Lindsey Buckingham Gets Anthologised By Rhino | Popmatters


25 Oct 2018

Can’t the members of Fleetwood Mac ever bury their differences and forge a lasting friendship? Even in their dotage, they fall out with each other at the most terrible junctures – on the eve of tours or just after the completion of albums. At one point, it seemed as if we might get another studio album from the classic lineup. It would have been the first since 1987’s Tango in the Night. Christine McVie had finally come back into the fold. Before quitting, she had held down the fort during the troubled era of Behind the Mask (1990) and Time (1995), when first Lindsey Buckingham fled, followed by Stevie Nicks. After live reunion album, The Dance (1997), McVie retired to England, peeping out briefly to issue a so-so solo album in the early 2000s. It was left to Nicks and Buckingham to front the good-ish double-album, 2003’s Say You Will. Then, no sooner was McVie back behind the piano and ready to record, Nicks proved reluctant to enter the studio. Consequently, a 2017 studio album came out under the band-name Lindsey Buckingham Christine McVie, even though Mick Fleetwood and John McVie played on it.

Now it’s Buckingham’s turn to be out in the cold, and there are conflicting reports as to why. Slowly, the PR-buffed narrative about scheduling issues is giving way to one of malice, toxicity, ill will, and bad blood, of insurmountable dislike and antipathy, and Nicks giving the band a him-or-me ultimatum. A lawsuit looms while Fleetwood Mac tour with a lineup plumped out by musical everyman, Neil Finn, plus Heartbreaker, Mike Campbell. Oh dear. The sorry mess does, however, mean that Buckingham is suitably placed for touring behind and promoting this three-disc (six on vinyl) anthology and by all accounts, a solo album will follow.

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