The Oxford Student Online
By Oliver Hancock

I remember reading an issue of Rolling Stone a few years ago about the ‘100 Greatest Albums of All Time’, and thinking about how these countdowns might differ in different magazines – NME’s top 10 will almost certainly not be the same as Kerrang’s.

Getting down to the top 10, all the usual candidates I would expect in modern music magazines were there (The Beatles, Stones, Dylan etc.), but the number 4 on the list was an album I’d never really heard of: Rumours by Fleetwood Mac. I wondered how an album considered canonical by one of the world’s biggest music magazines could have passed me by; why all the ‘Top 100…’ articles I’d read in British magazines could have ignored Rumours in the top bracket. The album itself was popular and critically acclaimed on both sides of the Atlantic, unsurprising given the Anglo-American core of the band, and yet an avid reader of British music magazines in the 21^st-century might never consider Fleetwood Mac’s seminal LP in the same bracket as many of the well-trodden ‘classic’ albums. Continue reading Back with Second Hand News: Fleetwood Mac’s Rumours →

Pitch-perfect pop before they went their own way

It speaks volumes about the enduring quality of Fleetwood Mac’s Rumours – here repackaged in an expanded heritage edition comprising, in its most lavish format, four CDs, one DVD and audiophile vinyl album – that not even the twin taints of appropriation as Top Gear theme and political anthem have managed to diminish its appeal. It remains one of pop’s most impervious generational touchstones.

Fleetwood Mac: Rumours

Thirty-five years after its release, we can revel in the most accomplished slice of adult contemporary rock ever made

Rumours is unique in being a 20th-century masterpiece that did more damage to rock’n’roll than any other album in the history of music. It’s impossible not to revel in the songcraft of Christine McVie’s Songbird. Lindsey Buckingham’s Go Your Own Way is the ultimate drivetime anthem. The Chain is the last word in soft rock excitement and the slick studio sophistication of Don’t Stop is too tasty to resist. But Rumours is also the 30 million-selling monster that, by making it OK to be a moaning, self-obsessed rock star peddling commoditised emotion to the record-buying public, set in motion a terrible chain of events. We can blame Rumours for the vast majority of horrific middle-of-the-road rock that blighted the 1980s, not to mention any number of bland singer-songwriters aiming to sound intimate while also wishing to appeal to the widest demographic possible, and we can thank it for helping make punk happen as a reaction to it.

Now, 35 years after its release, on a three-CD special edition or, better still, a 45rpm vinyl double album that expands the clarity of this exercise in sonic science, we can revel in the simple pleasure of listening to the most accomplished slice of adult contemporary rock ever made. Continue reading Fleetwood Mac: Rumours | The Times →