Tag Archives: Crystal Visions – The Very Best of Stevie Nicks

‘Crystal Visions – The Very Best of Stevie Nicks’ re-released on vinyl, hits the streets on 19th May

Crystal Visions – The Vest Best of Stevie Nicks (vinyl)

limited edition clear transparent vinyl

On May 19th 2015, the vinyl edition of ‘Crystal Visions – The Very Best of Stevie Nicks’ will be re-released on crystal clear transparent vinyl, this edition will be available from the usual record store outlets such as Amazon, in addition Warner Brothers have a limited fan pack available that includes the vinyl album, lithograph and vinyl bag, please click below to order the limited edition fan pack….




California Dreaming – Stevie in Mojo Magazine (Sept 2007)

mojoBy Sylvie Simmons
Mojo Magazine (UK)
September 2007

Living in “heavy obscurity,” Stevie Nicks was a just a humble waitress with a failed debut album to her name. Then she joined Fleetwood Mac. Cue instant superstardom and its attendant lifetime of sex, drug and suspended reality. But what of her biggest regrets? “Curse the day I did cocaine!” She tells Sylvie Simmons…

The living room is dimly lit, cosy. At one end of the floor, propped against a wall, are some paintings—works-in-progress—that could pass as illustrations for children’s books. At the other end is an open fireplace with logs blazing, the California sunset having given way to a chilly ocean breeze. Two tiny dogs, neither much bigger than a hairball, one of them clad in a little pink overcoat, skitter between the stiletto-booted feet of a small woman dressed in a floaty chiffon top and tight black pants, her loose blond hair hanging down to her waist. The expression on her face is unguarded and, as always, a little bit stunned. She looks less like a major rock star who’s one year off turning 60 than someone who just fell out of a little girl’s drawing and hadn’t quite got her bearings yet. She looks, in fact, inarguably and utterly Stevie Nicks-ian.

In 1985, when Nicks was in the Betty Ford Clinic being treated for addiction to cocaine, she was set some homework: to write an essay on the difference between being Stevie Nicks real-life human, and “Stevie Nicks” rock icon. She says it was the hardest thing she’s ever had to do. It prompts a story about going to her fortieth high school reunion last month. One of the group of girls she used to hang with in her teens told her, “You know what? You haven’t changed a bit. You are still our little Stevie girl.” She cried on the way home. “It was the nicest thing anybody had said to me,” she smiles. “That I’m still the same. Because I’ve tried very hard to stay who I was before I joined Fleetwood Mac and not become a very arrogant and obnoxious, conceited bitchy chick, which may do. I think I’ve been really successful.”

She says all of this guilelessly. For someone who’s served nearly 40 years in the crazy world of rock, more than 30 as a major star and indulging in her fair share of the sex and drugs, it’s innocence more than experience that comes across. As her close friend Tom Petty (with whom she completed a five-month US tour as unpaid guest singer in 2006) said of her, affectionately, “It’s like when you’ve got a sister in the family that nobody want to talk about much.” Meaning someone you love but who’s, well, different. “Stevie,” he added, “does not live in the real world.” Continue reading California Dreaming – Stevie in Mojo Magazine (Sept 2007)

Stevie Nicks Downsizes Life – Upsizes Charity Work (Jul 2007)

Larry Rodgers
The Arizona Republic
Jul. 26, 2007 12:00 AM

With her 60th birthday looming, Stevie Nicks is making some changes.

The Rock and Roll Hall of Famer has put the Paradise Valley home she has owned since 1981 up for sale, and has expanded her charitable efforts beyond benefits for the Arizona Heart Institute, a favorite of her late father, Jess.

She’s also selling a house in Los Angeles to move to a smaller place on the beach in Santa Monica.

“I’m downsizing,” Nicks said in a call last week. “I’m moving into a rock-and-roll penthouse where I can do my work. I don’t want to worry about if the pool is taken care of and the grass is right.”

Nicks, who performs in Phoenix on July 28, said she’s spent only a few weeks annually at her Valley home in recent years. In addition, her brother, Chris, and his family, who shared the two-winged home at the foot of Camelback Mountain, have moved.

“I’ve written many famous songs there, so I hope somebody buys it who appreciates the amazing rock-and-roll history and the legendary behavior that’s gone on in that house,” said Nicks, who successfully underwent rehab for drug abuse in the ’80s. Continue reading Stevie Nicks Downsizes Life – Upsizes Charity Work (Jul 2007)

Vision Quest – Stevie Nicks | Performing Songwriter (June 2007)

Stevie Nicks built a beloved body of work within and without Fleetwood Mac—but success had a steep price. As a new greatest-hits album chronicles her solo success, the mysterious superstar takes stock on her life and music.

By Chris Neal
Performing Songwriter
June 2007

Stevie in Performing Songwriter Magazine

(Photos: Neal Preston, Barry Shultz/Retna, Paul Natkin/WireImage, Fin Costello/Retna)
The weather is gray, windy and, as Stevie Nicks notes, “a little creepy” outside her home overlooking the Pacific Ocean.

“I call it the ‘amoeba fog,” she says, looking out from the living room of her Los Angeles home. “It sticks right to the coast. You might as well be in Seattle or London for several months out of the year. It suit me sometimes, but after it’s been that way for a couple of week, I start to go, ‘OK, I’d like to see the blue sky.”

Nicks is well acquainted with both the clouds and the blue sky of L.A. A native of Phoenix (she also keeps a house there), she moved to L.A. from San Francisco with guitarist and then-paramour Lindsey Buckingham in 1971. On New Year’s Eve 1974, both were asked to join Fleetwood Mac—and alongside keyboardist Christine McVie, bass player John McVie and drummer Mick Fleetwood, they helped to turn a British blues-rock warhorse into one of the best-selling and most influential bands in pop history.

Nicks became the group’s breakout star, thanks to her striking beauty, dusky alto and magnetic stage presence—but perhaps most of all her talents as a writer. Songs like “Dreams,” “Rhiannon,” “Sara” and “Gold Dust Woman” rang out as evocative, impressionistic transmissions from a parallel world a little more vivid and romantic than our own. Through a poetic lens, she examined femininity, mythology and love—particularly the disintegration and aftermath of her relationship with Buckingham.

In the spring of 1980, Nicks began work on her first solo album. The intervening years have seen her build a persona, fan base and musical legacy that stands apart from the mighty Mac. Hits like “Edge of Seventeen,” “Stand Back” and “Talk to Me” provided a constant reminder that Nicks was a singer and songwriter whose talents went much father than her contributions to the band she could never completely abandon. Those songs and a bounty of others chosen by Nicks herself are now collected on a new compilation album, Crystal Visions… The Very Best of Stevie Nicks. As dusk settled over L.A. and the “amoeba fog” clung stubbornly to the coast, we asked Nicks, 58, to describe her creative process, recount her journey through music and predict the future of Fleetwood Mac. Continue reading Vision Quest – Stevie Nicks | Performing Songwriter (June 2007)