Category Archives: Fleetwood Mac

Fleetwood Mac back on track | USA Today

Rumours confirmed Fleetwood Mac’s place in rock history. The question now is whether the storied ’70s band has currency in 2003.

Four of the five original members of Fleetwood Mac reunited for the recording of Say You Will, to be released on April 15.

A new Mac attack starts April 15 with Say You Will, the band’s first studio album boasting a quorum of core members since 1987’s Tango in the Night.

Singer/guitarist Lindsey Buckingham, who left after Tango and returned for Mac’s lucrative 1997 reunion, produced the album, which also features singer Stevie Nicks, bassist John McVie and drummer Mick Fleetwood. Singer/keyboardist Christine McVie retired.

The album, recorded in Los Angeles over the past 18 months, contains new songs written by Buckingham and Nicks. It also has a studio version of Bleed to Love Her, which had been included on 1997’s live reunion disc, The Dance.

Snippets of Say You Will can be heard in Fox promos for That ’70s Show.

That decade found Fleetwood Mac in peak form. Rumours, the top-selling album of 1977 and third-best in 1978, spawned hits Go Your Own Way, Dreams, Don’t Stop and You Make Loving Fun, and for a time it reigned as the biggest seller in history. It has sold18 million copies and ranks ninth among U.S. best sellers. The band sustained success in the ’80s when Nicks’ solo career also flowered, but splintered lineups in the ’90s led to decreased sales and airplay.

Although fans rallied for the 1997 reunion tour and chart-topping album, pop’s current climate tends to relegate veteran acts to the oldies circuit.

“It’s difficult to think of Fleetwood Mac making a bad album, but I’m not sure how much difference that would make,” says Anthony DeCurtis, Rolling Stone contributing editor. “The new music is entirely secondary. The best parallel would be Paul McCartney, who made a pretty good record (Driving Rain) in 2001. He had a huge successful tour, but the record didn’t do much.

“That’s the problem Fleetwood Mac faces. Obviously, they’ll do big business on the road. The larger issue is: Will radio play this record? It’s amazing to think that the band that helped invent FM radio may go begging to get airplay. Fleetwood Mac is imprisoned by its own gilded cage.”

Considering the success of tours by the Rolling Stones (three original members) and The Who (two), Christine McVie’s absence shouldn’t impede ticket sales, he says. “The version of Fleetwood Mac that most people know is 80% intact,” says DeCurtis, who predicts a box office gold mine. But in record stores, “these bands almost exist in a vacuum.”

DeCurtis says he doubts that the Dixie Chicks’ current hit cover of Nicks’ Landslide will fuel Mac interest. But Billboard director of charts Geoff Mayfield says, “I put that in the ‘it can’t hurt’ category.”

Recent sales patterns reveal increased interest in vintage rockers, he says. He notes that roughly 30 acts that appeal largely to older audiences, including McCartney, Bruce Springsteen and James Taylor, last year enjoyed their best sales weeks in the 12 years SoundScan has been tabulating data.

“People with gray hair are buying records,” he says. And unlike their younger counterparts, “they’re not burning CDs or file-swapping as much.”

Say You Will may not reach the sales of Rumours, but it could thrive even without much radio support.

“It’s not fair to expect another Rumours,” Mayfield says. “Considering the reunion album was their first No. 1 debut in a long while, the new record has a pretty good chance for a handsome start.”

How We Met; Mick Fleetwood And Lindsey Buckingham | The Independent (UK)

The Independent (UK)
8th May 1998
by Lucy O’Brien

Guitarist and songwriter Lindsey Buckingham (far right), 50, made his first album in 1973 with his lover, the vocalist Stevie Nicks. In 1975 the duo joined Fleetwood Mac, and helped transform the band from one rooted in raw British blues to the biggest-selling mainstream rock act of the late Seventies. In 1987 he went solo, and has a new album out later this year. He now lives in Los Angeles. Fellow LA resident and drummer Mick Fleetwood, 51, founded Fleetwood Mac in 1967 with Peter Green. After Green quit in 1970, the band went through several, famously stormy incarnations, before breaking up in 1995. The five members of the Seventies line-up were reunited for 1997’s ‘The Dance’ album and tour
1998 FLEETWOOD MAC ROCK AND ROLL HALL OF FAME 1

LINDSEY BUCKINGHAM: I met Mick right before New Year’s Eve in 1974. Stevie and I were living in LA. We’d done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, “Frozen Love”, being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, “What is goin’ on?”, and left them to it. That man was Mick.

When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren’t looking for a duo, but I said Stevie and I were a package deal.

Continue reading How We Met; Mick Fleetwood And Lindsey Buckingham | The Independent (UK)

Fleetwood Mac: Behind The Mask Review | People Weekly

People Weekly, May 14, 1990
Behind the Mask. (sound recording reviews)
by Ralph Novak

BEHIND THE MASK by Fleetwood Mac

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The addition of singers-guitarists-composers Billy Burnette and Rick Vito has livened up the at-times institutional-sounding tendencies of Fleetwood Mac. This time around, things rock a bit harder, throb a bit deeper. The changes are not revolutionary, though; it’s as if General Motors or Ford had hired a couple of new designers who came up with a different bumper here, a sexier headlight there. The basic product stays the same: in this case, a stately sort of pop rock that ranges from ponderous to movingly effective.

Burnette and Vito joined the band for its 1987 tour when Lindsey Buckingham struck off on his own. (Buckingham appears on one track on this album, in a slight but appealing concession to loyalty.) That’s a two-guitars-for-one trade, thus the splashier, harder sound on such tracks as “When the Sun Goes Down,” which the newcomers co-wrote. The best Mac songs, though, still belong to Stevie Nicks. “Love Is Dangerous,” which she wrote with Vito, has a dirge-like, ’60s tone. But “Freedom” (written with Mike Campbell) and “Affairs of the Heart” both generate that disquieting sense of frustrated romantic impulses that Nicks conveys so well.

Christine McVie partisans will also enjoy the sweet lilt of “Do You Know,” composed with Burnette. Still moving to the beat of the same drummer — Mick Fleetwood himself — Mac has been nothing if not consistent over its 20-year, 19-album history, and there’s satisfaction, as well as entertainment, in that. “Predictable” is not always an insult. (Warner Bros.)

Ralph Novak
Review Grade: B

Big Mac – Fleetwood Mac talks to Record Mirror (Apr 1988)

Well, you can’t get much bigger than Fleetwood Mac, can you?
In the wake of Lindsey Buckingham’s much-publicised departure and their combined chart success.
Dave Zimmer talks to the band that just refuses to lay down and die….

Record Mirror (UK)
April 1988

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Somebody should write a soap opera based on Fleetwood Mac’s career. They’ve been plagued by jealousy, bankruptcy and alcoholism; and when guitarist Lindsey Buckingham left the band last year, it looked like the end of the road.

Buckingham had been with Fleet­wood Mac since 1975 when he and Stevie Nicks helped catapult the rather obscure ‘hippy’ band into the big time with the LP ‘Rumours’. To date, it’s sold over 30 million copies worldwide. But the relationship between Nicks and Buckingham soured, as Stevie explains.

“If Lindsey said the wall in the studio was grey, I’d be absolutely sure it was pink. In order to get one of my. songs on a record I’d have to say ‘Okay, the wall’s grey Lindsey’. Otherwise it was back on the bus.

Continue reading Big Mac – Fleetwood Mac talks to Record Mirror (Apr 1988)

Fleetwood Mac Return Without Leaving | CREEM Magazine

Creem Magazine
September 1987
by J. Fordosh

Up in the hills of Bel Air is Lindsey Buckingham’s house, Lindsey Buckingham’s croquet-perfect lawn, Lindsey Buckingham’s pool, Lindsey Buckingham’s radio-controlled toy submarine that’s busted, but could be fun in the pool, Lindsey Buckingham’s home studio, The Slope-where the final work on Fleetwood Mac’s Tango In The Night was done-and, indeed, Lindsey Buckingham himself.

Lindsey, like everyone in Fleetwood Mac, will tell us something of this latest record-and something of this immensely popular band. Their times and their troubles, stuff like that.

Fleetwood Mac’s saga has been a strange one: since Lindsey and Stevie Nicks joined up in 1975, the band’s made five studio albums, including Tango. The first four have sold something like 33 million copies-about 20 million of those courtesy of 1977’s monstrous Rumours.

You can perceive that, despite their relatively sluggish output, this band has a lot of fans. As I write this, Tango is safely ensconced in the Top 10, where it may well remain for eternity or the next Fleetwood Mac album, whichever comes first. But, coming almost five years after Mirage, we can correctly assume that there’s a story behind the story, so let’s start here . . .

Continue reading Fleetwood Mac Return Without Leaving | CREEM Magazine

Gypsies, Tramps or Thieves? The World According To Fleetwood Mac | CREEM Magazine

Creem Magazine
Feb 1983
by John Mendelssohn

One day soon, there will be no more stuffed animals in the world. No stuffed koalas or pandas or ocelots or giraffes will remain for parents to bring their brave little tykes in the pediatric wards of hospitals. Pubescent girls will have no more stuffed leopards or ponies or lynxes to snuggle while they jabber on the telephone. And no stuffed teddy bears will be found in the rooms of Elvis impersonators who are intent on recreating every phase of the King’s life.

One day soon, all the stuffed animals in the world will have been presented to Stevie Nicks while she is on stage with Fleetwood Mac.
Or on stage without Fleetwood Mac. Industry insiders assure us that it won’t be long before Stevie Nicks goes her own way, for she has her own manager, who won’t let her talk to Rolling Stone, and a hit solo album and tour to her credit. Likewise, Lindsey Buckingham, the other half of the duo whose recruitment in 1976 transformed Fleetwood Mac from the blues band that time forgot into mega-platinum ultra superstars, makes no secret of the fact that he much prefers working on own projects these days. And John McVie gives the very distinct impression of not being long for this world, let alone the group. Which means that the time to get to know these five nice people who make nice music for nice people is right now, before they scatter every which way.

An electrician who did some wiring in her home assured CREEM that keyboard- ist Christine McVie, in marked contrast to her boyfriend at the time, Dennis Wilson, is as unaffected and gracious person as one might yearn to do wiring for, her deportment on stage serves to affirm this impression. The only time she gets stuffed animals or bouquets is when somebody who’s about to be throttled by a security gorilla despairs of getting Stevie’s attention. But she neither glowers or sulks about this, nor makes a spectacle of herself in an attempt to pilfer some of Stevie’s thunder. In doing so, she represents the English temperament at its noblest.

Continue reading Gypsies, Tramps or Thieves? The World According To Fleetwood Mac | CREEM Magazine

Best Fleetwood Mac Ever – An Interview With Mick Fleetwood | Hit Parader

May 1977
Hit Parader
by Jim Girard

Speak about Fleetwood Mac these days and you are liable to set off a series of long-winded, laudatory extrapolations about how diverse, fussy, complex and inspiring the five members really are. All that from people who have probably never even seen the band play live. This is especially true in the music business (within these very pages over the last several issues, thousands of words have been written about the band). This is a time when rock writers and music business people are cramming for finals — just trying to brush up on their Fleetwood Mac history. It is, you see, quite unhip to NOT be aware of the band that rose to unparalleled heights this past year, after knocking around the minor leagues (so to speak) in various. aggregations for the past nine years. Rock writers especially get insecure about not being aware of the varied past this band led by Mick Fleetwood and John McVie has had.

Currently, Christine McVie (a member of the band for the past four and a half years), Lindsey Buckingham and Stevie Nicks are the other members of the band. It is this lineup that produced last year’s monster album, entitled FLEETWOOD MAC, and has recently released their second album RUMOURS. Mick Fleetwood has considered using his gold records for doorstops, as the continued success of the band is inevitable.

In the following interview, leader and drummer Mick Fleetwood tells HIT PARADER about his band, his longtime relationship with bassist. John McVie (the “Mac” in Fleetwood Mac) and the various things that make Fleetwood Mac an entity in and of itself:

* * * * *

HP: Now that the band has finished RUMOURS, could we talk about the how and why of the album taking so long to finish?
Mick: Well, when we started the album RUMOURS there were a lot of things going on in the band — for everybody involved. Needless to say, it was a very strange time. Things weren’t all that bad with all the personal problems, but needless to say, things just took a lot longer than expected as a result. Lindsey and Stevie broke up, John and Christine had broken up and I was going through some changes too. Then, after two months of laying down basic tracks, we went back on tour for a white. Luckily, sometimes when you overwork at something and don’t get away from it, you get to a point where you lose it. That didn’t happen with us this time; everything we did just kept getting better and better. Since all of the original tracks were done in the first two months, the initial vibe of the album is still there. The energy isn’t gone. It hasn’t been tampered with. Mainly, there were a lot of strong feelings going on in the band, and then on the album. Unwittingly, the songs and moods on RUMOURS are connected to what various people in the band were going through. From that point of view, this is a very emotional album; more than the last one.

HP: RUMOURS was amazingly expensive to record I hear.
Mick: We worked on the album for over six months physically, but we worked on it for over ten months in total. We spent a lot of time on the album and it cost us a lot of money, yeah. However, we didn’t compromise anything on the album. We got past the point of worrying whether or not things cost too much. We didn’t want to quit until everything was as right as it could possibly be. One reason we were able to work on RUMOURS as long as we did was because the FLEETWOOD MAC album was selling so sensationally and it allowed us to keep working on the new one. If we would have put out the new album when we were supposed to, we would have killed the sales of the FLEETWOOD MAC album and there was no point in doing that. It is still selling a lot, although it is starting to drop off now.

Continue reading Best Fleetwood Mac Ever – An Interview With Mick Fleetwood | Hit Parader