Tag Archives: Fleetwood Mac

Fleetwood Mac Reissue Review | Mojo Magazine

Mojo Magazine (Match 2018)
By Mark Blake

FLEETWOOD MAC DELUXE EDITION
****
Reprise CD/DL/LP

A fine romance

Starcrossed lovers 1975 hits album just before divorce proceedings began now expanded

Has there ever been any more serendipitous album then Fleetwood Mac? At the end of 1974, Mick Fleetwood and John McVie’s group were drawing their last breath. The boom years with guitarist Peter Green over, and the previous years trippy West Coast influenced Heroes Are Hard To Find was the latest in a long line of poor sellers.

It was make-or-break time, when Fleetwood hired unknown singer/ songwriter Lindsey Buckingham and, despite Fleetwood’s initial reluctance, Buckingham’s girlfriend Stevie Nicks; a story Nicks’ has rightly dined out on ever since. A year later, the rebooted Fleetwood Mac were basking in the success of a US number one hit. This deluxe edition contains fewer previously unreleased studio tracks but more live numbers than 2016’s things remastered Tango In The Night. The ‘White Album’ (as it’s often known) doesn’t have to sleep-deprived, teeth-grinding tension of his successor Rumours or a song as gleefully bombastic as The Chain. It’s warmer, slightly less druggie, and none the worse for that.

The original album contains three songs which between them templated the future sound of Fleetwood Mac. As anyone has heard 1973’s Buckingham Nicks album will confirm, the couple bought existing ideas to the table. They even re-recorded one of its songs, Crystal on Fleetwood Mac. Continue reading Fleetwood Mac Reissue Review | Mojo Magazine

Fleetwood Mac Reissue Review | Classic Rock Magazine

Classic Rock Magazine (issue 246)
By Mark Beaumont
4th Feb 2018

Fleetwood Mac | WARNERS | 8/10

Fleetwood Mac in 1975 (photo: Getty)

In which Fleetwood Mac Mk 2 rises from two separate dumpers.

Some tacos are destined to change the world. Take the ones over which the remnants of Fleetwood Mac ‘auditioned’ Lindsey Buckingham and Stevie Nicks in a Mexican restaurant in LA in 1974. Mac were smarting from five years of slumping record sales and the departure of guitarist and songwriter Bob Welch; Buckingham and Nicks, who had a flop album themselves with 1973’s Buckingham Nicks, were on the verge of quitting their part-time LA jobs, ending their floundering relationship and going their separate ways.

The Mac needed only a new guitarist, but Buckingham refused to join unless they took Nicks as well. Mick Fleetwood gave his remaining core songwriter, Christine McVie,
a veto over Nicks, but the pair got on famously. By the time the margaritas were drained, soft-rock history was shaken on.

The Mac album (the band’s tenth) that this fresh new line-up began recording just three weeks later — with Buckingham so pushy in teaching the veteran rhythm section their parts that John McVie chided him: “The band you’re in is Fleetwood Mac. I’m the Mac. I play the bass” would become their second self-titled release, to mark their final transition from Peter Green’s blues-rock version to a new country-rooted pop rock sound. The title heralded a new Fleetwood Mac, and their second era would become one of the most successful rebirths in rock. Inevitably, one returns to 1975’s Fleetwood Mac with radar attuned to the first whispers of Rumours, and there are plenty circulating within these semi-magical 42 minutes. Continue reading Fleetwood Mac Reissue Review | Classic Rock Magazine

Fleetwood Mac (reissue, 1975) Review | Uncut Magazine

By Nigel Williamson
Uncut Magazine
Warners
9/10

Career-changing 1975 album expanded into three-disc deluxe edition

When Lindsey Buckingham was invited to join Fleetwood Mac in late 1974, it was the group’s final throw of the dice. After nine lineup changes in eight years, the previous album, Heroes Are Hard To Find, had barely sold enough “to pay the electric light bill”, as Mick Fleetwood put it. When Buckingham insisted that his girlfriend Stevie Nicks join with him, the group agreed with considerable reluctance. Yet the results were transformative.

The newcomers wrote six of the 11 songs on the next album, including Nicks’ all-time classics “Rhiannon” and “Landslide”, which came to define the Mac’s ‘new’ sound. Their presence also energized Christine McVie, who contributed two of her most enduring compositions in “Say You Love Me” and “Over My Head”. The album was released to initial indifference, but support built slowly. Fifteen months after its release, the album was sitting on the top of the US charts, by which time the group were already back in the studio recording the epoch-defining Rumours.

Extras 8/10. An alternate version of the original album comprising unreleased outtakes and early versions of each of the 11 songs, plus a plethora of 1976 live performances.

Thanks to Stéphane Blanc for providing this review

Stevie Nicks: I will never get over the loss of Tom Petty | Daily Mail

Stevie Nicks has paid an emotional tribute to her friend Tom Petty.

The singer was close to tears as she spoke about the Free Fallin’ star, who died last year from an accidental overdose.

Speaking at the MusiCares Person of the Year event in New York honouring her band Fleetwood Mac, she said: “The loss of Tom Petty has just about broken my heart.”

She added: “He was not only a good man to go down the river with, as Johnny Cash said, he was a great father and he was a great friend.

“He was one of my best friends. My heart will never get over this.”

Petty was the honoree at the ceremony in 2017 and Nicks said Petty told her how important it was to him. Continue reading Stevie Nicks: I will never get over the loss of Tom Petty | Daily Mail

Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

By Halina Watts
27th Jan 2018
The Mirror

Christine McVie said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio

Stevie Nicks, John McVie, Christine McVie, Lindsey Buckingham and Mick Fleetwood onstage during MusiCares Person of the Year at Radio City Music Hall in New York City on Friday (Image: Getty Images North America)

Rock royalty Fleetwood Mac got high to try to numb the ­misery of being together, Christine McVie has revealed.

The singer-songwriter said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio.

They turned to alcohol, cocaine and even quaaludes tranquilisers to “cheer themselves up” and get through sessions.

Her candid words came as Fleetwood Mac were honoured at the MusiCares Person of the Year pre-Grammy event.

Christine, 74, said of wild drug use in their heyday: “Everybody was doing it. I don’t have any regrets at all.

“I would not change those days but you have to remember it was uniform – it was a badge of honour, and everybody was doing that kind of thing.”

Christine McVie and Stevie Nicks perform onstage during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26 (Image: Getty Images North America)

Explaining their over-indulgence at work, she added: “Our situation in the studio, that was angst and I think we probably needed a little something to cheer us up in that situation. Continue reading Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

Fleetwood Mac Shares Early Version of 1975 Classic ‘Monday Morning’ | Billboard

Billboard Online
11th Jan 2018
by Gary Graff

As the opening track on 1975’s five-times-platinum Fleetwood Mac album, “Monday Morning” was the first thing most fans heard from the new incarnation of the band after Lindsey Buckingham and Stevie Nicks joined. But the song also revealed a new Buckingham. You can listen to an exclusive early take of the song, from the upcoming Fleetwood Mac deluxe edition here

The singer-guitarist and his then-girlfriend Nicks joined Fleetwood Mac at the recommendation of co-producer Keith Olsen, after releasing their own Buckingham Nicks album. And Buckingham freely acknowledges that becoming part of a group required him to adjust his approach to music.

“If you go all the way back to before Stevie and I joined Fleetwood Mac, the application of guitar was a lot more prevalent in the whole scheme of the space that was taken and the work that was done by a particular instrument,” Buckingham, who wrote the buoyant, surging “Monday Morning” for a second Buckingham Nicks album, told Billboard previously. “I wasn’t even sure what my role was gonna be at that point; Obviously it was kind of a lesson in adaptation for me, and maybe giving up on certain things and concentrating on other things which were maybe strengths for the good of the band. So part of the exercise of joining Fleetwood Mac was adapting down to not only fit a sound, but I had to get off the guitar I was using and get on to a Les Paul. Their sound was very fat, and the nature of the playing with Christine (McVie) and John (McVie), there was a lot of space taken, so you had to sort of take what was left and fit into it.”


Continue reading Fleetwood Mac Shares Early Version of 1975 Classic ‘Monday Morning’ | Billboard

Miley Cyrus, Imagine Dragons to Honor Fleetwood Mac at MusiCares, Bill Clinton Set to Present Award | Billboard

Billboard Online
10th Jan 2018
by Melinda Newman

More Artists Join Lorde, Harry Styles And OneRepublic

Imagine Dragons, Miley Cyrus, Little Big Town, Juanes, Portugal. The Man, Brandi Carlile, Zac Brown Band, Alison Krauss and Jerry Douglas have been added to the lineup to fete MusiCares Person of the Year Fleetwood Mac on Jan. 26 at New York’s Radio City Music Hall.

They join previously announced performers Lorde, OneRepublic, Harry Styles, Keith Urban and Haim.

Additionally, President Bill Clinton will present Fleetwood Mac their award. The band’s hit “Don’t Stop” was his campaign song while running for president in 1992 and has become his unofficial theme.

Fleetwood Mac is the first band to be honored as MusiCares Person of the Year. Past honorees include Tony Bennett, Bono, Natalie Cole, Phil Collins, David Crosby, Neil Diamond, Bob Dylan, Gloria Estefan, Aretha Franklin, Don Henley, Billy Joel, Elton John, Quincy Jones, Carole King, Paul McCartney, Luciano Pavarotti, Tom Petty, Bonnie Raitt, Lionel Richie, Paul Simon, Bruce Springsteen, Sting, Barbra Streisand, James Taylor, Brian Wilson, Stevie Wonder, and Neil Young.

With the Jan. 28 Grammy Awards moving to New York this year for the first time in 15 years, MusiCares will break tradition by taking place in a concert venue instead of a ballroom or convention center.  After the concert, there will be an after-party and silent auction at the New York Hilton Midtown. Individual orchestra seats range from $1,750 to $8,500. Mezzanine seats are on sale to the general public through Ticketmaster with prices ranging from $356 to $606.

Proceeds go to the MusiCares Foundation, which offers health and human services and programs to members of the music community, including emergency financial assistance.

Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME

NME
By Damien Jones
Nov 16th, 2017

Band are also planning a world tour in 2018

Fleetwood Mac have announced plans to reissue their self-titled 1975 album, featuring unreleased material.

The remastered album will be available in three different formats: a single-CD, a 2xCD collection featuring unreleased studio and live recordings, and a 3xCD/LP/DVD deluxe edition that features additional live material.

Among the previously unreleased recordings are live performances and early takes of a number of tracks including ‘Rhiannon’, ‘Landslide’, and ‘Say You Love Me’.

The live songs were recorded during concerts in 1976, and the deluxe edition will include 14 additional unreleased live tracks.

The deluxe edition will also include the original album pressed on 180-gram vinyl, plus a DVD featuring 5.1 surround sound and high-resolution 24/96 stereo audio mixes of the record.

The reissue will be released on January 19 via Warner Bros.

The tracklisting for the deluxe edition is listed below:

Products from Amazon.co.uk

Continue reading Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME

Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News

Mick Fleetwood is the backbone of the band that bears his name; the man who kept Fleetwood Mac rolling through the best and hardest of times.

In the early days he was their manager, hiring and firing musicians like a soft rock Alan Sugar.

By the late 70s, he was the bandage that stopped them falling apart amidst drug abuse, infidelity and betrayal.

And sitting behind his “back to front” drum kit, Fleetwood is the band’s beating heart, constructing dozens of unforgettable rhythms – from the syncopated shuffle of Go Your Own Way, to the fidgety cowbell riff of Oh Well.

But surprisingly, the 70-year-old doesn’t rate his own drumming.

“There’s no discipline,” he says. “I can’t do the same thing every night.”

Anyone who’s listened to the deluxe edition of Fleetwood Mac’s Tusk will know otherwise. There, you can hear multiple outtakes from the title track, with Fleetwood sitting doggedly on the song’s distinctive groove for more than 25 minutes.

Still, he insists: “I am very not conformed, I change all the time.”

The confession is prompted by a discussion about Fleetwood’s lavish new picture book, Love That Burns, which chronicles his early career and the first incarnations of Fleetwood Mac. Continue reading Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News

British blues: New book heralds early days of Fleetwood Mac | Daily Mail

By Associated Press
Oct 6th, 2017

LONDON (AP) – Mick Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.

A common tale, true, but this one has a happy ending. Fleetwood fell in with some talented blues enthusiasts, paid (barely) his dues, and soared to stardom with the first incarnation of Fleetwood Mac – and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band.

“School was not a good thing for me,” said Fleetwood, dressed in classic British style, complete with a pocket watch on a chain.

Mick Fleetwood, the drummer and co-founder of the band Fleetwood Mac speaks before the start of an interview at a hotel in London, Thursday, Sept. 28, 2017. Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.
A common tale, true, but this one has a happy ending. As a teen, Mick Fleetwood fell in with some talented blues enthusiasts, paid his dues, and soared to stardom with the first incarnation of Fleetwood Mac and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band. (AP Photo/Matt Dunham)

“I had a learning disability, no doubt, and no one understood what those things were. I was sort of drowning at school academically. My parents were like, ‘Go and do it.’ They were picking up on the fact that I had found something. They saw the one thing that I loved with a passion was teaching myself how to play drums at home,” he said. “So they sent me off with a little drum kit to London and the whole thing unfolded.”

Fleetwood didn’t really have to rebel, though rebellion was in the air, and he had the good fortune to make friends early with Peter Green, the supremely talented guitarist whose blues sound shaped the band’s early years. Continue reading British blues: New book heralds early days of Fleetwood Mac | Daily Mail

%d bloggers like this: