Tag Archives: Lindsey Buckingham

Fleetwood Mac’s ‘Rumours’: 10 Things You Didn’t Know | Rolling Stone

By Jordan Runtagh
Rolling Stone Online
February 3, 2017

Why “Silver Springs” was left off the LP, how the band’s Rolling Stone cover shoot fueled Steve Nicks and Mick Fleetwood’s affair, and more

“Drama. Dra-ma,” was how Christine McVie described the recording of Rumours to Rolling Stone shortly after its release on February 4th, 1977. And that wasn’t even the half of it. Sessions for Fleetwood Mac‘s masterwork have all the elements of a meticulously scripted theatrical romance – elaborate entanglements, enormous amounts of money and mountains of cocaine.

The Rumours saga is one of rock’s most famous soap operas, but here’s a refresher course on the dramatis personae: Stevie Nicks had just split with her longtime lover and musical partner, Lindsey Buckingham, while Christine was in the midst of divorcing her husband, bassist John McVie. Meanwhile, Mick Fleetwood’s extra-band marriage was on the rocks, leading to an affair with Nicks before the year was out. This inner turmoil surfaced in brutally honest lyrics, transforming the album into a tantalizing he-said-she-said romantic confessional. The musicians’ personal lives permanently fused within the grooves, and all who listened to Rumours become a voyeur to the painful, glamorous mess.

Drama aside, Rumours is among the finest work the band ever produced. “We refused to let our feelings derail our commitment to the music, no matter how complicated or intertwined they became,” Fleetwood later wrote in his 2014 memoir. “It was hard to do, but no matter what, we played through the hurt.” Continue reading Fleetwood Mac’s ‘Rumours’: 10 Things You Didn’t Know | Rolling Stone

Don’t believe the rumours: Christine McVie and Lindsey Buckingham’s duets album is bad news for Fleetwood Mac fans | The Telegraph

The Telegraph
Neil McCormick
Jan 17th, 2017

Fleetwood Mac are celebrated as one of the great dysfunctional soap operas of rock and roll, a dynastic saga set to music. They are almost as famous for the bed-hopping, powder sniffing, emotional traumas they have inflicted upon one another over the years as for their era-defining monster hits.

So news that two of its most cherished members are making an album together is a cause for intrigue, a sense that there may still be a twist or two ahead in the long running and increasingly convoluted narrative.

It was revealed this week that guitarist, singer and songwriter Lindsey Buckingham has been working on an album of duets with keyboard player, singer and songwriter Christine McVie. It is tentatively scheduled to be released in May, under the name Buckingham McVie. That in itself represents an inescapable reference to Buckingham Nicks, the pre-Fleetwood duo made up of Lindsey and former lover Stevie Nicks.

To add spice to the rumour mill, the rhythm section of drummer Mick Fleetwood and bassist (and Christine’s ex-husband) John McVie appear on the album. So the only one of the famous five missing is the elusive Nicks.

There have been 16 members over Fleetwood Mac’s 50 year career, in a constant shuffling of roles that would leave the scriptwriters for Dallas breathless. Most of the bit part players have been forgotten by now but the five leads who united in the mid-70s to create some of the most glorious pop rock ever heard continue to exert fascination.

Legendary albums such as Rumours and Tusk were created in a whirl of narcotic excess, sexual shenanigans and romantic betrayal that lent an undoubted frisson and emotional subtext to songs of love, longing, loss and reconciliation, in which tough emotions were glossed with glorious melodies and sparkling harmonies.

When the classic line up reunited with Christine McVie in 2015, it was intriguing to note that there were three former couples sharing a stage, taking into account that Mick Fleetwood romanced Nicks behind Buckingham’s back during the making of Tusk. Fleetwood has often described the band’s complicated dynamic as a form of ongoing “group therapy”. Continue reading Don’t believe the rumours: Christine McVie and Lindsey Buckingham’s duets album is bad news for Fleetwood Mac fans | The Telegraph

Fleetwood Mac duet album to be released | The Guardian

The Guardian Music
Monday 16 January 2017 11.01 GMT

Former members Lindsey Buckingham and Christine McVie return with their duet album in May, which will feature John McVie and Mick Fleetwood

Fleetwood Mac in 1977: (From left) Stevie Nicks, Mick Fleetwood, Christine McVie, John McVie and Lindsey Buckingham. Photograph: Michael Ochs Archives

Fleetwood Mac’s Lindsey Buckingham and Christine McVie are set to record a duet album together under the name Buckingham McVie. The moniker harks back to the cult duo Buckingham Nicks, which Lindsey and Stevie Nicks formed before joining Fleetwood Mac.
The singers told the LA Times that their new record should be released in May, with Buckingham commenting on the particular chemistry between the two: “All these years we’ve had this rapport, but we’d never really thought about doing a duet album before.” he said.

McVie added: “We’ve always written well together, Lindsey and I, and this has just spiralled into something really amazing that we’ve done between us.”

The partnership had been hinted at several months previously when drummer Mick Fleetwood told Rolling Stone that the pair “could probably have a mighty strong duet album if they want.”

However the project is slightly more of a group affair than the title suggests – fellow Mac members bassist John McVie and Fleetwood are set to perform on it. This is despite the fact there is still no sign of the first Fleetwood Mac since 2003’s Say You Will. Fans had hoped that when McVie rejoined the band in 2014 following a 16 year break, there would be a new album – but securing time with Stevie Nicks, who has been concentrating on her solo career, has been the stumbling block.

In October last year, McVie told the Guardian that the album was “half-finished … it’s just seven tracks that we’ve got, and they’re only with guide vocals”. Talking of its “fantastic variety of songs” she said she hoped to finish the album before last Christmas

Fleetwood Mac’s Christine McVie and Lindsey Buckingham talk about making their first duet album | L.A Times

Los Angeles Times
Randall Roberts
13th Jan 2017

Longtime devotees of the rock band Fleetwood Mac might be forgiven for letting out a gleeful yelp when registering the news that singer-keyboardist Christine McVie shared with The Times in December while sitting next to her band mate — guitarist, singer and producer Lindsey Buckingham.

Christine McVie and Lindsey Buckingham at the Village Studio in December 2016. (Liz O. Baylen / Los Angeles Times)

“I’ve been sending Lindsey demos in their very raw form,” she says, sitting in the Village Studio’s storied Studio D in West Los Angeles, “and he’s been doing his Lindsey magic on them, which I love.”

The product of that magic is tentatively scheduled to come out in May, and the two are at the Village to work on vocals. Working with them are two familiar names: Mick Fleetwood, whose towering drum kit is in the next room, and bassist John McVie.

The album coming out of these sessions, however, won’t bear the Fleetwood Mac imprimatur.

Rather, the release with the working title “Buckingham McVie” will arrive as the first full-length collaboration between the pair.

For hard-core fans, it’s not news that, save band mate Stevie Nicks, Fleetwood Mac’s members have been holed up at the Village. At various intervals over the past few years, the band has acknowledged working on an unspecified project thought to be a new Fleetwood Mac album.

In fact, during a studio visit in 2014, The Times’ Randy Lewis sat down with Christine McVie and Buckingham to discuss her return to touring after 16 years away from the band.

“I thought, I’m really missing out on something — something that’s mine, that I’ve just given up,” she said to Lewis. “I’m not paying respect to my own gift.” Continue reading Fleetwood Mac’s Christine McVie and Lindsey Buckingham talk about making their first duet album | L.A Times

Lindsey Buckingham On Writing With Christine McVie on ‘Mirage’ | wror.com

Sept 23rd, 2016
By Erica Banas
wror.com

Arriving in store today (September 23) are deluxe editions of Fleetwood Mac’s 1982 album Mirage.

The new set comes as a single-disc remastered version of the album along with a two-disc Expanded edition and a Deluxe package that includes three CDs, a DVD and an LP. The latter two include bonus demos, rarities and alternative tracks, while the Deluxe also features a 1982 concert from Los Angeles.

Mirage was the more “traditional” follow-up to 1979’s experimental Tusk and hit No. 1 on the Billboard 200, going on to be certified double platinum. Lindsey Buckingham tells us that it was also on album on which he and singer-keyboardist Christine McVie — who wrote the first single “Hold Me” — clicked in a way that was different from the way he worked with Stevie Nicks:

“I would say that it’s…an intangible thing. It’s a very strong thing of what I always thought was, for lack of a better term, the whole being greater than the sum of the parts…and I think in that sense Christine and I as two musicians who are very well-grounded in their craft have a kind of symmetry of respect and love for each other on a creative and a musical and a personal level, and I think that was a big part of what that whole being greater than the sum of the parts was at the time. The fact that what I could do for her, I did it for Stevie too but the fact that she (McVie) could infuse her sensibilities into my stuff and I could tap into what I do as a producer, say, and give back so much to her.”

McVie rejoined the band in 2014 following a nearly 16-year leave of absence. Fleetwood Mac has been working on new material but no release plans have been announced.

Photo by Noam Galai/Getty Images
Photo by Noam Galai/Getty Images

Gary Graff is an award-winning music journalist who not only covers music but has written books on Bob Seger, Neil Young and Bruce Springsteen.

Lindsey Buckingham play’s himself on Showtime TV Show ‘Roadies’

lb_Roadies

Lindsey Buckingham appeared and played himself in episode three of the new Showtime TV series ‘Roadies’, this episode aired on July 10th, 2016 and is titled as “The Bryce Newman Letter”.

Watch Lindsey perform Bleed To Love Her in this clip below

The legendary guitarist and GRAMMY® Award-winning Rock and Roll Hall of Fame inductee delivers a stunning new rendition of the Fleetwood Mac classic ‘Big Love’ for the soundtrack.

cover170x170The track ‘Big Love’ has been released to Apple Music for North American subscribers and purchase via iTunes via this link

The full, 16-song tracklisting for the Roadies Official Soundtrack Album, which will be released August 26th, will be revealed soon.

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Lindsey play himself in the show where he opens a live show and performs Big Love and Bleed To Love Her and plays a small snippet of an untitled track and acoustic instrumentals of classic Fleetwood Mac tracks ‘Bleed To Love Her’, ‘Think About Me’ and ‘Hold Me’ which are also featured throughout the show. Lindsey also acts in few non- singing / performance scenes.

To learn more about this episode, please click this link from Showtime

Lindsey Buckingham releases “BIG LOVE (LIVE)” off of official ROADIES soundtrack

LINDSEY BUCKINGHAM RELEASES “BIG LOVE (LIVE)” OFF OF OFFICIAL ROADIES SOUNDTRACK, AVAILABLE TO STREAM NOW ON APPLE MUSIC

LINDSEY BUCKINGHAM TO BE FEATURED IN UPCOMING EPISODE OF SHOWTIME®MUSIC SERIES ROADIES

ROADIES OFFICIAL SOUNDTRACK ALBUM ARRIVES AUGUST 26TH FROM REPUBLIC RECORDS & STARDOG RECORDS

NEW YORK, NY (July 8th, 2016) – Today, Republic Records and Stardog Records unveil the third track from the ROADIES official soundtrack album (“Music From the Showtime Original Series Roadies”)—Lindsey Buckingham’s “Big Love (Live)”. Listen to it exclusively on Apple Music HERE.

The legendary guitarist and GRAMMY® Award-winning Rock and Roll Hall of Fame inductee delivers a stunning new rendition of the Fleetwood Mac classic for the soundtrack. In addition, he appears on the next episode of ROADIES to perform “Big Love” and “Bleed to Love Her” Sunday, July 10, 2016 on Showtime.

The full, 16-song tracklisting for the Roadies Official Soundtrack Album, which will be released August 26th, will be revealed soon. ROADIES airs Sundays at 10 p.m. ET/PT on air, on demand and over the internet.

From creator, executive producer, writer and director Cameron Crowe, ROADIES offers a look into the reckless, romantic, funny and often poignant lives of a committed group of roadies who live for music and the de facto family they’ve formed along the way. Luke Wilson, Screen Actors Guild® Award nominee Carla Gugino, Imogen Poots, Rafe Spall, Academy Award® nominee Keisha Castle-Hughes, Peter Cambor, Colson Baker a.k.a. Machine Gun Kelly, and Ron White star in the ensemble cast. Luis Guzman, Jacqueline Byers, Finesse Mitchell, Branscombe Richmond and Tanc Sade guest star. Emmy® and Tony® nominee Winnie Holzman serves as writer and executive producer, along with Emmy® winner J.J. Abrams, Crowe, Len Goldstein and Emmy® winner Bryan Burk. Kathy Lingg is co-executive producer. ROADIES is produced by Bad Robot Productions, Vinyl Films and Dooley & Company Productions, in association with Warner Bros. Television. Continue reading Lindsey Buckingham releases “BIG LOVE (LIVE)” off of official ROADIES soundtrack

Rare Fleetwood Mac / Lindsey Buckingham songs shared via Richard Dashut online

Rare never-before heard tracks from Fleetwood Mac and Lindsey Buckingham appear online curtesy of Richard Dashut

Richard Dashut (co-producer of many of the Fleetwood Mac albums) has started to share some rare unreleased tracks from the his vaults from when he was working with Fleetwood Mac and Lindsey Buckingham online via Tumblr, Facebook and video sharing sites.

This post will attempt to collate the songs shared via their online links, so far Richard has shared the following tracks….

An alternate take of the Christine song ‘Mystified’ from the 1987 Fleetwood Mac album “Tango In The Night’

Song Ideas by Lindsey Buckingham and Rick Curtis (The Curtis Brothers, writers of Blue Letter from the 1975 self-titled Fleetwood Mac album)

 

And an early mix of the Lindsey song ‘Tango In The Night’ from the 1987 Fleetwood Mac album “Tango In The Night’

 

A snippet of an early version of The Chain from the 1977 album ‘Rumours’

 

Thanks Richard for posting these awesome tracks

Lindsey Buckingham on Fleetwood Mac’s Risk-Taking Classic Album ‘Tusk’ | Billboard

Billboard Online
Nov 19, 2015
by Gary Graff

Lindsey Buckingham has long told the story of reaction inside and around Fleetwood Mac when 1979’s Tusk fell far short of sales for its predecessor, Rumours. “The conventional wisdom was, ‘You blew it,'” Buckingham recalls with a laugh. “A lot of people were pissed off at me for that.”

Fleetwood Mac Norman Seeff
Fleetwood Mac
Norman Seeff

Not so now.

The often experimental Tusk — which will be celebrated with a deluxe edition box set on Dec. 4 — may not have lived up to Rumours​’ diamond-certified status, but it was still a double-platinum release that hit No. 1 in the U.K. and No. 4 on the Billboard 200 and spawned a pair of top 10 hits in “Tusk” and “Sara.” More importantly it became a sonic inspiration (and has been cited as such) for many that followed and, in Buckingham’s mind, gave Fleetwood Mac a broader artistic license that his bandmates would later appreciate.

“For me, being sort of the culprit behind that particular album, it was done in a way to undermine just sort of following the formula of doing Rumours 2 and Rumours 3, which is kind of the business model Warner Bros. would have liked us to follow,” Buckingham tells Billboard. “We really were poised to make Rumours 2, and that could’ve been the beginning of kind of painting yourself into a corner in terms of living up to the labels that were being placed on you as a band. You know, there have been several occasions during the course of Fleetwood Mac over the years where we’ve had to undermine whatever the business axioms might be to sort of keep aspiring as an artist in the long term, and the Tusk album was one of those times.”  Continue reading Lindsey Buckingham on Fleetwood Mac’s Risk-Taking Classic Album ‘Tusk’ | Billboard

Introducing… Fleetwood Mac: The Ultimate Music Guide – Uncut

“There’s blood and guts and disagreements still to this day…”

FM_Uncut

Early 1969. California has been hit by a series of destructive floods, so bad that the international telephone operator is sceptical a connection can be made between London and Los Angeles. When the call goes through, however, the NME’s Nick Logan has a few demanding questions for the first leader of Fleetwood Mac, Peter Green. One is how Green’s band will sustain their reputation as blues purists in the wake of a big hit single, the expansive “Albatross”. Will their next single be another change from what their fans have come to expect?

“I don’t really care,” says Green, yawning. “I never have done really. We’ve never done what was expected of Fleetwood Mac – we’ve always done the opposite. We just do what we want to do.”

Thus begins the remarkable story of Fleetwood Mac – a saga unparalleled in rock, as our new Uncut Ultimate Music Guide dedicated to the band makes clear (on sale in the UK on Thursday Sept 10, but available to order now at our online shop). Over the next four and a half decades, the band’s history has often read like an infinite series of surprise plot twists, where radical upheavals arrive with every new album. Key members come and go, lost to religious cults and mental breakdowns, victims of multiple romantic traumas. Musical directions and locations change as frequently as the lineup: the blues evolve into the apotheosis of sophisticated pop; and a remote Hampshire commune is swapped for the LA highlife.

As the revealing features collected in this Ultimate Music Guide prove, the journalists of Uncut, NME and Melody Maker have been alongside Fleetwood Mac every step of the way. They documented the rise and fall of Peter Green’s band, the emergence of Christine McVie, the transitional lineups of the early ’70s, the dramatic arrival of Lindsey Buckingham and Stevie Nicks, and the glory and devastation that soon followed. “Being in Fleetwood Mac is more like being in group therapy,” noted the mostly redoubtable Mick Fleetwood in 1977, as he contemplated the seismic impact of “Rumours” and laid bare – not for the last time – the private lives of its key players

Continue reading Introducing… Fleetwood Mac: The Ultimate Music Guide – Uncut