of the parts…and I think in that sense Christine and I as two musicians who are very well-grounded in their craft have a kind of symmetry of respect and love for each other on a creative and a musical and a personal level, and I think that was a big part of what that whole being greater than the sum of the parts was at the time. The fact that what I could do for her, I did it for Stevie too but the fact that she (McVie) could infuse her sensibilities into my stuff and I could tap into what I do as a producer, say, and give back so much to her.”

McVie rejoined the band in 2014 following a nearly 16-year leave of absence. Fleetwood Mac has been working on new material but no release plans have been announced.

Photo by Noam Galai/Getty Images

Photo by Noam Galai/Getty Images

Gary Graff is an award-winning music journalist who not only covers music but has written books on Bob Seger, Neil Young and Bruce Springsteen.

Christine McVie quit Fleetwood Mac over flying phobia | durhamregion.com

durhamregion.com
21st Sept, 2016

Christine McVie quit Fleetwood Mac because she developed a fear of flying.bs2bs1209229_image1_content

The 73-year-old singer used to whizz around the globe for the ‘Go Your Own Way’ rockers’ mammoth tours on their own private jets, but she slowly developed a phobia of flying and had to leave the band 18 years ago because she couldn’t bring herself to step foot on a plane.

Speaking on UK station BBC Radio 2 on Wednesday (09.21.16), she said: “It must have been six years ago or seven. It was when I did a little tour of an album but at the time I was so frightened of flying that I couldn’t promote it. That was a big thing, I had a real phobia of flying. I think I did one too many (trips in private planes). I think that’s kind of why I left the band.”

The British songwriter – who was married to her bandmate John McVie from 1968 until 1976 – later went to therapy to help her beat her extreme phobia. Continue reading

10 Questions for Christine McVie of Fleetwood Mac | theartsdesk

The peacemaker of Fleetwood Mac on Mirage, Maui and missing the buzz

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theartsdesk meets Christine McVie on a sunny Friday afternoon in September; the Warner Brothers boardroom (with generous hospitality spread) is suitably palatial. We’re the first media interview of the day, so she’s bright and attentive. McVie was always the member of Fleetwood Mac who you’d want to adopt: the most approachably human member of a band constantly at war with itself. Readily admitting that she’s the “peacekeeper’ in the band, the singer/songwriter behind such Mac classics as “Everywhere” and “You Make Loving Fun” is as sweet and serene as you’d hope she would be.

She’s here to promote the new deluxe remaster of 1982 album Mirage – the follow-up to the somewhat deranged 1979 Tusk, which was recorded and released as Christine and John McVie, the band’s bassist, were divorcing. She quit the band in 1998 after the hugely successful live album The Dance, after which she started a fairly solitary life of her own in the English countryside for the best part of 16 years. The first four of those, she says, were simply spent working on the house. It was only therapy and the canny, persuasive hand of Mick Fleetwood that coaxed her into returning after a trip to Maui, Hawaii, where Mick lives close to John McVie, his lifelong partner-in-crime.

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The former Christine Perfect had a severe fear of flying that she’s now completely beaten, and as we speak, it’s clear that she’s fairly perplexed about having left the fray for so long in the first place. So what was she doing in all that time exactly? “A lot of people ask me that question!” With a brand new album (their first since 2001’s Say You Will) and a new world tour in the planning stages, it’s clear that the Fleetwood Mac story still has several enthralling chapters ahead. Somewhere near Fleetwood’s on Front Street – Mick’s fancy restaurant in Maui – the drummer must be feeling pretty smug that the ragged band of brothers and sisters he founded are finally back together.

Continue reading

Rumours has it… Fleetwood Mac’s Christine McVie on making magic again | Mayfair Times

After 16 years in the Kent wilderness, Christine McVie and Fleetwood Mac are creating magic once again… there’s even a new album in the pipeline. By Reyhaan Day

Fleetwood Mac’s Christine McVie offers me tea and a seat on a plush sofa. Among the things on her coffee table is a picture book called Crap Taxidermy. There’s a platinum record on the wall, and a stuffed dog looks out from under a side table next to a flickering fireplace.

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“Do you like my dog? I found him in an antique shop – he’s 100 years old and I call him Jarvis.”

McVie is a dog person – she had two until recently. “I had a lovely time with them, but do I miss having dogs? Dogs tie you down. Who’s going to look after them when I go on tour?” she says. “I thought about getting a bird – a parrot perhaps – and teaching it to talk.” But McVie doesn’t want to be held back any longer. “I want my freedom now.”

As one fifth of Fleetwood Mac, Christine McVie has helped define popular music since the late 1960s. With her bandmates, McVie has written songs that are loved across generations. With 1977’s Rumours, Fleetwood Mac became superstars, experiencing both critical acclaim and public adoration. She explains that there is something about the band’s music, and Rumours in particular, that appeals to all ages. “Parents played the album at home, but kids gravitated to the album as well; and now some of their children are turned on to Fleetwood Mac.” It’s something that McVie is still surprised by. “It’s really quite amazing, the dichotomy of people coming to see the shows – it ranges anywhere from 80 to eight. It’s very exciting.” Continue reading

Moving On | The Sunday Times

Hugh Graham
Published: 21 February 2016
The Sunday Times

Not quite going her own way

Million-pound drop: Christine McVie has reduced the price of her Kent home to £2.5m

Million-pound drop: Christine McVie has reduced the price of her Kent home to £2.5m

Fleetwood Mac’s fortunes may be reviving — the 1970s act’s 2014-15 reunion tour was a hot ticket, and their seminal album Rumours re-entered the Top 40 last week — but their resurgence isn’t helping Christine McVie sell her grade II listed Kent estate. The singer, 72, put the six-bedroom pile in Wickhambreaux on the market for £3.5m last year, but she’s just dropped the price to £2.5m (with nine acres, instead of the original 19).

McVie bought the estate in 1990, and quit the band to do it up — she was also afraid of flying. Yet it seems she’s not cut out for the quiet life: “I had this idea that I’d love the small village life, with the Range Rover and the dogs, and baking cookies,” she told The New Yorker magazine last year. “But then it got so boring. You couldn’t walk down the road without meeting two people related to each other. I missed the songs. And I missed the audience.”