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‘In The Meantime’: Christine McVie was “as revealing as ever”, says Dan Perfect | Dig

Dan Perfect, nephew of Christine McVie and co-producer of her final solo album, ‘In The Meantime’, tells Dig! how the record came together.

“This was therapy,” Christine McVie said, in 2022, of recording her 2004 album, In The Meantime. “I was coming out of a relationship and just got it all off my chest.” McVie’s third and final solo album was underheard and underappreciated on release. Now, with In The Meantime freshly reissued both on vinyl and in a gorgeous new Dolby Atmos mix, the time is ripe for its reappraisal – as Dan Perfect, McVie’s nephew and the album’s co-producer/co-writer, tells Dig! in this exclusive interview.

A mainstay of Fleetwood Mac throughout many of the band’s ever-changing line-ups, Christine McVie had not been a prolific solo artist. She had released one self-titled album in 1970 (Christine Perfect, issued under her maiden name) and another in 1984 (Christine McVie). Her incredible career in Fleetwood Mac, alongside the demands of touring with the band, had left her without much time and energy for writing and recording music under her own name.

McVie left the group in 1998. “I was tired of living out of a suitcase, tired of travel, plus I had a fear of flying,” she said in 2017. “I’d been doing it longer than Stevie [Nicks] and Lindsey [Buckingham], and I’d just had enough. Plus, my father was really sick and I wanted to come back to England and rediscover my roots, and I was quite adamant that this was what I wanted to do.”

Dan Perfect remembers how his aunt begin considering a return to recording. “Chris, in the late 90s, she pretty much thought she’d retired,” he tells Dig! “She came back to England, bought a country house, and got the dogs. The reality of it was that she was bored out of her brains. And it took her quite a bit of time for her to really realise that.” Continue reading ‘In The Meantime’: Christine McVie was “as revealing as ever”, says Dan Perfect | Dig

Lindsey Buckingham Wrote a Song That Changed Omar Apollo’s Life | Rolling Stone

BY TOMÁS MIER
Rolling Stone
OCT 24, 2023

A genre-hopping young star and a rock icon compare notes on songwriting, Fleetwood Mac, relationships and much, much more

I DIDN’T BRING my stilts,” dad-jokes Lindsey Buckingham as he eyes Omar Apollo, all six feet five of him. Apollo lets out a chuckle as he leans against the recording console, where Buckingham’s band, Fleetwood Mac, happened to have made Tusk 45 years ago.

Buckingham, a 74-year-old guitar hero, might seem an odd pairing for a 26-year-old Mexican American star who makes tear-jerking alt-R&B. But as Apollo, who asked Buckingham to join him for Musicians on Musicians, puts it: “I got layers, you know?” (That’s evident as the singer jumps between playing the Cocteau Twins and norteño legend Ramón Ayala during the duo’s photo shoot.)

Once the men sit down for their chat at the Village, the legendary L.A. studio, they realize their connection is more than just musical. Perhaps, fateful. Buckingham made Tusk here. Apollo dropped his breakthrough album, Ivory, last year. “That’s crazy,” Apollo says. “We both have the elephant thing.”

Apollo’s conversation with Buckingham arrives at a pivotal moment in his career: He earned a Best New Artist Grammy nomination earlier this year, his song “Evergreen” just went platinum, and his excellent new EP, Live for Me, came out Oct. 6 — the success is coming swiftly, and he’s at a clear turning point. Buckingham knows that feeling all too well: It happened after Fleetwood Mac dropped their blockbuster album Rumours. He has some advice to impart about fame, songwriting, and going your own way as an artist.

Omar, you wanted to talk to Lindsey. I would love to hear why.

Apollo: Well, there’s a song that you made that has so many memories attached to it, that I’m obsessed with, that literally changed how I wanted to look at music and make music.

Buckingham: And what song was that?

Apollo: It was “Never Going Back Again.” Continue reading Lindsey Buckingham Wrote a Song That Changed Omar Apollo’s Life | Rolling Stone

Not Just Second Hand News: Fleetwood Mac to Release ‘Rumours’-Era Live Show | The Second Disc


BY

Over the course of four legs between February 24, 1977 and August 30, 1978, Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie, and Mick Fleetwood traveled across North America, Europe, Oceania, and Japan touring Rumours.  Fleetwood Mac released their seminal album on February 4 and would perform most of it on the road. Now, a full concert performance recorded on August 29, 1977 at The “Fabulous” Forum in Inglewood, California is coming to CD, vinyl and digital platforms. On September 8, Rumours Live will arrive on two discs from Warner Records and Rhino – in stores justs a couple of months before the recently-announced pair of solo reissues from the late, much-missed Christine McVie.

Since its formation in 1967, Fleetwood Mac had endured radical personnel changes, a stylistic shift from blues to rock, and even a challenge from a “fake Mac” claiming to be the band in concert. When guitarist-songwriter-vocalist Bob Welch became the latest member to pass through the Fleetwood Mac revolving door, drummer Mick Fleetwood and husband-and-wife duo John (on bass) and Christine McVie (on vocals and keyboards) invited two young Californians to bolster the line-up. Guitarist Lindsey Buckingham and his then-girlfriend Stevie Nicks first appeared on 1975’s self-titled album, which signified a new start for the identity crisis-stricken band. With “Rhiannon,” “Landslide,” “Over My Head,” and “Say You Love Me,” the all-new Fleetwood Mac launched the group into the stratosphere. Its slow ascent up the charts culminated in a No.1 berth on the Billboard 200 over one year after entering the chart. The stage was set for Rumours, which would handily surpass its predecessor’s great success. Continue reading Not Just Second Hand News: Fleetwood Mac to Release ‘Rumours’-Era Live Show | The Second Disc

Got a Hold on Me: Christine McVie’s Solo Works Returning to Print | The Second Disc

The loss of longtime Fleetwood Mac keyboardist Christine McVie last year remains deeply felt by fans of the long-running group’s unbeatable pop/rock songs. Today, on what would have been her 80th birthday, Rhino Records is releasing unheard music by (and in tribute to) her, with plans to reissue two of her solo albums this fall.

On November 3, Rhino will reissue a remastered version of 1984’s Christine McVie on CD and vinyl, with a cola-bottle clear color variant of the latter available exclusively at Barnes & Noble. That same day, they will also release her belated 2004 album In the Meantime, not only remastered but newly remixed by her nephew, Todd Perfect, with “Little Darlin'” – an unreleased outtake from the sessions – available as a bonus track. It’ll be pressed on CD and double vinyl with a songbird etching on the fourth side, but it’s available digitally today. Continue reading Got a Hold on Me: Christine McVie’s Solo Works Returning to Print | The Second Disc

Stand Back: Rhino Releases Stevie Nicks’ Complete Discography on CD, LP Box | Second Disc


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If you’ll forgive the easy reference, there’s no one quite as bewitching as Stevie Nicks. Since she joined Fleetwood Mac in 1975 and helped turn them from British blues-based cult act to blockbuster pop/rock icons, her enrapturing voice and stage presence have influenced generations. In 1981, she began a parallel solo career with hits on her own that helped make her, in 2019, the first woman inducted into the Rock & Roll Hall of Fame twice. It’s that solo material that’s the subject of a brand-new box set from Rhino, featuring all eight of her studio albums and a host of rare material.

Complete Studio Albums & Rarities brings together just about all of Nicks’ own output between 1981 and 2014, a period covered by Rhino’s Stand Back compilation from 2019. The set features the chart-topping Bella Donna (1981) and follow-up The Wild Heart (1983) – both presented as remastered for a pair of deluxe editions in 2016 – newly-remastered versions of Rock a Little (1985), The Other Side of the Mirror (1989), Street Angel (1994) and Trouble in Shangri-La (2001), and the late-period successes In Your Dreams (2011) and 24 Karat Gold – Songs from the Vault (2014). The set closes out with a newly-compiled double album of Rarities, featuring 23 B-sides, bonus tracks, compilation songs, material from nine different soundtrack collections and Nicks’ recently-released cover of Buffalo Springfield’s “For What It’s Worth.” Continue reading Stand Back: Rhino Releases Stevie Nicks’ Complete Discography on CD, LP Box | Second Disc

Christine McVie obituary | The Times (UK)

Reserved, intelligent singer and songwriter for Fleetwood Mac whose album Rumours was one of the biggest-selling of all time

Christine McVie in 1979: she wrote many of the band’s most famous songs
RANDY BACHMAN/GETTY IMAGES

Under normal circumstances, when Christine and John McVie divorced, they would have gone their separate ways. There were no children to consider and nothing to keep them together — except that they were trapped in the same band, forced to see each other each day and share a stage together every night as they toured the world with Fleetwood Mac.

To rub salt into the wounds, after separating from her husband, Christine had started an affair with the group’s lighting director while at the same time two other members of the band, Stevie Nicks and Lindsey Buckingham, were also breaking up and Nicks began an affair with the fifth member of the group, drummer Mick Fleetwood.

If one had been writing a rock’n’roll soap opera, the emotional maelstrom of this torrid plot would surely have been rejected as too preposterous. Yet for the participants it was all too real and they dealt with the fallout in the only way they knew how. They wrote songs to each other about their collective trauma.

The songs became the 1977 album Rumours, which went on to sell more than 40 million copies worldwide and became one of the biggest-selling albums of all time.

Christine’s compositions for the album included You Make Loving Fun, addressed to her new lover, and Don’t Stop, a message to her husband, which was later famously adopted by President Bill Clinton as his campaign theme tune. On both of them, the jilted ex-husband played bass without missing a beat. Continue reading Christine McVie obituary | The Times (UK)

Christine McVie, Fleetwood Mac singer-songwriter, dies aged 79 | BBC News

Christine McVie, who played with Fleetwood Mac and wrote some of their most famous songs, has died aged 79, her family has said.

GETTY IMAGES

The British singer-songwriter was behind hits including Little Lies, Everywhere, Don’t Stop, Say You Love Me, and Songbird.

She died peacefully at a hospital in the company of her family, a statement said.

McVie left Fleetwood Mac after 28 years in 1998 but returned in 2014.

The family’s statement said “we would like everyone to keep Christine in their hearts and remember the life of an incredible human being, and revered musician who was loved universally”.

Born Christine Perfect, McVie married Fleetwood Mac bassist John McVie and joined the group in 1971.

Fleetwood Mac was one of the world’s best known rock bands in the 1970s and ’80s.

Their 1977 album Rumours – inspired by the break-ups of the McVies and the band’s other couple, Lindsey Buckingham and Stevie Nicks – became one of the biggest selling of all time, with more than 40 million copies sold worldwide.

Continue reading Christine McVie, Fleetwood Mac singer-songwriter, dies aged 79 | BBC News

Lindsey Buckingham cancels rest of UK and European tour due to “ongoing health issues” | NME

NME
By
Will Richards
3rd October 2022

The dates were already rescheduled from earlier in 2022 when they had to be postponed due to positive COVID cases

Lindsey Buckingham cancelled the remainder of his UK and European tour dates due to “ongoing health issues”.

The former Fleetwood Mac guitarist and singer was currently midway through a run of rescheduled UK gigs, which were due to be played earlier this year before he was forced to postpone the tour after he and members of his live band and crew contracted COVID.

After playing the London Palladium on Saturday night (October 1), Buckingham shared a message on his social media the following day, revealing that the remainder of the dates – including a show set for tonight (October 3) in Glasgow – are now cancelled.

The message said: “Due to ongoing health issues, Lindsey is regrettably having to cancel the remaining shows on his current European tour.

“Refunds will be available from the point of purchase. Lindsey sends his deepest apologies to all of his fans who were planning to attend and hopes to return to Europe in the future.

See the message and the cancelled tour dates below.

OCTOBER 2022
03 – Glasgow, SEC Armadillo
04 – Liverpool, Philharmonic Hall
06 – Dublin, Helix

Continue reading Lindsey Buckingham cancels rest of UK and European tour due to “ongoing health issues” | NME

Lindsey Buckingham UK/Europe tour reviews

Lindsey Buckingham UK/Europe tour reviews

Collection of tour reviews

Lindsey Buckingham review — the Fleetwood Mac soap opera continues | The Times

★★★★☆
Alongside becoming one of the pre-eminent guitarists of his generation, Lindsey Buckingham appears to have been on a lifelong mission to annoy Stevie Nicks as much as possible. Way back on Fleetwood Mac’s 1977 divorce masterpiece Rumours, Buckingham was contributing Second Hand News, Never Going Back Again and Go Your Own Way, self-explanatory break-up anthems all in some way about his former girlfriend. When Nicks finally flipped in 2018 and said either she went or he did, Buckingham put his subsequent sacking from Fleetwood Mac down to her probably still being in love with him. Finally in London after a much-delayed tour, he certainly didn’t shy away from highlighting his undeniable contribution to Fleetwood Mac, playing all the favourites alongside his solo material.

Buckingham was always the one who pushed things musically, embracing post-punk when the others wanted to stick to soft rock. It resulted in following up Rumours with the 1979 album Tusk, the title track of which still sounded as weird as ever here with its marching beat and eerie demand, “Don’t say that you love me.” Elsewhere the concert was a masterclass in guitar playing, from the sweet acoustic finger-picking on Never Going Back Again to the gentle balladry of Time, a cover version of the plaintive Sixties hit by harmony trio the Pozo-Seco Singers, which features on Buckingham’s (very good) 2021 solo album. And when he launched off on an interminable solo he looked as if he was going through every kind of agony and ecstasy before the roar of the crowd brought him some kind of climax when the solo finally ended.

Amid all this Buckingham was a slender, lithe figure who looked good for his age (he’s 73 today) and seemed perfectly content to play with his three backing musicians as if he was filling stadiums, even though he was actually in a mid-sized theatre before a seated audience. By Go Your Own Way everyone was up on their feet, singing along and doing a bit of dancing in the aisles before being removed by overzealous ushers; exactly the kind of rapturous response that proves Buckingham can indeed go his own way, which will annoy Nicks further. Don’t bet on Lindsey Buckingham’s role in the Fleetwood Mac soap opera being over yet, though.

London Palladium
With seven albums’ worth of solo material to his name, Buckingham makes the fans wait for classic Rumours tracks – but eventually delivers in style


Lindsey Buckingham is considered rock royalty thanks to the years he spent with Fleetwood Mac, and his role in transforming a one-time great British blues band that had lost its leader and sense of direction into a multi-platinum-selling soft-rock phenomenon. But he clearly wants to be known for even more: as a singer-songwriting soloist who is also a distinctive guitarist. Tonight, those who are desperate for him to get on to his Fleetwood Mac hits are reminded that he has recorded seven albums of his own songs.

Now in his early 70s, he comes on in very tight blue jeans, black vest and jacket, backed by a three-piece band of keyboards, drums, and a second guitarist, Neale Heywood, who has worked with Fleetwood Mac. Buckingham makes no introductions as he heads into a selection of his non-Fleetwood songs, demonstrating his guitar skills from the start. He likes the finger-picking style that is associated more with folk than rock, and the opening Not Too Late shows his slick, rapid-fire technique. He has a powerful vocal range and a catalogue of fine, tuneful songs, such as Soul Drifter, which would benefit from more emotion and variety than his consistently full-tilt approach allows.

Continue reading Lindsey Buckingham UK/Europe tour reviews

Lindsey Buckingham announces rescheduled UK and Ireland dates | NME

Check out the new autumn show dates here

Lindsey Buckingham has confirmed his rescheduled UK and European shows.

The former Fleetwood Mac guitarist and singer was in May forced to postpone the tour after he and members of his live band and crew contracted COVID.

A statement at the time read: “This is heartbreaking for Lindsey, he was so excited to come to Europe for the first time as a solo artist this spring.”

Buckingham will now play shows in Dublin, Glasgow, Liverpool and London between October 3 and October 6, 2022.

The UK run follows rearranged gigs in France, the Netherlands, Belgium, Sweden, Norway and Germany. Original tickets are valid for all the corresponding new dates.

Lindsey Buckingham’s UK and European tour dates 2022:

OCTOBER
Saturday 01 – London, London Palladium
Monday 03 – Glasgow, SEC Armadillo
Tuesday 04 – Liverpool, Philharmonic Hall
Thursday 06 – Dublin, Helix

Continue reading Lindsey Buckingham announces rescheduled UK and Ireland dates | NME