By Jordan Runtagh
Rolling Stone Online
February 3, 2017

Why “Silver Springs” was left off the LP, how the band’s Rolling Stone cover shoot fueled Steve Nicks and Mick Fleetwood’s affair, and more

“Drama. Dra-ma,” was how Christine McVie described the recording of Rumours to Rolling Stone shortly after its release on February 4th, 1977. And that wasn’t even the half of it. Sessions for Fleetwood Mac‘s masterwork have all the elements of a meticulously scripted theatrical romance – elaborate entanglements, enormous amounts of money and mountains of cocaine.

The Rumours saga is one of rock’s most famous soap operas, but here’s a refresher course on the dramatis personae: Stevie Nicks had just split with her longtime lover and musical partner, Lindsey Buckingham, while Christine was in the midst of divorcing her husband, bassist John McVie. Meanwhile, Mick Fleetwood’s extra-band marriage was on the rocks, leading to an affair with Nicks before the year was out. This inner turmoil surfaced in brutally honest lyrics, transforming the album into a tantalizing he-said-she-said romantic confessional. The musicians’ personal lives permanently fused within the grooves, and all who listened to Rumours become a voyeur to the painful, glamorous mess.

Drama aside, Rumours is among the finest work the band ever produced. “We refused to let our feelings derail our commitment to the music, no matter how complicated or intertwined they became,” Fleetwood later wrote in his 2014 memoir. “It was hard to do, but no matter what, we played through the hurt.” Continue reading Fleetwood Mac’s ‘Rumours’: 10 Things You Didn’t Know | Rolling Stone →