Alexis Petridis’s album of the week
The Guardian
March 23rd, 2017

This 1987 classic is a blend of solid-gold pop and super-slick production, interwoven with the sound of a band sliding into chaos

The mid-80s were not the kindest time for 60s and 70s rock legends. For every gimlet-eyed operator who successfully navigated an alien and unforgiving landscape of power ballads, crashing snare drums, Fairlight synthesisers and MTV moonmen – the Eagles’ Don Henley and Glenn Frey; Tina Turner – there were scores who seemed utterly lost. It was a world in which the natural order of things had been turned on its head to such a degree that the drummer from Genesis was now one of the biggest stars on the planet. David Bowie, Bob Dylan, Neil Young, Joni Mitchell, Lou Reed … at best, they ended up making albums that diehard fans pick over for tiny morsels that suggest they’re not as bad as the reputations preceding them; at worst they made stuff they’d spend subsequent years loudly disowning, involving terrible clothes, inappropriate producers, awful cover versions and – in extreme cases – attempts to rap. Continue reading Fleetwood Mac: Tango in the Night review – timely reissue coasts from gloss to gloom | The Guardian →