Category Archives: Stevie Nicks

Christine McVie, Release Info, Solo Activity, Stevie Nicks, Tour Info

Stevie Nicks, Christine McVie Each Have 2022 Plans | Best Classic Bands

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April 20, 2022

While it’s not known whether Fleetwood Mac will be recording or touring again, the band’s two female members have plans of their own in 2022.

While Stevie Nicks isn’t touring, per se, she has been adding live performance dates to her calendar one by one. As of April 19, the songstress has ten concerts planned this year, many of which are taking place at festivals. They span from May 7, where she’ll be the headliner on the final Saturday of the New Orleans Jazz and Heritage Festival, through Sept. 30. Though McVie hasn’t announced any concerts, she is releasing a new solo collection, Songbird. The album is produced by Glyn Johns and emphasizes songs from her solo career. It arrives June 24 via Rhino. It first became available for pre-order on Apr. 19.

Fleetwood Mac last toured in 2019, with Mike Campbell and Neil Finn joining Nicks, McVie, Mick Fleetwood and John McVie. News of Nicks‘ 2022 appearances began trickling out in January, when the Bonnaroo festival announced its lineup.

Stevie Nicks 2022 Dates (Tickets are available here and here)

May 07 – New Orleans, LA – Jazz Fest
May 11 – Morrison, CO – Red Rocks Amphitheatre
May 14 – George, WA – The Gorge Amphitheatre
Jun 19 – Manchester, TN – Bonnaroo
Sep 04 – Snowmass, CO – Jazz Aspen Snowmass
Sep 08 – Highland Park, IL – Ravinia
Sep 10 – Highland Park, IL – Ravinia
Sep 17 – Asbury Park, NJ – Sea Hear Now Festival
Sep 24 – Bridgeport, CT – Sound on Sound Festival
Sep 30 – Dana Point, CA – Ohana Festival

McVie‘s last studio effort was 2017’s collaboration with Lindsey Buckingham. The title track of the 2022 release originally appeared on Mac’s 1977 Rumours album. Other songs are culled from various aspects of her career, including her solo work. McVie says the songs, with a string orchestra, “sound completely different.”

The album includes a selection of songs from two of her solo albums – 1984’s Christine McVie and 2004’s In the Meantime – plus two previously unreleased studio recordings.

The first release, “Slow Down,” was originally written for the 1985 film American Flyers. Of the song, McVie says, “I was asked to write a song for a film about a cycling competition. So, I thought we’d give it a go. So that’s why the lyrics are sort of muddled up with a little bit of a love song, a little bit of cycling. And it turned out really well, but they didn’t end up using it. We thought it was a pity to waste it, so it’s on here.”

Listen to “Slow Down” from the new album

Another song that has never been released is “All You Gotta Do,” a duet that McVie recorded with George Hawkins while making In the Meantime. The track was never finished, and Johns added Ricky Peterson on Hammond and Ethan Johns on drums and guitar. Continue reading Stevie Nicks, Christine McVie Each Have 2022 Plans | Best Classic Bands →

Fleetwood Mac, Lindsey Buckingham, Stevie Nicks, UK Articles

‘Like Trump and the Republicans’: Lindsey Buckingham reignites Stevie Nicks feud | The Guardian

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Ben Beaumont-Thomas
Thu 9 Sep 2021 17.38 BST

War of words takes place between former Fleetwood Mac couple, with Buckingham accusing the band of dishonouring its legacy

Going their own way … Stevie Nicks and Lindsey Buckingham. Composite: Getty

One of the bitterest feuds in pop music rolls on, after Fleetwood Mac’s Lindsey Buckingham and Stevie Nicks – once a couple whose breakup powered the classic album Rumours – have strongly disputed Buckingham’s departure from the band.

In 2018, it was announced that Buckingham would not be appearing on a forthcoming Fleetwood Mac tour. Buckingham sued the band later that year, saying that he was “suddenly cut off” after a dispute over being able to postpone the tour to play solo dates.

The lawsuit was settled out of court, with Buckingham saying: “We’ve all signed off on something. I’m happy enough with it. I’m not out there trying to twist the knife at all. I’m trying to look at this with some level of compassion, some level of wisdom.”

But in a new interview with Rolling Stone, Buckingham has said he was ousted because Nicks “wanted to shape the band in her own image, a more mellow thing”. He added: “I think others in the band just felt that they were not empowered enough individually, for whatever their own reasons, to stand up for what was right. And so it became a little bit like Trump and the Republicans.”

He said the ensuing tour, with Mike Campbell and Crowded House’s Neil Finn replacing him on guitar, “seemed somewhat generic and perhaps bordering on being a cover band … what this did was dishonour the legacy that we built”. Continue reading ‘Like Trump and the Republicans’: Lindsey Buckingham reignites Stevie Nicks feud | The Guardian →

Solo Activity, Stevie Nicks, UK Articles

Covid: Stevie Nicks cancels US performances to ‘keep healthy’ | BBC News

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11 Aug 2021

Singer Stevie Nicks has cancelled all of her gigs for the rest of the year due to rising Covid cases in the US.

The 73-year-old Fleetwood Mac and solo star had been due to perform at events in Colorado, California and Texas.

“My primary goal is to keep healthy so I can continue singing for the next decade or longer,” she said.

America is currently averaging more than 100,000 new cases a day for the first time since February, due to the Delta variant of the virus.

“These are challenging times with challenging decisions that have to be made,” the singer explained in a statement.

“I want everyone to be safe and healthy and the rising Covid cases should be of concern to all of us.”

‘Extremely cautious’

Nicks made her name in the 1970s as the frontwoman of the second incarnation of Fleetwood Mac, singing hits like Go Your Own Way and Dreams, and went on to enjoy success as a solo star

“While I’m vaccinated, at my age, I am still being extremely cautious and for that reason have decided to skip the five performances I had planned for 2021,” she continued.

“Because singing and performing have been my whole life, my primary goal is to keep healthy so I can continue singing for the next decade or longer.

“I’m devastated and I know the fans are disappointed, but we will look towards a brighter 2022.”

Her cancelled concerts include appearances at the Austin City Limits Music and BottleRock Napa Valley festivals.

Fleetwood Mac, Lindsey Buckingham, Mick Fleetwood, Stevie Nicks, UK Articles

Lindsey Buckingham says he never got “closure” with Stevie Nicks | NME

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By Will Lavin

“We had to spend an awful lot of time together without ever having gotten closure from each other”

Stevie Nicks and Lindsey Buckingham. CREDIT: Lester Cohen/Getty Images

Lindsey Buckingham has said he never got “closure” with former Fleetwood Mac bandmate and ex-parter Stevie Nicks following their much-publicised breakup.

Speaking in a new interview, Buckingham, who was fired from the band in April 2018, discussed his relationship with Nicks and reflected on not getting any closure after their fallout.

“And really, again, that was part of the deal with Stevie and me was that we had to spend an awful lot of time together without ever having gotten closure from each other,” he told Nile Rodgers on his Apple Music 1 show Deep Hidden Meaning Radio With Nile Rodgers.

Buckingham continued: “Most people, when they break up, they don’t see each other for a long time or maybe ever again. But you’re not constantly having to not only see someone but, in my case, make the choice to do right for someone when I didn’t always feel that I wanted to, you know?

“In order to take a song of hers, like ‘Dreams’, which needed so much construction around it to take those same two chords and make them evolve from section A to section B to section C. And the love and the choice to do the right thing and to have the integrity to do that. It comes at a price sometimes, you know? It comes at the price of having your defences come up, and sometimes over a period of time, it’s hard to get those down.

Continue reading Lindsey Buckingham says he never got “closure” with Stevie Nicks | NME →

Stevie Nicks, UK Articles

Stevie Nicks – On The Wings Of A Dove | Classic Rock

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Classic Rock Magazine
Issue 288, June 2021
By Bill Demain

Forty years ago, Stevie Nicks stepped out from the chaos and control of Fleetwood Mac with a hit-laden debut solo album that showed she could fly just as high on her own.

It’s September 1980. From the deck of the Pacific Palisades home that Stevie Nicks was sharing with her new boyfriend, producer Jimmy lovine, you could hear the hypnotic push and pull of the ocean. Inside, among the tropical plants, Persian rugs and paintings of dragons and gypsies, there was the even more alluring sound of three siren voices dovetailing in perfect harmony. Stevie and Lori Perry and Sharon Celani, her two closest friends, would spend hours around the upright piano, singing everything from old country and western covers to Stevie’s new songs. It was here that the seeds took root for Bella Donna, the breakout solo record that forever changed both the dynamic in Fleetwood Mac and Nicks’s life as an artist.

Exhausted from the previous two years of high-stakes drama around the recording and touring of Fleetwood Mac’s epic double album Tusk, the 32-year-old singer welcomed the laid-back etting and easy camaraderie with her girlfriends.

“In Fleetwood Mac there’s always a chaos,” Nicks told me in 2003. “It’s not easy for us. It never will be. It hasn’t ever been. Whenever we get back into a room together and start working, we don’t agree on a lot of stuff. And we’ve fought through every single record we have ever made.”

Part of that fight was getting songs on a record. Having three songwriters in Mac meant that after six years in the band Nicks had built up a backlog of unused top-drawer material. “When we’d do an album, they’d hear fifteen of my songs and invariably pick the two that were my least favourite,” she complained. “Some of my favourite songs wouldn’t get used.” Continue reading Stevie Nicks – On The Wings Of A Dove | Classic Rock →

Solo Activity, Stevie Nicks

Stevie Nicks Sells a Share of Her Publishing Rights for $100 Million | Rolling Stone

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December 4, 2020
Rolling Stone

Nicks joins a number of major artists who’ve sold their catalog rights to investors and talent management companies this year

Stevie Nicks performs at the Rock & Roll Hall of Fame induction ceremony at the Barclays Center on Friday, March 29, 2019, in New York. (Photo by Evan Agostini/Invision/AP)

Stevie Nicks has sold a majority of her publishing catalog to publisher and talent management company Primary Wave, the company announced Friday, with the Fleetwood Mac star becoming one of the highest-profile artists to capitalize on the booming song publishing acquisition market to date.

Primary Wave didn’t share financial details of the sale, but The Wall Street Journal reported that Nicks sold an 80% stake in the catalog, valuing the deal at about $100 million. The deal includes several of Nicks’s biggest hits as a solo artist and member of Fleetwood Mac including “Landslide,” “Edge of Seventeen” and “Dreams,” the last of which returned the charts for the first time in 40 years after resurfacing on TikTok.

Primary Wave has previously purchased stakes in several prominent artist catalogs like Disturbed and Ray Charles.

“To say we’re excited to welcome the incredible Stevie Nicks to the Primary Wave family would be a dramatic understatement,” Primary Wave’s founder and CEO Larry Mestel said in a statement. “If Primary Wave were starting our company today, Stevie Nicks would be one of the shining pillars, a true legend among legends. She is a groundbreaking artist, and the longevity of her iconic career comes from writing songs, instantly recognizable and critically acclaimed, that stand the test of time.” Continue reading Stevie Nicks Sells a Share of Her Publishing Rights for $100 Million | Rolling Stone →

Fleetwood Mac, Fleetwood Mac 2018/19, Lindsey Buckingham, Stevie Nicks

Veteran Sideman Brett Tuggle on His Years With Fleetwood Mac | Rolling Stone

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By Andy Greene
Oct 15, 2020
Rolling Stone Interview Series

This article only contains the Fleetwood Mac centric material, for the complete article, please click this link

THOUSAND OAKS, CALIFORNIA – FEBRUARY 10: Musician Brett Tuggle performs onstage during the ‘Music Strong’ benefit concert at Thousand Oaks Civic Arts Plaza on February 10, 2019 in Thousand Oaks, California. (Photo by Scott Dudelson/Getty Images)


Rolling Stone interview series Unknown Legends features long-form conversations between senior writer Andy Greene and veteran musicians who have toured and recorded alongside icons for years, if not decades. All are renowned in the business, but some are less well known to the general public. Here, these artists tell their complete stories, giving an up close look at life on music’s A list. This edition features keyboardist Brett Tuggle.

Keyboardist Brett Tuggle was travelling through Europe on a 1997 tour with Toto’s Steve Lukather when he heard that Mick Fleetwood was trying to get in touch with him. “I called him from the airport and he said, ‘Brett, we’re putting the Big Five [members of Fleetwood Mac] back together,’” says Tuggle. “‘We’re going to augment the band with a couple of great musicians and you’d be great with Christine [McVie]. Are you in?’”

“Let me check my calendar,” he joked. “Of course, I’m in.”

The single television special that resulted kicked off a two-decade stint for Tuggle as the go-to keyboardist for all Fleetwood Mac tours along with solo treks by Stevie Nicks and Lindsey Buckingham in addition to the Buckingham McVie side project.

How did you first enter the world of Fleetwood Mac?
It was because of Mick Fleetwood, his majesty. I was in a band with Mick called the Zoo. We did an album in the Nineties. David Lee Roth wasn’t doing much. I think that was already over. I had gotten a call that Mick was looking for a keyboard player for his band the Zoo, which I had heard of. I didn’t know much about them, but I thought it could be interesting. It had a pretty good lineup of people. It was Bekka Bramlett on lead vocals. She’s Delaney and Bonnie’s daughter. There was also Billy Thorpe from Down Under. He was a big star in Australia. Continue reading Veteran Sideman Brett Tuggle on His Years With Fleetwood Mac | Rolling Stone →

Fleetwood Mac, Release Info, Stevie Nicks, UK Articles

Stevie Nicks: “In Fleetwood Mac, Christine McVie and I were a force of nature” | NME

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Greg Wetherall

On the eve of her new concert film, the Fleetwood Mac singer talks new solo material, Trump’s response to COVID-19 and the chances of a ‘Rumours’-era reunion

SACRAMENTO, CA – DECEMBER 13: Stevie Nicks performs during her “24 Karat Gold Tour” at Golden 1 Center on December 13, 2016, in Sacramento, California. (Photo by Tim Mosenfelder/Getty Images)

Nothing will slow Stevie Nicks down. When Fleetwood Mac concluded their year-long world tour at the end of 2019, the 72-year-old singer songwriter decamped to her Santa Monica home with the intention of taking the year off from touring. Like the rest of us, she didn’t expect to be holed-up for quite so long. “I’ve been quarantined solid since March,” Nicks tells NME. “I figured that I’d probably do about ten gigs and then I was just going to work on a miniseries for Rhiannon but then the door slams and we have a pandemic.”

Out of these dark days, Nicks has kept a busy schedule. ‘Show Them The Way’, worked upon remotely with the help of Dave Grohl, is her first single in six years. She has also helped produce 24 Karat Gold The Concert, a spellbinding concert film from the 2016/7 tour of the same name, which in cinemas for two nights later this month featuring staples such as ‘Edge of Seventeen’ and ‘Stop Draggin’ My Heart Around’ alongside unreleased gems and deep cuts.

Whilst a viral TikTok video may have drawn headlines and pushed her song ‘Dreams’ back into the charts recently, the two-time Rock and Roll Hall of Famer had other things on her mind when we caught up with her, including her issues with Trump, the lost ‘Buckingham Nicks’ album and why she is fatalistic if ‘Rumours’–era Fleetwood Mac are to never play together again.

Your first single for six years and the 24 Karat Gold The Concert film – this is turning into a very busy time for you…

“In a million years, I never thought I’d have two projects coming out within two weeks of each other. It’s been a lot of work over the last two months, let me tell you. I’m pretty excited and really proud of everything. I think the film is the closest anyone is going to get to a real, serious concert until the pandemic is over. And I think the song is ‘right now’ with what’s going on in our country. Our country is so divisive. We have gone back so far. It is very sad and very scary.” Continue reading Stevie Nicks: “In Fleetwood Mac, Christine McVie and I were a force of nature” | NME →

Release Info, Stevie Nicks, UK Articles

Rock Goddess Stevie Nicks On Insomnia, Inventing Her Own Style, And Her White Knight Harry Styles | Vogue

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BY KERRY MCDERMOTT
14 OCTOBER 2020

© Fin Costello

Stevie Nicks had a call from a surprising white knight during the lockdown. Just as people in the UK were offering up their spare tins of tomatoes or dropping off prescriptions for vulnerable neighbours, that same sense of community spirit was flourishing in LA. But when the Fleetwood Mac singer picked up her phone to an offer of help, it was Harry Styles on the line. “He called a couple of times and said if you guys need anything, I can drop by,” says Nicks, 72, who was isolating at her Spanish Colonial home in Santa Monica with one goddaughter, one roommate, one assistant and three dogs.

Of course, Stevie and Styles go back. She’s previously joked that the 26-year-old is “Mick [Fleetwood]’s and my love child”, while he called her “a magical gypsy godmother”. Their love-in continued last year, when the Gucci muse inducted Nicks into the Rock and Roll Hall of Fame (her second time), and joined her on stage for a rendition of “Stop Draggin’ My Heart Around”. So perhaps it’s no wonder that, when the over-70s were instructed to stay at home in March, it was Stevie that Styles thought of on his Erewhon run.

On stage in her signature look, which she scribbled down on a “stick girl” for designer Margi Kent. © Richard McCaffrey

“He is an amazing man,” says Nicks over the phone from California. “He’s so talented, he is a really, really great artist, and he’s so funny. He could actually have a TV show, like James Corden or Johnny Carson – he could do that. When you’re with Harry Styles, you’re not with a famous person, he’s just Harry.” Continue reading Rock Goddess Stevie Nicks On Insomnia, Inventing Her Own Style, And Her White Knight Harry Styles | Vogue →

Fleetwood Mac, Release Info, Solo Activity, Stevie Nicks, UK Articles

Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’ | The Guardian

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By Jenny Stevens
The Guardian
Oct 14, 2020

At 72, the singer is still looking for adventure. She talks about her years with Fleetwood Mac, the abortion that made them possible, and her friendship with Harry Styles

Stevie Nicks: ‘I’m an independent woman, and that is not attractive to men.’ Photograph: Randee St Nicholas

Stevie Nicks has been taking the pandemic even more seriously than most. She has barely left her home in Los Angeles this year. “My assistant, God bless her, she puts on her hazmat suit and goes to get food, otherwise we’d starve to death,” she says. She fell seriously ill in March 2019, ending up in intensive care with double pneumonia; after that shock, she fears contracting Covid-19 could end her singing career: “My mom was on a ventilator for three weeks when she had open-heart surgery and she was hoarse for the rest of her life.”

What would it mean to her to stop singing? “It would kill me,” she says. “It isn’t just singing; it’s that I would never perform again, that I would never dance across the stages of the world again.” She pauses and sighs. “I’m not, at 72 years old, willing to give up my career.”

It is nearly midnight in LA when we speak on the phone; not a problem for Nicks, who is “totally nocturnal”. The night she fell ill last year, she had just become the first woman to be inducted into the Rock and Roll Hall of Fame twice – an honour that reflects her wild success as one of the lead singers of Fleetwood Mac and as a solo artist, as a writer and singer of raw, magical songs about love and freedom, including Dreams, Rhiannon, Gold Dust Woman, Landslide and Edge of Seventeen. Nicks is unabashedly funny, dry as a bone, often sidling into sarcasm.

I ask about her approach to spirituality. She says that, for all her fears about her career, “some people are really afraid of dying, but I’m not. I’ve always believed in spiritual forces. I absolutely know that my mom is around all the time.” Just after her mother died, in 2012, Nicks was standing in her kitchen with “really bad acid reflux”. “And I felt something almost tap my shoulder and this voice go: ‘It’s that Gatorade you’re drinking,’” she says. “I’d been sick and chugging down the Hawaiian Punch. Now, that’s not some romantic, gothic story of your mother coming back to you. It’s your real mother, walking into your kitchen and saying” – she puts on a rasp – “‘Don’t drink any more of that shit.’” She pauses, waiting for me to laugh, then cackles. Continue reading Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’ | The Guardian →