Lindsey Buckingham contributes three new songs to “This is 40” soundtrack
“This is 40 Soundtrack”: Lindsey Buckingham contributes three new songs that have a similarly nimble instrumental feel. Gently chiming guitars interlock with each other on the shimmering “Sick of You,” the best of the three, though “She Acts Like You” also is first-rate Buckingham. Lindsey also adds backing vocals to the Norah Jones track “Always Judging”
By Richard Bienstock | Photo by Jeremy Cowart
Earlier this month, Lindsey Buckingham released the live document One Man Show exclusively through iTunes. The album captures the legendary singer and guitarist onstage in Des Moines, Iowa, during a stop on his most recent tour — his first playing a full set of music in a solo acoustic configuration.
Buckingham recently sat down with Guitar Aficionado to discuss the impetus behind doing these shows, the process by which he adapts his music to an acoustic setting, and his feelings on returning to the “Big Machine” — his term for Fleetwood Mac — for a scheduled tour in 2013.
GUITAR AFICIONADO: What led you to embark on this solo acoustic tour?
My mentality for a while has been of this idea of ever moving toward the center, so to speak, in terms of presenting my songs with only guitar and vocal. So it was kind of an experiment. And I wasn’t sure how it would go. I knew in my head I could do all the stuff on my own, but figuring out how to plan the arc of an entire set was more difficult. But the main thing I had to get used to was the idea of standing up there all alone. Those first couple of shows I was looking around the stage going, “Where is everybody?” [laughs] Continue reading Lindsey Buckingham Talks ‘One Man Show’ « Guitar Aficionado
11/20/2012 by Chris Parker
Hollywood Reporter
As a guitarist known for his rich, almost orchestral finger-picked playing style, solo acoustic might be the last thing you expect from Lindsey Buckingham. But the Fleetwood Mac veteran isn’t limned in by expectations. (Something about co-penning a 40 million-selling album and being a member of the Rock and Roll Hall of Fame.) Last week he released Lindsey Buckingham: One Man Show, culled from his current solo American tour.
When commercial concerns became an issue in Fleetwood Mac, Buckingham’s experimental explorations manifested a solo career that has endured fits and starts. Of late he’s been quite prolific, releasing three discs in six years exploring the kind of intimate, keenly crafted and emotionally edgy songwriter pop favored by indie artists such as Sondre Lerche, Joe Pernice and Ron Sexsmith.
Following the raw, almost lo-fi intensity of 2011’s Seeds We Sow, on which he played every instrument, Buckingham took the next logical step embracing the austerity of the solo performer. He captured a Sept. 1 show in Des Moines, Iowa, and made it available online through the wonders of digital distribution.
Buckingham spoke with The Hollywood Reporter about the freedom of being onstage alone, defying the mediocrity of commercially successful career artists and Fleetwood Mac’s immediate plans — calling from a concert stop near Grand Rapids, Mich., where, liberated from a tour bus, Buckingham had wandered off the beaten path again. Continue reading Lindsey Buckingham on Finding Happiness Balancing an Enormous Band and a Cozy Solo Project (Q&A)
Lindsey Buckingham’s new album is titled Seeds We Sow.
Jeremy Cowart
Lindsey Buckingham helped make Fleetwood Mac one of the biggest rock bands of all time. He works mostly solo today, and his sixth solo album, Seeds We Sow, just came out.
Buckingham takes the “solo” designation seriously: He wrote, produced and engineered the album himself, as well as playing most of the instruments. He tells Weekend Edition Saturday‘s Scott Simon that the effects of that approach come through in the music.
“You work in a band, and it tends to be more like moviemaking, I think. It tends to be more of a conscious, verbalized and, to some degree, political process,” he says. “I think when you work alone — the way I do it, anyway — you could sort of liken it to painting, where there’s sort of a one-on-one with the canvas. And you get different results.” Continue reading Lindsey Buckingham: A Time To Every Purpose
By Spin Staff on September 12, 2011 10:24 PM
As part of Fleetwood Mac, Lindsey Buckingham wrote some of rock’n’roll’s most eternally beloved songs, and the bedroom in his Los Angeles home is packed with artifacts that have influenced his creative path over the years — which we discovered when we visited for our monthly “In My Room” feature. Watch video from Buckingham’s room below.
Among the treasures: a Martin D-18 acoustic guitar he bought at age 19 (“It’s gotten better and mellower with age…a bit like me”), a boogie board (“The sensibility of water is something I hope would enter my music”), and vinyl 45s by Elvis and Chuck Berry that sparked his interest in rock’n’roll.
Buckingham, 62, has traded in a tumultuous past for blissful domesticity (he’s married with three school-age children). But that doesn’t mean he’s taking it easy. His new solo effort, Seeds We Sow (Mind Kit), continues a rich tradition of adventurous songcraft driven by virtuosic guitar fingerpicking. The man also wrote, performed, produced, and released the album himself. “I’ll always have Fleetwood Mac,” he says, “but my solo work is where the growth and heart is. It’s where I live.”
Watch: In My Room with Lindsey Buckingham
INTERVIEW BY CHRIS MARTINS / VIDEO BY RHYS ERNST
Photo Gallery
Fleetwood Mac had already been a band for eight years before Lindsey Buckingham joined the group in 1975 (along with then-girlfriend Stevie Nicks), but it was Buckingham’s voice, guitar and pen that helped make the band one of the best-selling rock acts of all time. With Buckingham onboard Fleetwood Mac cut such era-defining, chart-topping, multiplatinum monsters as Fleetwood Mac (Reprise, 1975) and the monumental 1977 follow-up Rumours (Warner Bros.). The latter produced four top 10 hits, including the No. 1 single “Dreams,” “Don’t Stop” — later the theme song for Bill Clinton’s first presidential campaign — and “Go Your Own Way.”
But it’s the left turns of Buckingham’s solo career, which began with 1981’s Law and Order (Warner Bros.) and often finds him working as a one-man band, that mark him as a musical maverick. His sixth solo album, Seeds We Sow, continues that tradition as Buckingham explores a broad spectrum of sounds from intense, drum-machine-driven grooves to solo-acoustic splendor and even a cover of the Rolling Stones’ “She Smiled Sweetly.” On Sept. 6, Buckingham will self-release the album, the first indie set of his 38-year recording career. Continue reading Lindsey Buckingham on Solo Work, the Mac and ‘Glee’
By Dean Goodman
Reuters
LOS ANGELES | Tue Apr 12, 2011
Fleetwood Mac frontman Lindsey Buckingham has finished work on his third solo album in six years, a project he expects to release in September and promote with a tour.
The album, “Seeds We Sow,” will also be his first outside the Warner Bros. family. Buckingham told Reuters that he was unhappy with its handling of his solo projects, and he was now considering teaming up with a new label or going the DIY route with an independent promotion team.
Fleetwood Mac is also a free agent after more than 40 years at Warner Bros., Buckingham said. The Anglo-American rock icons last released an album in 2003 and were the ninth biggest touring act in 2009 with U.S. ticket sales of $55 million, according to Pollstar.
Buckingham, 61, said Fleetwood Mac will continue to tour and record. Given classic-rock audiences’ disdain for hearing new music in concert, he said he enjoys the creative challenge of giving old favorites a new sheen on stage.
Despite a busy family life, Buckingham has also been on a creative tear in his solo career, releasing albums in 2006 and 2008, and touring to promote both of them. Before then, he had not released a solo album since 1992’s “Out of the Cradle.” Continue reading Lindsey Buckingham gearing up for new album, tour
By Andy Threlfall
September 10, 2009
BlackBook
The tangled web that’s the story of Fleetwood Mac is easily one of rock and roll’s, well, quirkiest. A once-quintessentially English blues band came to be the sound of California dreaming in the mid-70s when, seemingly washed up and on the verge of permanent disbandment, drummer Mick Fleetwood asked L.A. husband and wife singer-songwriting team Lindsey Buckingham and Stevie Nicks to join the group in one last desperate throw of the musical dice. The rest was multi-platinum history; Rumours still boasts a place a place in the top-ten selling albums ever. But while the songs have endured, the addictions, the divorces, the petty band politic chipped away at their legacy for 30 years. Here, a reflective Lindsey Buckingham tries to find new meaning in those lost days of summer, and how being lucky enough to survive them has allowed Fleetwood Mac to get on stage one more time for their 2009 World Tour. Continue reading Lindsey Buckingham: Getting Fleetwood Mac Back Together for One Last Tour
By Urmee Khan
11:35PM GMT 10 Nov 2008
Daily Telegraph (UK)
Their song, “Don’t Stop”, had been used as a campaign theme by President Clinton.
But he was pithy about performing for the current Republican incumbent of the White House.
He said he would be willing to play a song for President George W Bush and has already got one written: “It’s called Treason and it’s all about selfishness and greed.”
However, he said he is hopeful the group will be asked back to play for Barack Obama when he celebrates his arrival at the White House in January.
“I would be delighted if we could do that again,” Buckingham told the Daily Telegraph’s Mandrake. He concedes, however, that Bruce Springsteen is in a better position “especially as I see Bruce has already got himself the Superbowl slot”.
Treason is on his solo album “Gift of Screws,” which was released in October. Continue reading Fleetwood Mac’s Lindsey Buckingham wants to play a song for President George W Bush called ‘Treason’ | Daily Telegraph
ALBUM REVIEW:
LINDSEY BUCKINGHAM – GIFT OF SCREWS
Fleetwood Mac man’s punchy pop-rock manifesto
He was, incredibly, the new wave one in Fleetwood Mac, but Lindsey Buckingham’s much-tromboned love of the Gang Of Four, Prag Vec and the Delta Five (or similar) never really seemed to make it into his music. (Certainly very few people who ever heard Love Like Anthrax ever went on to make a double album like Tusk). But he’s always had more of an adventurous spirit than his fellow band members. And this presumably why Mick Fleetwood and the McVies invited Stevie Nicks and him to join their old blues band, effectively bolting a Mustang body onto an old Bentley.
In fact, Buckingham’s extra-curricular creativity has been something of a problem for him, in that he keeps writing a lot of the best songs in his old band, all the while initially intending them for himself. Thus the first incarnation of Gift Of Screws which he worked on between 1995 and 2001, and which was, in a way, his Smile. A double album, it never came out, as Buckingham was persuaded to stripmine seven of its best songs for Fleetwood Mac, who duly recorded them, had big hits, and went away again. Buckingham released instead the perfectly acceptable Under The Skin in 2006, and no more was heard of Gift Of Screws until, as they used to say on Tomorrow’s World, now, that is. Continue reading Gift Of Screws – Uncut Magazine Review + Q&A
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