Category Archives: John McVie

Christine McVie doesn’t think Fleetwood Mac will tour with Stevie Nicks again | NME

Feb 9, 2021
By Sam Moore
NME Online

She also expressed doubt about going back out on the road again

Christine McVie, Stevie Nicks, and Mick Fleetwood of Fleetwood Mac perform onstage during the 2018 iHeartRadio Music Festival at T-Mobile Arena on September 21, 2018 in Las Vegas, Nevada. (Picture: Kevin Mazur/Getty Images for iHeartMedia)

Christine McVie has said that she doesn’t expect Fleetwood Mac will tour with Stevie Nicks again in the future.

The keyboardist and vocalist was asked about the band’s future plans in a new interview with BBC Radio 2’s Johnnie Walker.

Speaking on Sounds Of The 70s (listen to the full interview here at the 1:13:20 mark), McVie said that the question of touring with Fleetwood Mac was currently “an impossible question to even answer”.

“If we do, it will be without John [McVie] and without Stevie, I think,” McVie said. “I think I’m getting a bit too old for it now, especially having had a year off. I don’t know if I can get myself back into it again.

“I know Mick [Fleetwood] would do it in a lightning strike,” she added. “But I couldn’t possibly say. We’re certainly not touring this year either.” Continue reading Christine McVie doesn’t think Fleetwood Mac will tour with Stevie Nicks again | NME

Fleetwood Mac’s ‘Tusk’: 10 Things You Didn’t Know | Rolling Stone

By Ryan Reed
Rolling Stone Online
October 11, 2019

How an in-studio bathroom replica, juvenile dick jokes, and a Peter Green guitar cameo informed the band’s sprawling, experimental follow-up to Rumours

BOSTON, MA – NOVEMBER 17: Stevie Nicks performs with Fleetwood Mac at the Boston Garden on Nov. 17, 1979. (Photo by Janet Knott/The Boston Globe via Getty Images)

Fleetwood Mac’s 12th album is both demented and debonair, familiar and foreign — a sprawling double LP that, like the Beatles’ White Album before it, reveled in its own messiness, jumbling together the work of three distinct songwriters. Singer Stevie Nicks and keyboardist Christine McVie carried the commercial weight on Tusk, penning playful pop grooves (the latter’s “Think About Me”) and stormy rockers (the former’s “Sisters of the Moon”) that massaged the same sweet spot as their previous record, the mega-platinum 1977 masterwork Rumours.

But Lindsey Buckingham was unwilling to repeat himself. Savoring the edgier modern sounds of New Wave and punk, the singer-guitarist prepared to march into the unknown — whether or not his bandmates were interested in the journey. That friction ultimately defines Tusk, the band’s fractured masterpiece. 

“The explosion of the punk movement had changed the musical landscape, and the popular conception was that bands like ours, Led Zeppelin, the Stones, Elton John and everyone else from our era, were a bunch of dinosaurs who’d lost touch with the real world,” drummer Mick Fleetwood wrote in his 2014 autobiography, Then Play On. “That wasn’t true, of course — we were in touch and aware of all those changes in culture, Lindsey most of all. He was intrigued by punk bands like the Clash and lots of New Wave artists such as Talking Heads and Laurie Anderson, and he wanted to follow that muse creatively. The issue for him was whether or not he was going to be able to do that with the rest of us.” Continue reading Fleetwood Mac’s ‘Tusk’: 10 Things You Didn’t Know | Rolling Stone

Fleetwood Mac’s Lindsey Buckingham Goes His Own Way (Again): A Timeline | Spin

Written By Stephen Thomas Erlewine

Just three years ago, when Fleetwood Mac was awash in good vibes after the return of Christine McVie, MOJO Magazine asked Mick Fleetwood if it was the classic lineup or nothing. The drummer, who has anchored the British band with bassist John McVie since 1967, responded: “This is it, to me. Emotionally, if you think of the enormity of what has happened, the surprise of what has happened, the doors that have opened to be walked through…if you were writing a book, you’d go, ‘Isn’t it a shame I can’t end it like this?’ We’ve had the chance to end it like that and I wouldn’t dream of it any other way.”

Dreams never last. It was only a matter of time before Fleetwood’s rosy summary of the future of rock’s most mercurial band shattered, and April 9, 2018 brought the news. Lindsey Buckingham–the guitarist/singer/producer/songwriter who sat at the foundation of Fleetwood Mac since 1975–would not joining the band on its farewell tour later this year. Shortly after the story broke in Variety, it was reported by Rolling Stonethat Buckingham was fired over disagreements concerning this tour.

Details remain sketchy but as its surprise reveal fades, Buckingham’s departure seems like the inevitable end to his time in Fleetwood Mac. After all, the group had eight guitarists before he joined and, with this year’s addition of Crowded House’s Neil Finn and Mike Campbell of Tom Petty’s Heartbreakers, there have been six other members that have played with the group once Lindsey left them high and dry. Buckingham may have played a pivotal part of Fleetwood Mac’s story but it was only a part–one that was fraught with so much creative tension, it’s a wonder either of his tenures lasted as long as they did. Here we’ve created a brief history of Buckingham’s time with the band.

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1973: As Fleetwood Mac release Mystery To Me, their fifth album to feature Christine McVie and guitarist Bob Welch, Lindsey Buckingham and Stevie Nicks debut with Buckingham Nicks, a sweet, hazy collection of folky Southern Californian soft-rock produced by Ken Olsen. Buckingham Nicks sinks without a trace, leaving the duo nearly destitute and looking for a break. Continue reading Fleetwood Mac’s Lindsey Buckingham Goes His Own Way (Again): A Timeline | Spin

UPDATED: Is Stevie Nicks damaging the Fleetwood Mac legacy?

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Will Fleetwood Mac release a new studio album?
Will Stevie Nicks join the band in recording the album?
Will Stevie Nicks tour again with Fleetwood Mac?
Is there a future for Fleetwood Mac?

So many questions, all without any real answers from the band, other than that Stevie Nicks is touring her 2014 album “24 Karat Gold: Songs From The Vault” making up time she gave to Fleetwood Mac for the “On With The Show” that brought Christine McVie back into Fleetwood Mac.

However, the rest of the band (well that is not technically accurate as John McVie does not generally say anything to the press) have been talking about recording new music for a new potential Fleetwood Mac studio album and the possibility of another worldwide tour that is likely to be scheduled to co-incide with the 40th anniversary of Rumours, as well as the 50th anniversary of the band being formed and the 30th anniversary of Tango In The Night and 20th anniversary of The Dance (Fleetwood Mac seems to have a thing for years with seven in them!!)

But, Stevie Nicks appears not to be committing to the band, is she about to splinter the group and force a Fleetwood, McVie, McVie and Buckingham version of the band to cement their legacy and exploit the huge commercial opening that will begin next year when the anniversary year for Fleetwood Mac commences, this will likely  be the last hurrah for the band  before old father time chimes in. Continue reading UPDATED: Is Stevie Nicks damaging the Fleetwood Mac legacy?

Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

By Halina Watts
27th Jan 2018
The Mirror

Christine McVie said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio

Stevie Nicks, John McVie, Christine McVie, Lindsey Buckingham and Mick Fleetwood onstage during MusiCares Person of the Year at Radio City Music Hall in New York City on Friday (Image: Getty Images North America)

Rock royalty Fleetwood Mac got high to try to numb the ­misery of being together, Christine McVie has revealed.

The singer-songwriter said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio.

They turned to alcohol, cocaine and even quaaludes tranquilisers to “cheer themselves up” and get through sessions.

Her candid words came as Fleetwood Mac were honoured at the MusiCares Person of the Year pre-Grammy event.

Christine, 74, said of wild drug use in their heyday: “Everybody was doing it. I don’t have any regrets at all.

“I would not change those days but you have to remember it was uniform – it was a badge of honour, and everybody was doing that kind of thing.”

Christine McVie and Stevie Nicks perform onstage during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26 (Image: Getty Images North America)

Explaining their over-indulgence at work, she added: “Our situation in the studio, that was angst and I think we probably needed a little something to cheer us up in that situation. Continue reading Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

Fleetwood Mac’s ‘Rumours’: 10 Things You Didn’t Know | Rolling Stone

By Jordan Runtagh
Rolling Stone Online
February 3, 2017

Why “Silver Springs” was left off the LP, how the band’s Rolling Stone cover shoot fueled Steve Nicks and Mick Fleetwood’s affair, and more

“Drama. Dra-ma,” was how Christine McVie described the recording of Rumours to Rolling Stone shortly after its release on February 4th, 1977. And that wasn’t even the half of it. Sessions for Fleetwood Mac‘s masterwork have all the elements of a meticulously scripted theatrical romance – elaborate entanglements, enormous amounts of money and mountains of cocaine.

The Rumours saga is one of rock’s most famous soap operas, but here’s a refresher course on the dramatis personae: Stevie Nicks had just split with her longtime lover and musical partner, Lindsey Buckingham, while Christine was in the midst of divorcing her husband, bassist John McVie. Meanwhile, Mick Fleetwood’s extra-band marriage was on the rocks, leading to an affair with Nicks before the year was out. This inner turmoil surfaced in brutally honest lyrics, transforming the album into a tantalizing he-said-she-said romantic confessional. The musicians’ personal lives permanently fused within the grooves, and all who listened to Rumours become a voyeur to the painful, glamorous mess.

Drama aside, Rumours is among the finest work the band ever produced. “We refused to let our feelings derail our commitment to the music, no matter how complicated or intertwined they became,” Fleetwood later wrote in his 2014 memoir. “It was hard to do, but no matter what, we played through the hurt.” Continue reading Fleetwood Mac’s ‘Rumours’: 10 Things You Didn’t Know | Rolling Stone

COMPETITION – Win a copy of ‘Live in 1967 – Volume Two’ on CD from John Mayall’s Bluesbreakers, that features Mick Fleetwood, John McVie and Peter Green

On May 6th 2016 Forty Below Records will release ‘Live in 1967 – Volume Two’ from John Mayall’s Bluesbreakers on CD that includes never before heard live performance from Mick Fleetwood, John McVie and Peter Green before they formed Fleetwood Mac.

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Forty Below records have graciously offered this website two copies of the new live album for distribution to the readers of this site. Continue reading COMPETITION – Win a copy of ‘Live in 1967 – Volume Two’ on CD from John Mayall’s Bluesbreakers, that features Mick Fleetwood, John McVie and Peter Green

Release of ‘Live in 1967 – Volume Two’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

John Mayall’s Bluesbreakers: Live in 1967 – Volume Two, will be available Worldwide on Friday 6th May 2016.

John Mayall’s Bluesbreakers: Live In 1967 – Volume Two
Album Released: 6th May 2016

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MAYALL, GREEN, MCVIE & FLEETWOOD – SECOND VOLUME OF NEVER-BEFORE-HEARD LIVE MATERIAL FROM ULTRA RARE BLUESBREAKERS LINE-UP

“Sunken treasure doesn’t get much better” – CLASSIC ROCK

“An immersion into musical history” – REUTERS

“A superb document of one of the most important blues-rock combos of all time” – AREA WIDE NEWS

“To attend one of these shows long ago would have been a momentous experience. To hear these excerpts is no less special” – BLUES MUSIC MAGAZINE

Track Listing:

  1. Tears In My Eyes
  2. Your Funeral And My Trial
  3. So Many Roads
  4. Bye Bye Bird
  5. Please Don’t Tell
  6. Sweet Little Angel
  7. Talk To your Daughter
  8. Bad Boy
  9. Stormy Monday
  10. Greeny
  11. Ridin’ On The L&N
  12. Chicago Line
  13. Double Trouble

You can pre-order this CD, MP3 or Vinyl via the links below:
CD | Vinyl | MP3

Continue reading Release of ‘Live in 1967 – Volume Two’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

Introducing… Fleetwood Mac: The Ultimate Music Guide – Uncut

“There’s blood and guts and disagreements still to this day…”

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Early 1969. California has been hit by a series of destructive floods, so bad that the international telephone operator is sceptical a connection can be made between London and Los Angeles. When the call goes through, however, the NME’s Nick Logan has a few demanding questions for the first leader of Fleetwood Mac, Peter Green. One is how Green’s band will sustain their reputation as blues purists in the wake of a big hit single, the expansive “Albatross”. Will their next single be another change from what their fans have come to expect?

“I don’t really care,” says Green, yawning. “I never have done really. We’ve never done what was expected of Fleetwood Mac – we’ve always done the opposite. We just do what we want to do.”

Thus begins the remarkable story of Fleetwood Mac – a saga unparalleled in rock, as our new Uncut Ultimate Music Guide dedicated to the band makes clear (on sale in the UK on Thursday Sept 10, but available to order now at our online shop). Over the next four and a half decades, the band’s history has often read like an infinite series of surprise plot twists, where radical upheavals arrive with every new album. Key members come and go, lost to religious cults and mental breakdowns, victims of multiple romantic traumas. Musical directions and locations change as frequently as the lineup: the blues evolve into the apotheosis of sophisticated pop; and a remote Hampshire commune is swapped for the LA highlife.

As the revealing features collected in this Ultimate Music Guide prove, the journalists of Uncut, NME and Melody Maker have been alongside Fleetwood Mac every step of the way. They documented the rise and fall of Peter Green’s band, the emergence of Christine McVie, the transitional lineups of the early ’70s, the dramatic arrival of Lindsey Buckingham and Stevie Nicks, and the glory and devastation that soon followed. “Being in Fleetwood Mac is more like being in group therapy,” noted the mostly redoubtable Mick Fleetwood in 1977, as he contemplated the seismic impact of “Rumours” and laid bare – not for the last time – the private lives of its key players

Continue reading Introducing… Fleetwood Mac: The Ultimate Music Guide – Uncut

We Want To Be Together | MOJO Magazine (Jul 2015)

FLEETWOOD MAC REUNITIED
In Our Heads We Never Broke Up


Of all their stories rifts and reconciliations, Christine McVie’s return to FLEETWOOD MAC 17 years after her bewildered exit, may be the most extraordinary. And as they stand on the brink of enormous UK shows and (whisper it) an album, it’s the prompt for all five members to open up to MOJO. Cut: good times, bad times, “carnage and intrigue”, plus a massive rubber dildo called Harold. “There’s a lot of love, you know,” they tell JIM IRVIN

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It shouldn’t work, but it does: the drummer fractionally behind the beat and bass slightly ahead. For close to 50 years, Mick Fleetwood and John McVie have been locked in their distinctive groove, and upon it they have built and maintained the strange, enduring entity that bears their names.

It’s known dizzying triumphs and weathered catastrophe and decline, and for the last 17 years it has had to cope without singer, keyboard player and hit-writer Christine McVie, MIA since the end of the 1998 tour which celebrated the reunion of the multiplatinum Rumours quintet. At home in England, she effectively shut herself off from her former life. But slowly she realised that she missed it. In 2014, she rejoined the fold.

Better still, she’s writing again – collaborating last year with Lindsey Buckingham and Mick Fleetwood as ex-husband John McVie recovered from a bout with colon cancer. Meanwhile, the quorate Mac have been traversing the U.S. with their On With The Show tour, demand for tickets exceeding all expectations. What began as 42 American shows became 80. This month that production arrives in Europe for a run that includes that six nights at London’s O2 and headline slot at the Isle of Wight festival.

In 1975, shortly after the release of the self-titled set the current line-up refer to as ‘the white album’, the quintet undertook its debut tour and a show at the Capitol Centre in Maryland was filmed. You can see it online. For anyone expecting the slickness and stardust they’ve been associated with, it’s a surprise. The sound is shaky, the stagecraft unfocused. Christine sings songs from the albums they made with Bob Welch, Lindsey tackles Oh Well and Green Manalishi from the Peter Green years. It’s curious but intriguing, the focal point keeps shifting with the musical styles, but that dude with the afro can sure play guitar, and check out the chick with the maracas flitting around the stage like a dragonfly… you can feel the audience being drawn in and won over. Within months this tentative unit will have intrigued its way to superstardom.

Forty years later, they elect to talk individually to MOJO – five stories that make up one. From blues roots and the Peter Green line-up’s doomed majesty, via catastrophe, exile and rebirth in the melodic riches of Rumours and beyond, riffs healed but scars still livid. In order of recruitment: Mick, John, Christine, Stevie and Lindsey. Fleetwood Mac. Continue reading We Want To Be Together | MOJO Magazine (Jul 2015)