Category Archives: Fleetwood Mac

25 Years Ago: Fleetwood Mac Release ‘Behind the Mask’ Without Lindsey Buckingham | Ultimate Classic Rock

by Jeff Giles
April 10, 2015 10:44 AM
Ultimate Classic Rock Website

By the time they achieved massive mainstream success in the mid-’70s, Fleetwood Mac had already been through more lineup changes than most bands manage in their entire careers, and their best-selling album, Rumours, was partly inspired by a pair of collapsing relationships between bandmates.

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They were accustomed to forging on in the face of personal and professional drama, in other words — but even so, the trials they faced before recording their 15th studio album, 1990′s Behind the Mask, proved particularly threatening.

All things considered, it should have been an easy time for Fleetwood Mac, who battled back from some early ’80s doldrums with 1987′s commercially resurgent Tango in the Night. With another multiplatinum hit at their backs and a fresh slew of Top 40 singles marching up the charts, the band might have been able to settle into the sort of groove that had proven difficult in the years after Rumours‘ unwieldy success, if not for one thing: the inconveniently timed exit of guitarist Lindsey Buckingham, whose songwriting and meticulous studio work had increasingly come to define their sound.

Buckingham’s departure was confirmed in the summer of 1988, causing the band to scramble to fill his parts before their tour for Tango. It was just the kind of painful and potentially disastrous conflict that the band had unfortunately become known for, but as drummer Mick Fleetwood later admitted, the split was a long time coming — and exacerbated by moves the other band members had made in the years leading up to it. Continue reading 25 Years Ago: Fleetwood Mac Release ‘Behind the Mask’ Without Lindsey Buckingham | Ultimate Classic Rock

Archive clips of Fleetwood Mac on BBC Four ‘Biggest band Breakups and Makeups’

BBC Four in the UK aired a new music documentary program last night (10th April 2015) that delved into the biggest band breakups and makeups, of course any program that focused on disfunctional bands had to include Fleetwood Mac, and we were not disappointed, below is the section of that show that covers Fleetwood Mac’s turbelent relationships….

The clips contains archive footage of brief soundbites with John McVie and Stevie Nicks from interviews shown on the BBC in the past, as well as live clips of Don’t Stop, Dreams, Go You Own Way and On Diane (however Oh Diane has Dreams playing over the clip).

One item that I found very encouraging is that the BBC have kept good quality archive footage of the Fleetwood Mac at 21 documentatry that aired originally in 1988 and the Oh Diane clip from The Late Late Breakfast show that aired originally in 1982.

Enjoy the very brief snippet from the show and if you wish to watch the complete one hour documentatry and you are able to view BBC iPlayer, the link for the full program is below..

– http://www.bbc.co.uk/programmes/b05q472d

 

Christine McVie rejoins Fleetwood Mac for On With The Show tour | Herald Sun (AUS)

APRIL 08, 2015 10:00PM
Cameron Adams National music writer
Herald Sun

CHRISTINE McVie’s return to Fleetwood Mac has made many people extremely happy — none more so than the other members of Fleetwood Mac.

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The gang’s all back … the Rumours line-up of Fleetwood Mac is together again. Source: Supplied

At one point during her 16-year sabbatical from Fleetwood Mac bandmate Stevie Nicks straight up offered McVie $5 million right there and then if she’d rejoin the band.

“I said ‘Is that all!,” McVie laughs. “I’m only worth $5 million?!”

It’s worth noting that 40 US dates of their On With the Show tour since McVie officially rejoined in January 2014 generated over US$74 million, and they’ll at least triple that when they spend most of this year touring before winding up in Australia and New Zealand in November.

Once she was back in Mac, Nicks gave her friend a silver chain, a metaphorical gift that McVie says echoes the sentiment of the band’s classic The Chain because “the chain of the band will never be broken” then she adds “not by me anyways. Not again by me”. Continue reading Christine McVie rejoins Fleetwood Mac for On With The Show tour | Herald Sun (AUS)

Christine McVie rejoins Fleetwood Mac on Australian tour On with the Show | Sydney Morning Herald

The Sydney Morning Herald
George Palathingal

The dreams of thousands of Fleetwood Mac fans – not to mention key estranged member Christine McVie – will soon be coming true: the valued singer, songwriter and keyboard player will be rejoining her ex-husband John McVie and their fellow MacMembers Mick Fleetwood, Lindsey Buckingham and Stevie Nicks, for a series of dates in Australia and New Zealand in October and November.

The rumours are true – Fleetwood Mac are back: (left to right) Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, Christine McVie and John McVie. Photo: Matt Mindlin

The rock royals had to cancel their sold-out 2013 Australian tour when John McVie was diagnosed with cancer but the bassist has since made enough of a recovery to play live again – hence this tour’s title On with the Show. At the time Christine McVie was still no longer officially in the band she had left in 1998, but had rejoined them onstage in London for a one-off performance of Don’t Stop (which she wrote) mere months before John’s diagnosis.

Christine told The Guardian at the time, “I like being with the band, the whole idea of playing music with them … If they were to ask me [to rejoin] I would probably be very delighted.” Continue reading Christine McVie rejoins Fleetwood Mac on Australian tour On with the Show | Sydney Morning Herald

Fleetwood Mac’s Mick Fleetwood on ‘Making New Music With the Absolute Lineup’ | Miami New Times

Miami New Times Blog
By Hans Morgenstern
Fri., Mar. 13 2015

By all accounts, Fleetwood Mac is one of the great rock ‘n’ roll bands. But there weren’t many people who would’ve predicted its classic lineup would be together and touring sports arenas in 2015.

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Over the course of the 38 years since the release of the group’s masterpiece, 1977’s Rumours, Fleetwood Mac’s members have come and gone for reasons of madness, romantic turmoil, and creative tension. All the while, the rhythm section — drummer Mick Fleetwood and bassist John McVie — has stuck it out.

Speaking by phone from a Dallas hotel room, Fleetwood says: “I will take some credit that I’ve always been, almost to the point of being obsessive, saying, ‘We’ve got to keep going. We’ve got to keep going, dude.'”

The band is currently in the middle of its hit U.S. tour, appropriately titled On With the Show. To catalog and dissect the members’ comings and goings is a book-length endeavor, so let’s start with the latest news. Last year, singer/keyboardist Christine McVie, former wife of the group’s bassist, returned to the fold, finally recreating the Fleetwood Mac from the height of its popularity between 1975 and 1987. There were reunions in the ’90s, and even an official break-up from 1995 to 1997, but the band could never stay together long enough for a new album featuring the treasured cast that produced the self-titled “White Album,” Rumours, Tusk, Mirage, and Tango in the Night. Continue reading Fleetwood Mac’s Mick Fleetwood on ‘Making New Music With the Absolute Lineup’ | Miami New Times

Fleetwood Mac album may take ‘a couple of years’ to finish | The Guardian (UK)

The Guardian (UK)
10th March 2015

Mick Fleetwood says Stevie Nicks has yet to contribute songs, but Lindsey Buckingham has ‘a great chunk of wonderful songs’

Fleetwood Mac

As ever, Fleetwood Mac seem unable to agree among themselves, though at least this time there are no blizzards of cocaine and bitter relationship splits involved. Earlier this year, Lindsey Buckingham – the band’s de facto leader – told PBS the group will end this year, or shortly afterwards.

But now drummer and founder Mick Fleetwood has said it may be “a couple of years” before they get round to releasing the album Buckingham insists will be their swansong. Fleetwood says the band’s touring has got “in a good way, out of control” and so they have been unable to finish the album.

Fleetwood told ABC Radio (via Classic Hits): “We’re building up this whole sort of dossier of material, a glut of stuff.” Buckingham apparently “has a great chunk of wonderful songs pretty flushed out and finished”, and the only thing missing is new material from Stevie Nicks, who has been ambivalent about committing to a new record.

Still, Fleetwood said: “My inclination is, the music will not be wasted. It will come out one way or another. I truly hope and I quietly believe it will be Fleetwood Mac, and Stevie will do some lovely stuff, and within the next couple of years we will get that done.”

Fleetwood Mac have been touring heavily over the last year, with many more shows to come this year – with Christine McVie back in the band playing keyboards, which also widens their choice of material. In recent years, with McVie absent, the band have chosen not to play her songs.

The band come to the UK this summer for a series of dates, including a headline show at the Isle of Wight festival.

Fleetwood Mac: Going long with Lindsey Buckingham | Austin360

Music Blog on Austin 360
by Peter Blackstock
February 28th, 2015

On Sunday, the Erwin Center welcomes back the classic lineup of Fleetwood Mac: Stevie Nicks, Lindsey Buckingham, Christine McVie, John McVie and Mick Fleetwood. This lineup of the group, whose 1977 album “Rumors” is one of just eight albums to have sold at least 40 million copies, last played the Austin concert arena in 1982, a show we discuss in detail in the Austin360 section of Sunday’s American-Statesman.

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We spoke by telephone on Thursday with Lindsey Buckingham, who offered a good bit of detail about the full band’s current reunion as well as some background about their past. What follows is an assemblage of highlights from that conversation.

Austin360/American-Statesman: Four of you had been touring and recording off and on since the 1997 full-band reunion, but this is Christine McVie’s first reappearance since 1998. Why did she decide to return for this tour?

Lindsey Buckingham: When she left, I think she really was just looking for a change. And there certainly has been precedent for this fivesome to have made exits and returns. I did that myself after producing the “Tango in the Night” album and then did not do the tour. That was for other reasons at the time. But I think with Christine, she was just at a point in her life where she was kind of tired of the whole discipline of recording and writing and touring, and was feeling somewhat ungrounded by that. She’d had a series of relationships that hadn’t held for her, and I think she put some of that down to the kind of life she had to lead and what she had to prioritize. I mean, I’m sure it was way more complex. But basically, back then, she burned all of her bridges in Los Angeles. She sold her house and basically moved back to England, and ensconced herself in a completely different universe. Continue reading Fleetwood Mac: Going long with Lindsey Buckingham | Austin360

Early Fleetwood Mac History: Release of pre-Fleetwood Mac live album | Press Release

JOHN MAYALL’S BLUESBREAKERS LIVE IN 1967 – ALBUM RELEASED 20TH APRIL 2015

John Mayall’s Bluebreakers – Live in 1967, an ultra rare collection of, never-before-heard, live recordings featuring John Mayall, Peter Green, John McVie and Mick Fleetwood, will be released on 20th April, on Forty Below Records.

Live in '67 Low Res Cover copyIn 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John Mayall’s Bluesbreakers.  The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel-to-reel tape recorder into five London clubs and capture this exciting glimpse into musical history.

For almost fifty years these tapes have remained unheard until Mayall recently got them and began restoring them with the technical assistance of Eric Corne of Forty Below Records.  Corne adds “While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

The significant discovery of these live recordings will surely thrill Mayall fans around the world but, moreover, it has enabled the creation of an historical document, which captures a very special moment in the evolution of British Blues music.

John Circa '67 Low res

Stevie Nicks: A Rock Goddess Looks Back | Rolling Stone

By Brian Hiatt
Photograph by Peggy Sirota

Rolling Stone Magazine
Issue 1227 >> January 29, 2015

Magic & Loss

Maker of myths, wearer of shawls: for Stevie Nicks, nothing – and everything – has changed.

Stevie Nicks got to sleep at home last night for once, her skinny, half-blind, half-hairless 16-year-old dog, Sulamith, snuggling at her feet, in a four-poster bed too tall for either of them. “I have to take, like, a running jump to get up there,” says Nicks, who, for all the potency of her presence, is five feet one without heels. She lives in an oceanside condo in Santa Monica, a “space pad” with floor-to-ceiling views of half of Los Angeles County. Her bedroom décor is spare: a Buddha statue on the polished hardwood floor, a vintage globe on a stand, a white stuffed rabbit perched on some pillows, a modest flatscreen, a rack of stage clothes in the corner that serves as the only reminder that she’s actually still on tour. Nicks made it back from a Fleetwood Mac show at the Forum around four in the morning, managing six and a half hours of sleep. She has another concert tonight, with no day off in between. Her back hurts. ‘We’re tired,” Nicks says, brightly, “because we’re very old.”

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Today’s show is an Anaheim arena, an hour from home. Nicks, her long blond hair wrapped in yellow, blue and purple plastic curlers, has flopped onto a well-worn black leather massage chair, feet up, at the rear of her backstage dressing room. It’s early December, and the sun is setting in pastels among the palm trees outside. There are only a couple of hours left before Nicks has to be back onstage in her black corset and skirt, harmonizing once more on “The Chain” with a guy she dumped during the Ford administration. Continue reading Stevie Nicks: A Rock Goddess Looks Back | Rolling Stone

‘When in doubt, be Stevie Nicks’ | Macleans.ca

The iconic singer releases a record amid fierce interest in her work and persona

Elio Iannacci
January 25, 2015

Fleetwood Mac "On With The Show" Tour - New York City

Kevin Mazur/WireImage/Getty Images

A night owl by nature, Stevie Nicks was unable to sleep on a recent Saturday night in Manhattan and had scheduled a late interview to help pass the evening. So 1:30 a.m. found her looking out on the terrace of her rented penthouse atop the Palace Hotel, with a hypnotic view of the Rockefeller Plaza. Amid a torrent of recollections—of her band, Fritz; of the duo she later created with former lover and Fritz guitarist, Lindsey Buckingham; and, of course, of Fleetwood Mac—Nicks began to hum a hip-hop tune. “Which rapper is it that I love who says, ‘Mo’ money more problems?’ ” she asked, pausing in the midst of Notorious B.I.G.’s biggest hit. “He spoke the truth. Don’t I know it!”

Nicks’s truth is peppered with tales of fate and near-fatalities: Fleetwood Mac’s opulent success, the long nights of work wrought with “enough alcohol and cocaine to guarantee years of addiction,” the speculative stories that followed them around for years (orgies and paganism were favoured topics).

Related: An extended web-only Q&A with Stevie Nicks

The history is relevant; her recent solo album, 24 Karat Gold, reinterprets demos written before, during and after Fleetwood Mac’s rise. In it, Nicks doesn’t simply cover her own work; she acts as a musical necromancer who resurrects old sounds and personal stories of burned love, life on the road and facing demons. The song Twisted, first released on the soundtrack for the 1996 disaster-drama Twister, flicks at the appetite for danger all five band members shared. “It was originally written about a group of tornado chasers who dedicate their lives to hunting down storms,” she said. “The parallels to Fleetwood Mac are so there.” The mix of emotion, narcotics and creative egos brought forth a bounty of songs, and turbulent romances. Nicks ended her relationship with Buckingham in 1975, and had an affair with drummer Mick Fleetwood. Christine McVie, the band’s keyboardist-vocalist, left the guitarist for the sound engineer. “After the show, we wouldn’t go out,” Nicks said. “[Christine] would drink wine spritzers and I’d drink tequila alone in our adjoined rooms. The boys were angry at us [and] we had to see them in the morning to work.” Continue reading ‘When in doubt, be Stevie Nicks’ | Macleans.ca