Category Archives: Peter Green

Release of ‘Live in 1967 – Volume Two’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

John Mayall’s Bluesbreakers: Live in 1967 – Volume Two, will be available Worldwide on Friday 6th May 2016.

John Mayall’s Bluesbreakers: Live In 1967 – Volume Two
Album Released: 6th May 2016

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MAYALL, GREEN, MCVIE & FLEETWOOD – SECOND VOLUME OF NEVER-BEFORE-HEARD LIVE MATERIAL FROM ULTRA RARE BLUESBREAKERS LINE-UP

“Sunken treasure doesn’t get much better” – CLASSIC ROCK

“An immersion into musical history” – REUTERS

“A superb document of one of the most important blues-rock combos of all time” – AREA WIDE NEWS

“To attend one of these shows long ago would have been a momentous experience. To hear these excerpts is no less special” – BLUES MUSIC MAGAZINE

Track Listing:

  1. Tears In My Eyes
  2. Your Funeral And My Trial
  3. So Many Roads
  4. Bye Bye Bird
  5. Please Don’t Tell
  6. Sweet Little Angel
  7. Talk To your Daughter
  8. Bad Boy
  9. Stormy Monday
  10. Greeny
  11. Ridin’ On The L&N
  12. Chicago Line
  13. Double Trouble

You can pre-order this CD, MP3 or Vinyl via the links below:
CD | Vinyl | MP3

Continue reading Release of ‘Live in 1967 – Volume Two’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

Introducing… Fleetwood Mac: The Ultimate Music Guide – Uncut

“There’s blood and guts and disagreements still to this day…”

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Early 1969. California has been hit by a series of destructive floods, so bad that the international telephone operator is sceptical a connection can be made between London and Los Angeles. When the call goes through, however, the NME’s Nick Logan has a few demanding questions for the first leader of Fleetwood Mac, Peter Green. One is how Green’s band will sustain their reputation as blues purists in the wake of a big hit single, the expansive “Albatross”. Will their next single be another change from what their fans have come to expect?

“I don’t really care,” says Green, yawning. “I never have done really. We’ve never done what was expected of Fleetwood Mac – we’ve always done the opposite. We just do what we want to do.”

Thus begins the remarkable story of Fleetwood Mac – a saga unparalleled in rock, as our new Uncut Ultimate Music Guide dedicated to the band makes clear (on sale in the UK on Thursday Sept 10, but available to order now at our online shop). Over the next four and a half decades, the band’s history has often read like an infinite series of surprise plot twists, where radical upheavals arrive with every new album. Key members come and go, lost to religious cults and mental breakdowns, victims of multiple romantic traumas. Musical directions and locations change as frequently as the lineup: the blues evolve into the apotheosis of sophisticated pop; and a remote Hampshire commune is swapped for the LA highlife.

As the revealing features collected in this Ultimate Music Guide prove, the journalists of Uncut, NME and Melody Maker have been alongside Fleetwood Mac every step of the way. They documented the rise and fall of Peter Green’s band, the emergence of Christine McVie, the transitional lineups of the early ’70s, the dramatic arrival of Lindsey Buckingham and Stevie Nicks, and the glory and devastation that soon followed. “Being in Fleetwood Mac is more like being in group therapy,” noted the mostly redoubtable Mick Fleetwood in 1977, as he contemplated the seismic impact of “Rumours” and laid bare – not for the last time – the private lives of its key players

Continue reading Introducing… Fleetwood Mac: The Ultimate Music Guide – Uncut

COMPETITION: Win a copy of ‘Live in 1967’ from John Mayall’s Bluesbreakers, that features Mick Fleetwood, John McVie and Peter Green

On Apr 20th Forty Below Records released ‘Live in 1967’ from John Mayall’s Bluesbreakers on CD that includes the first live captured performance of Mick Fleetwood, John McVie and Peter Green before they formed Fleetwood Mac.

Live in '67 Low Res Cover copy

Forty Below records have graciously offered this website two copies of the new live album for distribution to the readers of this site, to have a chance to win this rare live record from the pre-fleetwood mac band, please like and share our Facebook page and comment on the Facebook page why you want to listen to this live CD

Two winners will be drawn from all entries with the most impressive reason to listen to this album.

This competition is open for two weeks now till 23.59 on Friday 15th May

UPDATE
The two winners were: Ken McKinney and Jeanie Warrington Pressler, your CD is in shipment now

Thanks to all the entries to the competition and thanks to Forty Below Records (http://www.fortybelowrecords.com) and Tracy Gosling PR (http://tracygoslingpr.com) for the prizes

Prize Draw Rules

Continue reading COMPETITION: Win a copy of ‘Live in 1967’ from John Mayall’s Bluesbreakers, that features Mick Fleetwood, John McVie and Peter Green

Release of ‘Live in 1967’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

Live in '67 Low Res Cover copyOn Apr 20th Forty Below Records will release ‘Live in 1967’ from John Mayall’s Bluesbreakers on CD that includes the first live captured performance of Mick Fleetwood, John McVie and Peter Green before they formed Fleetwood Mac.

John Mayall’s Bluesbrealers – Live in 1967

John Mayall – Vocals, Harmonica
Peter Green – Guitar
John McVie – Bass Guitar
Mick Fleetwood – Drums

In 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John’s Mayall Bluesbreakers. The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel to reel tape recorder into five London clubs and capture this exciting glimpse into music history. For almost fifty years these tapes habe remained unheard until John recenetly got them and began restoring them with the technical assistance of Eric Come of Forty Below Records. Come adds “While the source recording was very rough and final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

You can pre-order this CD, MP3 or Vinyl via the links below:
CD | Vinyl | MP3
Continue reading Release of ‘Live in 1967’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

Early Fleetwood Mac History: Release of pre-Fleetwood Mac live album | Press Release

JOHN MAYALL’S BLUESBREAKERS LIVE IN 1967 – ALBUM RELEASED 20TH APRIL 2015

John Mayall’s Bluebreakers – Live in 1967, an ultra rare collection of, never-before-heard, live recordings featuring John Mayall, Peter Green, John McVie and Mick Fleetwood, will be released on 20th April, on Forty Below Records.

Live in '67 Low Res Cover copyIn 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John Mayall’s Bluesbreakers.  The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel-to-reel tape recorder into five London clubs and capture this exciting glimpse into musical history.

For almost fifty years these tapes have remained unheard until Mayall recently got them and began restoring them with the technical assistance of Eric Corne of Forty Below Records.  Corne adds “While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

The significant discovery of these live recordings will surely thrill Mayall fans around the world but, moreover, it has enabled the creation of an historical document, which captures a very special moment in the evolution of British Blues music.

John Circa '67 Low res

Psychosis, sex cults, suicide and the curse of Fleetwood Mac guitarists | Daily Mail

Daily Mail
Monday June 11th 2012
by Tom Leonard

An autumn night in 1972, and minutes before Fleetwood Mac are due on stage for the latest gig of their U.S. tour, a drama is unfolding in their dressing room. Danny Kirwan, talented guitarist and the glamour boy of the band, is drunk. At just 22, he is an alcoholic who goes for days without food, existing only on beer. Increasingly mentally fragile, he suddenly loses his temper over the simple process of tuning a guitar. Banging the wall with his fists, he hurls his expensive Gibson Les Paul instrument at a mirror, showering broken glass over his bandmates. He then stomps off into the auditorium, pausing only to smash his head against a wall until blood pours from his face. Refusing to come on stage, he spends the show heckling the band from the audience as they struggle to play without him. Perhaps it’s not surprising to learn that after he was swiftly sacked, Kirwan developed mental health problems as the effect of drink and drug abuse caught up with him. He even ended up living homeless on the streets of London. But if Danny Kirwan’s story is a salutary warning of the excesses of rock and roll, he was certainly not the only member of Fleetwood Mac to suffer bizarre breakdowns or personal tragedy.

Now, yet another former guitarist with the group has succumbed to what many people regard as something of a hoodoo.
Last week, Bob Welch, 66, was found dead by his wife after writing a suicide note and shooting himself in the chest. Bob Weston, another former guitarist with the band, was found dead following a brain haemorrhage at his flat in North London in January. He was 64. According to one source, Welch — who lived in Nashville, Tennessee — had spinal surgery three months ago. Informed by his doctors that he would never recover the use of his legs, he told his wife Wendy he did not want her to have to care for an invalid. It was a heartbreaking end for the soft-spoken Californian who years ago fell out with his old bandmates after he sued them over the rights to royalties — and was then excluded from Fleetwood Mac’s induction into the Rock and Roll Hall Of Fame.

The band’s singer Stevie Nicks said his death was ‘devastating’, hailing ‘an amazing guitar player, he was funny, sweet and he was smart’. She was, she added: ‘So very sorry for his family and for the family of Fleetwood Mac — so, so sad.’
Sad for sure, but Welch’s tragic end could not be called entirely unexpected given that — even by the standards of rock bands — the Fleetwood Mac ‘family’ is as turbulent and dysfunctional as they come.

The long-lasting British-American group may be remembered for such hits as Don’t Stop, Little Lies and Go Your Own Way, but in terms of drug-bingeing, partner-swapping, back-stabbing drama, it made the Rolling Stones look like a village fete brass band. And perhaps no job in rock has proved so ill-starred as being a Fleetwood Mac guitarist. Welch was the second of them to die this year.

Bob Weston died in London in January from a haemorrhage aged just 64. He was found in bed with the TV on at his flat in Brent Cross, North London. Friends had called police after not being able to contact him for several days. What current frontman Lindsey Buckingham recently dubbed ‘The Curse of the Fleetwood Mac Guitarist’ started back in the late Sixties.

Guitar hero Peter Green founded Fleetwood Mac as a blues band in London in 1967. Colleagues noticed that by the time they released their fourth album in 1969, he was going off the rails mentally. After taking large amounts of the hallucinogenic drug LSD, he grew a beard, began to wear robes and a crucifix and told the band’s manager he was Jesus. He became obsessed by the supposed immorality of them becoming rich and wanted to give the band’s earnings away. The others could not believe he was serious. Touring Europe in March 1970, Green binged on dangerously impure LSD at a party thrown by a bunch of rich Communists in a Munich commune. Friends said he was never the same again, transforming from mildly eccentric to fully-fledged basket case. Green, who said he’d had a vision at the party in which he saw an angel holding a starving child, left the band two months later, complaining drummer Mick Fleetwood had refused his request that they donate all their royalties to charity.

He was later diagnosed with schizophrenia. Green spent time in various psychiatric hospitals in the 1970s undergoing electroconvulsive therapy, and his friends were shocked to find him in an almost continual trance.

The man who had been hailed as one of the finest blues guitarists of his generation fell into destitution, having to find work as a hospital porter and even a gravedigger. Much of his financial troubles were self-inflicted. In 1977, police surrounded his house and he was arrested for threatening the band’s accountant, David Simmons, with a shotgun. Bizarrely, Green said he was furious because Simmons was still sending him royalty cheques. Mick Fleetwood used to visit Green regularly, but eventually gave up. ‘I was just so sad I couldn’t wave a magic wand and have him be the person I wanted him to be . . . he was very sick,’ he said.

Green managed some sort of recovery after he moved in with his mother in Great Yarmouth and even managed to resurrect his musical career in 1995 with a band called The Splinter Group. But he will always be remembered as one of the great Sixties musical talents cut off in his prime by drugs.

Slide guitarist Jeremy Spencer, one of the Fleetwood Mac’s original members, was notoriously wild on stage, imitating Elvis Presley and Buddy Holly. Offstage, he couldn’t have been more different, a closet religious fanatic who sneaked away from the rest of the band on tour to read from one of the small Bibles he hid in the linings of his jackets.

Former band members say Spencer, too, had a bad trip — in his case on the mind-altering drug mescaline — during a 1971 tour of the U.S. After an earthquake hit Los Angeles, he had a premonition that something bad would happen there. It did — for Fleetwood Mac. Spencer told Mick Fleetwood he was popping out to Hollywood Boulevard to buy a magazine. He never came back. Days later, his frantic fellow band members discovered he had joined the Children of God, a sinister cult which used sex to ‘show God’s love’ and win converts. Spencer refused to rejoin the band.

He later explained he had been approached in the street by a Children of God member named Apollos, got chatting about religion and was invited to visit a nearby ‘church mission’. He still works for the organisation, now called The Family International, writing and illustrating stories.

Then there was Kirwan, a talented if humourless musician who was so emotional he would cry as he played. Landed with much of the songwriting duties after Spencer vanished, he was soon out of control, struggling to handle fame and gradually unravelling — as the story of the smashed guitar illustrates all too well.

And what of the tragic Bob Welch, who took his life last week? A young hippy whose father was a successful Hollywood producer, he joined the band after Jeremy Spencer joined the Children of God. Mick Fleetwood credited Welch with saving the group — a sane and good-humoured presence who kept spirits up in those dark years. Sadly for him, he left the band in 1974 just before Fleetwood Mac recruited Nicks and Buckingham, and made Rumours — which until Michael Jackson’s Thriller was the best-selling album of all time.

Before his departure, though, yet another guitarist sparked a drama that threatened to tear the band apart. Plymouth-born Bob Weston was revealed to be having an affair with Mick’s wife, Jenny Boyd — sister of Pattie Boyd, the former wife of both George Harrison and Eric Clapton. Devastated, Fleetwood sacked Weston and the band cancelled a planned tour of America. Determined to recoup some of his financial losses, manager Clifford Davis launched one of the most bizarre stunts in the history of rock. Without telling the band, he formed a ‘new’ Fleetwood Mac — none of whom had ever played in the group — and packed them off to play the U.S. dates. In the ensuing legal battle over ownership of the band’s name, neither the real nor the fake Fleetwood Mac were able to play. Bob Welch put up with the madness for another year before he left and launched a moderately successful solo career.

Today, after going through a staggering 15 different personnel line-ups, Fleetwood Mac still reunites for occasional project. As for the curse on their guitarists, Buckingham is still going strong, somehow avoiding ever becoming a deranged alcoholic, drug-addled schizophrenic or Bible-carrying cult member. In his last interview, Welch mused that he, at least, had found happiness in Fleetwood Mac. ‘I just wanted to play guitar in a good band,’ he said. For several of his old bandmates, it wasn’t quite such a great career move.