Tag Archives: Fleetwood Mac

Best of Fleetwood Mac (1969-1974) Press Release


Best of Fleetwood Mac (1969-1974)

New Compilation Spotlights 19 Essential Tracks From The Band’s First Seven Reprise Albums

CD and 2-LP Versions Available From Rhino On July 26


In the late 1960s, Mick Fleetwood, Peter Green, John McVie, and Jeremy Spencer laid the foundation for what would become one of the most storied and successful bands in rock history, Fleetwood Mac. Now, Rhino is celebrating the band’s transformative early days with a compilation that features 19 essential tracks.

BEST OF FLEETWOOD MAC (1969-1974) will be available on July 26 from Rhino on CD, 2-LP 180-gram black vinyl, & 2-LP brick & mortar exclusive on sea-blue vinyl. Pre-Order HERE. Continue reading Best of Fleetwood Mac (1969-1974) Press Release

Lots of Fleetwood Mac items on-sale in Spring 2024

Spring 2024 brings many re-releases of Fleetwood Mac albums, from coloured vinyl to a picture disk of Rumours and a high-res blu-ray Dolby Atmos release of Rumours, check out the list of releases below.

Coloured Vinyl Releases
Available in the UK, Europe and North America, the Fleetwood Mac album, Rumours album and Tusk album will be released on coloured vinyl, differing colours will be offered in differing regions and from different sellers.

Amazon UK will be offering colour variants of  Fleetwood Mac and Rumours which are priced at £27.99 each and will be available from 29 May, while Tusk is priced at £57.99 and available from 24 May. Amazon in the US and Canada will also have exclusives available in 3 different colours.  Fleetwood Mac and Rumours are priced at $24.99 while Tusk is priced at $39.98.
HMV in the UK will release a different set of colour variations with a release date of June 15, 2024.  Fleetwood Mac and Rumours are both priced at £29.99, with Tusk priced at £64.99.  Pre-order at HMV
Urban Outfitters in the US and Canada will release colour variations of three Fleetwood Mac albums on May 24, 2024, Fleetwood Mac and Rumours are both priced at $29.98 with Tusk priced at $46.98. Pre-order at Urban Outfitters

Barnes and Noble in the US will be releasing the same colour variants as HMV on May 24 (except Rumours, is showing a release date of  July 12). Fleetwood Mac and Rumours are both priced at $26.99 and Tusk will be $41.99.


Rumours Picture Disk (20 April)
As part of Record Store Day 2024 on April 20, Rumours will be issued for the first time as a picture disc, this release will be available in the UK, Europe and North America. Click this link for further information.

Rumours Blu-ray (26 April)
Rhino are releasing Rumours on Blu-ray that contains the tracks (including Silver Springs) in Dolby Atmos, DTS HD 5.1, and DTS HD Stereo mixes, currently this release is only listed for North America and is available for pre-order from 25 April on the Rhino website.

Track List

  1. “Second Hand News”
  2. “Dreams”
  3. “Never Going Back Again”
  4. “Don’t Stop”
  5. “Go Your Own Way”
  6. “Songbird”
  7. “The Chain”
  8. “You Make Loving Fun”
  9. “I Don’t Want to Know”
  10. “Oh Daddy”
  11. “Gold Dust Woman”
  12. “Silver Springs”

Thanks to Fleetwood Mac News for some of the images used

Lindsey Buckingham says he would return to Fleetwood Mac “in a heartbeat, absolutely” | NME

Lindsey Buckingham has reflected on his time in Fleetwood Mac and revealed that he would rejoin the line-up “in a heartbeat”.

The comments from the artist arose during a new interview with Conan O’Brien for SiriusXM, in which Buckingham recalled the legacy of the band and his departure from the line-up in 2018.

Currently, the future of Fleetwood Mac hangs in the balance, following the death of longtime member Christine McVie. The singer, songwriter and keyboardist died in November 2022 aged 79 “following a short illness”. It was later revealed that her death was primarily caused by suffering an ischemic stroke.

The musician had also been diagnosed with “metastatic malignancy of unknown primary origin”, meaning cancer cells had been detected in her body.

While it remains uncertain whether or not the band will continue without McVie, Buckingham has said that he would be open to the idea if the opportunity arose.

“In a heartbeat, absolutely,” he responded to O’Brien when asked if he would consider rejoining (via Far Out). “If there’s more to come [from Fleetwood Mac], if there’s a way to heal that, that would be great. It would be very appropriate to close on a more circular note.” Continue reading Lindsey Buckingham says he would return to Fleetwood Mac “in a heartbeat, absolutely” | NME

Not Just Second Hand News: Fleetwood Mac to Release ‘Rumours’-Era Live Show | The Second Disc


Over the course of four legs between February 24, 1977 and August 30, 1978, Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie, and Mick Fleetwood traveled across North America, Europe, Oceania, and Japan touring Rumours.  Fleetwood Mac released their seminal album on February 4 and would perform most of it on the road. Now, a full concert performance recorded on August 29, 1977 at The “Fabulous” Forum in Inglewood, California is coming to CD, vinyl and digital platforms. On September 8, Rumours Live will arrive on two discs from Warner Records and Rhino – in stores justs a couple of months before the recently-announced pair of solo reissues from the late, much-missed Christine McVie.

Since its formation in 1967, Fleetwood Mac had endured radical personnel changes, a stylistic shift from blues to rock, and even a challenge from a “fake Mac” claiming to be the band in concert. When guitarist-songwriter-vocalist Bob Welch became the latest member to pass through the Fleetwood Mac revolving door, drummer Mick Fleetwood and husband-and-wife duo John (on bass) and Christine McVie (on vocals and keyboards) invited two young Californians to bolster the line-up. Guitarist Lindsey Buckingham and his then-girlfriend Stevie Nicks first appeared on 1975’s self-titled album, which signified a new start for the identity crisis-stricken band. With “Rhiannon,” “Landslide,” “Over My Head,” and “Say You Love Me,” the all-new Fleetwood Mac launched the group into the stratosphere. Its slow ascent up the charts culminated in a No.1 berth on the Billboard 200 over one year after entering the chart. The stage was set for Rumours, which would handily surpass its predecessor’s great success. Continue reading Not Just Second Hand News: Fleetwood Mac to Release ‘Rumours’-Era Live Show | The Second Disc

Christine McVie obituary | The Times (UK)

Reserved, intelligent singer and songwriter for Fleetwood Mac whose album Rumours was one of the biggest-selling of all time

Christine McVie in 1979: she wrote many of the band’s most famous songs

Under normal circumstances, when Christine and John McVie divorced, they would have gone their separate ways. There were no children to consider and nothing to keep them together — except that they were trapped in the same band, forced to see each other each day and share a stage together every night as they toured the world with Fleetwood Mac.

To rub salt into the wounds, after separating from her husband, Christine had started an affair with the group’s lighting director while at the same time two other members of the band, Stevie Nicks and Lindsey Buckingham, were also breaking up and Nicks began an affair with the fifth member of the group, drummer Mick Fleetwood.

If one had been writing a rock’n’roll soap opera, the emotional maelstrom of this torrid plot would surely have been rejected as too preposterous. Yet for the participants it was all too real and they dealt with the fallout in the only way they knew how. They wrote songs to each other about their collective trauma.

The songs became the 1977 album Rumours, which went on to sell more than 40 million copies worldwide and became one of the biggest-selling albums of all time.

Christine’s compositions for the album included You Make Loving Fun, addressed to her new lover, and Don’t Stop, a message to her husband, which was later famously adopted by President Bill Clinton as his campaign theme tune. On both of them, the jilted ex-husband played bass without missing a beat. Continue reading Christine McVie obituary | The Times (UK)

“Applaud my genius, Bemoan my failings” | The RC Interview with Lindsey Buckingham

Record Collector Magazine
April 2022
Terry Staunton

Musicians with careers as long and as successful as Lindsey Buckingham’s tend to have a wealth of stories to tell, but few have involved quite so many plot twists. From relatively unassuming beginnings as a recording artist via a sun-kissed album made with his then-girlfriend Stevie Nicks, he was catapulted into the white heat of superstardom with Fleetwood Mac, as a creative linchpin of the makeover that brought them global acclaim. A solid, parallel solo career garnered more plaudits, if not the same sales, but there have been myriad pitfalls and problems along the way Oddly, despite the stratospheric success, he remains, in a sense, a cult artist, “I was determined to avoid becoming a caricature,” he tells Terry Staunton.

Lindsey Buckingham opens with an apology. While happy to be grilled about any and all aspects of his professional and private life, he’s concerned some events may be trickier to recall than others: “I want to say sorry in advance, in case I draw a blank on some of your questions. There may be memory lapses, especially during those years we weren’t behaving ourselves.”

The misbehavior he alludes to is a frequently referenced component in the story of Fleetwood Mac, a band whose appetite for frowned-upon substances has, in some quarters, defined them as much as any of their million-selling albums. The same can be said about the unraveling of in-house romantic entanglements that inform the contents of their most iconic work, the “musical soap opera”, Rumours. Released in early 1977, three months before Star Wars opened in US cinemas, more than one subsequent magazine article about its songs and the star-crossed lovers who made them has headlined May Divorce Be With You.

Quick-fix shorthand aside, however, Buckingham’s is a musical CV distinguished by daring, by taking risks, by refusing to zig and relishing a zag. He may have been the co-architect of the perceived pinnacle of soft rock (with worldwide sales north of 40 million), but he was also the driving force behind the often wilfully radio-unfriendly Tusk.

When the boundaries of the Fleetwood Mac blueprint were no long a workable (or welcome) fit for his spirit of musical adventure, he embarked on a parallel solo career that, while retaining many of the melodic hallmarks of the band, allowed him to scratch a relentless itch for pushing envelopes. His 2021 self-titled collection is a continuation of the sonic explorations of its six predecessors, of a hunger to remix the paints on what he refers to in this interview as his “artistic palette”.

It’s an album we should have heard when it was completed in 2018, were it not for a sequence of events no one saw coming on the last day of its recording. A request to extend his sabbatical from the group in which he’d served for a total of 43 years was met with an unceremonious sacking, and while still licking his wounds from that bolt-out-of-the-blue news, Buckinghamham was rushed to hospital to undergo triple-bypass surgery.

While recuperating and redrafting plans to take the new record to market, his private life also went into a tailspin with headlines that the man whose name was synonymous with hign-profile breakups in the rock biz, was getting a divorce from Kristen Messner, his photographer and interior designer wife of 21 years. The ending of that particular chapter has yet to be written, and the now 72-year-old Buckingham is candidly philosophical about what the future might hold.

Today he has a European tour (including his first-ever solo shows in the UK) to promote, while looking back at the highs and lows of a life in music that started with playing acid rock bass at school in the San Francisco suburb of Atherton. Continue reading “Applaud my genius, Bemoan my failings” | The RC Interview with Lindsey Buckingham

Lindsey Buckingham looks past Fleetwood Mac ‘fiasco’ with upcoming solo tour | San Francisco Chronicle

Aidin Vaziri
San Francisco Chronicle
April 1st, 2022

Lindsey Buckingham doesn’t have much reason to be optimistic.

Over the past four years, Fleetwood Mac gave him the boot, his wife filed for divorce, he lost his voice, nearly died, and watched the release of his long-awaited solo album get delayed several times. Oh, and then there was the whole pandemic thing.

After being ousted from Fleetwood Mac, musician Lindsey Buckingham released a self-titled album in 2021.

“It’s certainly been an interesting few years, starting with the whole Fleetwood Mac fiasco,” Buckingham, 72, told The Chronicle, calling from his home in the Brentwood neighborhood of Los Angeles.

Yet the songwriter, best known as the band’s lead guitarist and singer since it released the 40 million-selling album “Rumours” in 1977, is full of hope as he prepares to kick off an extensive spring solo tour at the Palace of Fine Arts in San Francisco on Tuesday, April 5.

The trek is in support of his seventh solo album, “Lindsey Buckingham,” which was completed nearly five years ago and finally released in September. The first leg of the tour in the fall saw him packing theaters with loyal fans, and many of his upcoming dates are sold out too.

But Buckingham is most looking forward to getting back onstage with the members of his former group — drummer Mick Fleetwood, bassist John McVie, keyboardist-vocalist Christine McVie and singer Stevie Nicks, who reportedly issued the ultimatum forcing the band to dump Buckingham ahead of its 2018 “An Evening With Fleetwood Mac” tour. Continue reading Lindsey Buckingham looks past Fleetwood Mac ‘fiasco’ with upcoming solo tour | San Francisco Chronicle

Lindsey Buckingham blames “disoriented” Stevie Nicks for the lack of new Fleetwood Mac music | Classic Rock

Lindsey Buckingham says the fact that Fleetwood Mac haven’t released a new album since 2003 “wasn’t for lack of trying”

(Image credit: Rob Ball/WireImage)

Lindsey Buckingham blames Stevie Nicks for the lack of new music from Fleetwood Mac, telling Classic Rock magazine that the fact that the legendary rock band haven’t released a studio album since 2003‘s Say You Will “wasn’t for lack of trying.”

Buckingham, who released a self-titled solo album earlier this year, was fired from Fleetwood Mac in 2018, and claimed earlier this year that Nicks was the catalyst for that decision: speaking with the LA Times, the guitarist said that Nicks issued a ‘him or me’ ultimatum to the band, in a bid to assert more control over the group, an accusation Nicks has denied.

Now, in a new interview running in the new issue of Classic Rock magazine, on sale on December 7, Buckingham suggests that his former partner’s reticence to get involved in the writing and recording of new Fleetwood Mac material is the reason there’s been no new album from the band in 18 years.

Buckingham claims that work had actually begun on a new Fleetwood Mac album back in 2012.

“I had a bunch of songs, and Mick [Fleetwood] and John [McVie] and I went in with the producer Mitchell Froom and cut a bunch of stuff,” he tells Classic Rock. “This was before Christine [McVie] returned to the band in 2014. We very much wanted to draw Stevie in, and for some reason she refused to participate.” Continue reading Lindsey Buckingham blames “disoriented” Stevie Nicks for the lack of new Fleetwood Mac music | Classic Rock

Fleetwood Mac’s Lindsey Buckingham on Stevie Nicks: ‘She’s never been over me’ | The Times

The Times (UK)
Will Hodgkinson
September 17 2021

Last week the singer revealed he had been fired from the group by Nicks. The reason? She’s probably still in love with him, he tells Will Hodgkinson

Lindsey Buckingham: “It’s hard for me to know what Stevie’s mentality is towards me — but I know what mine is to her”CHANTAL ANDERSON/NEW YORK TIMES/REDUX/EYEVINE
Lindsey Buckingham: “It’s hard for me to know what Stevie’s mentality is towards me — but I know what mine is to her” CHANTAL ANDERSON/NEW YORK TIMES/REDUX/EYEVINE

The soap opera continues. Last week Lindsey Buckingham announced that he was fired in 2018 from Fleetwood Mac because Stevie Nicks made an ultimatum: it was either him or her. They chose her. It was, says the guitarist who joined the band in 1975 with Nicks, then his girlfriend, the result of long-simmering tensions. They reached boiling point after Nicks refused to delay a tour so Buckingham could promote his solo album, and because of a perceived slight during her speech at the MusiCares charity event in New York, when she felt he was smirking behind her back. Nicks responded by stating: “I did not have him fired, I did not ask for him to be fired, I did not demand he be fired. Frankly, I fired myself.”

Rather than fuel the he-said-she-said back and forth, I’m interested to know where all this antipathy came from in the first place. Fleetwood Mac’s 1977 masterpiece, Rumours, was dominated by songs about the pair’s romantic tussles. She wrote Dreams about him, he wrote Go Your Own Way, Second Hand News and Never Going Back Again about her, and since then they have dealt with cocaine addiction, alcohol abuse, solo careers, Nicks going through rehab, Buckingham getting married to the interior designer Kristen Messner, and countless worldwide tours. If they could survive all of that, why should it fall apart in 2018 over a tour delay and a snigger? Continue reading Fleetwood Mac’s Lindsey Buckingham on Stevie Nicks: ‘She’s never been over me’ | The Times

‘Like Trump and the Republicans’: Lindsey Buckingham reignites Stevie Nicks feud | The Guardian

Ben Beaumont-Thomas
Thu 9 Sep 2021 17.38 BST

War of words takes place between former Fleetwood Mac couple, with Buckingham accusing the band of dishonouring its legacy

Going their own way … Stevie Nicks and Lindsey Buckingham. Composite: Getty

One of the bitterest feuds in pop music rolls on, after Fleetwood Mac’s Lindsey Buckingham and Stevie Nicks – once a couple whose breakup powered the classic album Rumours – have strongly disputed Buckingham’s departure from the band.

In 2018, it was announced that Buckingham would not be appearing on a forthcoming Fleetwood Mac tour. Buckingham sued the band later that year, saying that he was “suddenly cut off” after a dispute over being able to postpone the tour to play solo dates.

The lawsuit was settled out of court, with Buckingham saying: “We’ve all signed off on something. I’m happy enough with it. I’m not out there trying to twist the knife at all. I’m trying to look at this with some level of compassion, some level of wisdom.”

But in a new interview with Rolling Stone, Buckingham has said he was ousted because Nicks “wanted to shape the band in her own image, a more mellow thing”. He added: “I think others in the band just felt that they were not empowered enough individually, for whatever their own reasons, to stand up for what was right. And so it became a little bit like Trump and the Republicans.”

He said the ensuing tour, with Mike Campbell and Crowded House’s Neil Finn replacing him on guitar, “seemed somewhat generic and perhaps bordering on being a cover band … what this did was dishonour the legacy that we built”. Continue reading ‘Like Trump and the Republicans’: Lindsey Buckingham reignites Stevie Nicks feud | The Guardian