Category Archives: UK Articles

Mick Fleetwood fought off insecurity | Classic Rock

Classic Rock Website
MARTIN KIELTY
July 30 2012

Mick Fleetwood admits it took him years to stop feeling insecure about his approach to playing music.

But now he’s learned to live with it, he believes his “back to front” attitude is the only way he could ever perform his percussion duties.

The Fleetwood Mac icon tells Music Radar: “I approach my own work in a very emotional, personal way, and so I have to rely on one thing – the essence of feel.

“I didn’t always understand what it was and I used to be insecure about that. But now I truly know that I feel most comfortable when I’m emotionally involved.

“I don’t think about what I’m going to play until I feel a personal and emotional dynamic.”

That attitude has led to a style of performance which has been called “back to front” by some. Fleetwood explains: “The fills are usually not in the obvious places – it’s because I don’t really know what I’m doing. I just do it spontaneously. Through the years I believe I’ve honed it down to an accidental skill. Continue reading Mick Fleetwood fought off insecurity | Classic Rock

Psychosis, sex cults, suicide and the curse of Fleetwood Mac guitarists | Daily Mail

Daily Mail
Monday June 11th 2012
by Tom Leonard

An autumn night in 1972, and minutes before Fleetwood Mac are due on stage for the latest gig of their U.S. tour, a drama is unfolding in their dressing room. Danny Kirwan, talented guitarist and the glamour boy of the band, is drunk. At just 22, he is an alcoholic who goes for days without food, existing only on beer. Increasingly mentally fragile, he suddenly loses his temper over the simple process of tuning a guitar. Banging the wall with his fists, he hurls his expensive Gibson Les Paul instrument at a mirror, showering broken glass over his bandmates. He then stomps off into the auditorium, pausing only to smash his head against a wall until blood pours from his face. Refusing to come on stage, he spends the show heckling the band from the audience as they struggle to play without him. Perhaps it’s not surprising to learn that after he was swiftly sacked, Kirwan developed mental health problems as the effect of drink and drug abuse caught up with him. He even ended up living homeless on the streets of London. But if Danny Kirwan’s story is a salutary warning of the excesses of rock and roll, he was certainly not the only member of Fleetwood Mac to suffer bizarre breakdowns or personal tragedy.

Now, yet another former guitarist with the group has succumbed to what many people regard as something of a hoodoo.
Last week, Bob Welch, 66, was found dead by his wife after writing a suicide note and shooting himself in the chest. Bob Weston, another former guitarist with the band, was found dead following a brain haemorrhage at his flat in North London in January. He was 64. According to one source, Welch — who lived in Nashville, Tennessee — had spinal surgery three months ago. Informed by his doctors that he would never recover the use of his legs, he told his wife Wendy he did not want her to have to care for an invalid. It was a heartbreaking end for the soft-spoken Californian who years ago fell out with his old bandmates after he sued them over the rights to royalties — and was then excluded from Fleetwood Mac’s induction into the Rock and Roll Hall Of Fame.

The band’s singer Stevie Nicks said his death was ‘devastating’, hailing ‘an amazing guitar player, he was funny, sweet and he was smart’. She was, she added: ‘So very sorry for his family and for the family of Fleetwood Mac — so, so sad.’
Sad for sure, but Welch’s tragic end could not be called entirely unexpected given that — even by the standards of rock bands — the Fleetwood Mac ‘family’ is as turbulent and dysfunctional as they come.

The long-lasting British-American group may be remembered for such hits as Don’t Stop, Little Lies and Go Your Own Way, but in terms of drug-bingeing, partner-swapping, back-stabbing drama, it made the Rolling Stones look like a village fete brass band. And perhaps no job in rock has proved so ill-starred as being a Fleetwood Mac guitarist. Welch was the second of them to die this year.

Bob Weston died in London in January from a haemorrhage aged just 64. He was found in bed with the TV on at his flat in Brent Cross, North London. Friends had called police after not being able to contact him for several days. What current frontman Lindsey Buckingham recently dubbed ‘The Curse of the Fleetwood Mac Guitarist’ started back in the late Sixties.

Guitar hero Peter Green founded Fleetwood Mac as a blues band in London in 1967. Colleagues noticed that by the time they released their fourth album in 1969, he was going off the rails mentally. After taking large amounts of the hallucinogenic drug LSD, he grew a beard, began to wear robes and a crucifix and told the band’s manager he was Jesus. He became obsessed by the supposed immorality of them becoming rich and wanted to give the band’s earnings away. The others could not believe he was serious. Touring Europe in March 1970, Green binged on dangerously impure LSD at a party thrown by a bunch of rich Communists in a Munich commune. Friends said he was never the same again, transforming from mildly eccentric to fully-fledged basket case. Green, who said he’d had a vision at the party in which he saw an angel holding a starving child, left the band two months later, complaining drummer Mick Fleetwood had refused his request that they donate all their royalties to charity.

He was later diagnosed with schizophrenia. Green spent time in various psychiatric hospitals in the 1970s undergoing electroconvulsive therapy, and his friends were shocked to find him in an almost continual trance.

The man who had been hailed as one of the finest blues guitarists of his generation fell into destitution, having to find work as a hospital porter and even a gravedigger. Much of his financial troubles were self-inflicted. In 1977, police surrounded his house and he was arrested for threatening the band’s accountant, David Simmons, with a shotgun. Bizarrely, Green said he was furious because Simmons was still sending him royalty cheques. Mick Fleetwood used to visit Green regularly, but eventually gave up. ‘I was just so sad I couldn’t wave a magic wand and have him be the person I wanted him to be . . . he was very sick,’ he said.

Green managed some sort of recovery after he moved in with his mother in Great Yarmouth and even managed to resurrect his musical career in 1995 with a band called The Splinter Group. But he will always be remembered as one of the great Sixties musical talents cut off in his prime by drugs.

Slide guitarist Jeremy Spencer, one of the Fleetwood Mac’s original members, was notoriously wild on stage, imitating Elvis Presley and Buddy Holly. Offstage, he couldn’t have been more different, a closet religious fanatic who sneaked away from the rest of the band on tour to read from one of the small Bibles he hid in the linings of his jackets.

Former band members say Spencer, too, had a bad trip — in his case on the mind-altering drug mescaline — during a 1971 tour of the U.S. After an earthquake hit Los Angeles, he had a premonition that something bad would happen there. It did — for Fleetwood Mac. Spencer told Mick Fleetwood he was popping out to Hollywood Boulevard to buy a magazine. He never came back. Days later, his frantic fellow band members discovered he had joined the Children of God, a sinister cult which used sex to ‘show God’s love’ and win converts. Spencer refused to rejoin the band.

He later explained he had been approached in the street by a Children of God member named Apollos, got chatting about religion and was invited to visit a nearby ‘church mission’. He still works for the organisation, now called The Family International, writing and illustrating stories.

Then there was Kirwan, a talented if humourless musician who was so emotional he would cry as he played. Landed with much of the songwriting duties after Spencer vanished, he was soon out of control, struggling to handle fame and gradually unravelling — as the story of the smashed guitar illustrates all too well.

And what of the tragic Bob Welch, who took his life last week? A young hippy whose father was a successful Hollywood producer, he joined the band after Jeremy Spencer joined the Children of God. Mick Fleetwood credited Welch with saving the group — a sane and good-humoured presence who kept spirits up in those dark years. Sadly for him, he left the band in 1974 just before Fleetwood Mac recruited Nicks and Buckingham, and made Rumours — which until Michael Jackson’s Thriller was the best-selling album of all time.

Before his departure, though, yet another guitarist sparked a drama that threatened to tear the band apart. Plymouth-born Bob Weston was revealed to be having an affair with Mick’s wife, Jenny Boyd — sister of Pattie Boyd, the former wife of both George Harrison and Eric Clapton. Devastated, Fleetwood sacked Weston and the band cancelled a planned tour of America. Determined to recoup some of his financial losses, manager Clifford Davis launched one of the most bizarre stunts in the history of rock. Without telling the band, he formed a ‘new’ Fleetwood Mac — none of whom had ever played in the group — and packed them off to play the U.S. dates. In the ensuing legal battle over ownership of the band’s name, neither the real nor the fake Fleetwood Mac were able to play. Bob Welch put up with the madness for another year before he left and launched a moderately successful solo career.

Today, after going through a staggering 15 different personnel line-ups, Fleetwood Mac still reunites for occasional project. As for the curse on their guitarists, Buckingham is still going strong, somehow avoiding ever becoming a deranged alcoholic, drug-addled schizophrenic or Bible-carrying cult member. In his last interview, Welch mused that he, at least, had found happiness in Fleetwood Mac. ‘I just wanted to play guitar in a good band,’ he said. For several of his old bandmates, it wasn’t quite such a great career move.

 

 

Bob Welch obituary | The Times

The Times

Guitarist with Fleetwood Mac during the band’s transition from hard-driving blues to mainstream rock

Elvin Bishop and Bob Welch, 1980
REX FEATURES

Bob Welch played a key role in the transition of Fleetwood Mac from gritty British blues band to multimillion-selling American soft-rock heroes. As a guitarist, singer and songwriter, he performed on five albums by the band in the early 1970s, including Heroes Are Hard to Find (1974), which gave Fleetwood Mac its first American Top 40 hit.

Welch was widely credited with keeping the group going through several difficult years. Under his influence Fleetwood Mac swapped its early hard-driving blues sound in favour of a more melodic and radio-friendly style, heard to fine effect on compositions such as Sentimental Lady and Hypnotise. The first American member of the British-based group, he was also instrumental in persuading Fleetwood Mac to relocate to his home town of Los Angeles, a move which was pivotal in their subsequent success.

He left the group in late 1974 and was replaced by Lindsey Buckingham and Stevie Nicks. The new line-up went on to record Rumours, one of the biggest-selling albums of all time and a record which, in many ways, was the logical outcome of the musical direction in which Welch had taken the band.

Initially there was no bitterness on his part at having missed out on the group’s greatest commercial success. He remained close friends with former bandmates Mick Fleetwood and Christine McVie, both of whom played on his 1977 million-selling album French Kiss, which also gave him three hit singles with the title track (which he had previously recorded with Fleetwood Mac), Ebony Eyes and Hot Love, Cold World.

But his solo career subsequently petered out, in part due to heroin addiction, and relations with his old bandmates also turned sour. He sued for underpayment of royalties. Although the case was settled in 1996, the resentment lingered. Two years later, when Fleetwood Mac was inducted into the Rock’n’Roll Hall of Fame, he was not among the former members invited to participate. “My era was the bridge era,” an angry Welch complained at the time. “It was a transition, but it was an important period in the history of the band. Mick Fleetwood credited me with ‘saving Fleetwood Mac’. Now they want to write me out of the history of the group. It hurts.” Continue reading Bob Welch obituary | The Times

Stevie Nicks: ‘The most fun I’ve ever had’ – Telegraph

Daily Telegraph
22nd June 2011

Stevie Nicks tells Helen Brown about her latest album – and the joys of being part of a double act.

Rapunzel of rock: Stevie Nicks counts Janis Joplin and Jimi Hendrix among her influences

When Stevie Nicks asked her 15-year-old god-daughter to take part in her new
music video – “playing me at 30, around the time I joined Fleetwood Mac” –
the girl asked for a little direction. “So I told her to twirl, talk to
yourself, make like you’re crazy, be me,” she says. “We put her in my
vintage, evergreen tie-dye with my top hat. Oh, she looked so beautiful. My
girlfriends laughed when we saw the dress. Were we ever that small? We must
have been!”

She may lament outgrowing her youthful stage gear, but Nicks is still a rock
star Rapunzel at 63, blonde locks cascading over billowing, black chiffon
sleeves. Today, she’s filled her hotel suite with candles and draped a fake
fur blanket over a chair that reclines so far back I briefly worry she’s
expecting a therapy session, not an interview.

But she’s warmly professional. “I wasn’t going to dress up for you,” she
confides, tucking a pair of long, leather boots up off the floor, “but then
I thought: In Your Dreams [her first solo album in a decade] feels like the
best thing I’ve ever done and I want to make sure I’ve done everything right
to get it out there.” Continue reading Stevie Nicks: ‘The most fun I’ve ever had’ – Telegraph

Retire? No, I’ll still be rocking when I’m 70: Stevie Nicks on why Fleetwood Mac are back for good

By Adrian Thrills
Daily Mail
16 June 2011

Stevie Nicks is in a hurry.

One of the world’s great front-women — and the face of Fleetwood Mac since joining with then boyfriend Lindsey Buckingham back in 1975 — she is in London to promote a new solo album and appear with Rod Stewart in Hyde Park.

And, as she juggles her solo career with the ongoing resurrection of Fleetwood Mac, the Arizona-born singer, 63, knows time is of the essence.

‘Once you turn 60, you can’t hang around,’she says.

Don’t stop: Stevie Nicks is still on a mission to make music 34 year after recording the landmark album Rumours with Fleetwood Mac and has a new solo CD out Continue reading Retire? No, I’ll still be rocking when I’m 70: Stevie Nicks on why Fleetwood Mac are back for good

Stevie Nicks: The men, the music, the menopause

Stevie Nicks: ‘You gotta remember I am 62. So you got to have those cameras up, and the best lighting in the world.’
Photograph: Kristin Burns
Stevie Nicks, legendary singer-songwriter and hard-living Fleetwood Mac frontwoman, is considering her greatest regret. It is not her “huge cocaine period”, the 10 years that elapsed between the making of Fleetwood Mac’s 40m-selling 1977 album Rumours and the moment, in 1986, when she finally entered the Betty Ford Center. Nor is it her complicated history with band members: she joined Fleetwood Mac in 1974 with guitarist Lindsey Buckingham, subsequently detailing their split in the hit song Dreams, and went on to have an affair with drummer Mick Fleetwood, which inspired the 1983 solo song Beauty And The Beast.

 

It is not even the eight years she lost to Klonopin, a prescription tranquilliser to which she became addicted in the late 80s and early 90s, when she was “just a sad girl, sitting in a big, beautiful house, going, ‘What the f- hell happened?'” Continue reading Stevie Nicks: The men, the music, the menopause

Lindsey Buckingham: Getting Fleetwood Mac Back Together for One Last Tour

image-1
By Andy Threlfall
September 10, 2009
BlackBook

The tangled web that’s the story of Fleetwood Mac is easily one of rock and roll’s, well, quirkiest. A once-quintessentially English blues band came to be the sound of California dreaming in the mid-70s when, seemingly washed up and on the verge of permanent disbandment, drummer Mick Fleetwood asked L.A. husband and wife singer-songwriting team Lindsey Buckingham and Stevie Nicks to join the group in one last desperate throw of the musical dice. The rest was multi-platinum history; Rumours still boasts a place a place in the top-ten selling albums ever. But while the songs have endured, the addictions, the divorces, the petty band politic chipped away at their legacy for 30 years. Here, a reflective Lindsey Buckingham tries to find new meaning in those lost days of summer, and how being lucky enough to survive them has allowed Fleetwood Mac to get on stage one more time for their 2009 World Tour. Continue reading Lindsey Buckingham: Getting Fleetwood Mac Back Together for One Last Tour

Fleetwood Mac UK Arena Tour

Rumours? No it’s all true
ROBIN MURRAY / Clash Magazine

NEWS / 02 · 06 · 2009

One of the best selling groups of all time Fleetwood Mac are set to re-unite for a very special UK arena tour.

fleetwood_mac

Emerging from the British blues boom, Fleetwood Mac would go on to dominate the pop market with some of the most popular albums ever released. The band perhaps peaked with the spectacular success of ‘Rumours’, and the line up that crafted this album is set to gather for an extremely rare tour.

To gather the roots of Fleetwood Mac would take a box set. Formed by guitar hero Peter Green, the band used some of the finest musicians from the British blues scene. However Green would depart in 1970 after a period of mental decline, leaving the band to battle on.

Centred on the rhythm section pairing of Mick Fleetwood and John McVie, Fleetwood Mac would later gather the twin talents of Lindsey Buckingham and Stevie Nicks.

The group would later inter-marry, but the pressures of success took their toll on the relationships with the band divorcing just a few years later. The inter-band politics seemed to drive them on to greater artistic endeavours, crafting the massively successful album ‘Rumours’.

To date the album has sold over 25 million copies, and spawned the classic hits ‘Go Your Own Way’, ‘Dreams’ and ‘Don’t Stop’.

In total, the band have sold a staggering 100 million albums making them one of the most popular rock acts ever. Subsequent albums such as ‘Tusk’ and ‘Tango In The Night’ would enhance Fleetwood Mac’s reputation as a supreme artistic outfit, yet full scale tours are few and far between.

Fleetwood Mac have only played two full scale tours in more than twenty years. In fact, it is over a decade since the band’s last appearance in public together.

Hell, even solo appearances are hard to come by. Since the release of a live album in 1998 the band members have taken time off, with Mick Fleetwood said to be the lynchpin behind getting the group to reform.

More than thirty years on from the release of ‘Rumours’ Fleetwood Mac remain one of the most popular groups on the planet. A rare chance to catch this band in the live arena, make sure you don’t miss out!

Fleetwood Mac are set to play the following dates: Continue reading Fleetwood Mac UK Arena Tour

Fleetwood Mac’s Lindsey Buckingham wants to play a song for President George W Bush called ‘Treason’ | Daily Telegraph

By Urmee Khan
11:35PM GMT 10 Nov 2008
Daily Telegraph (UK)

The Democrat supporter has already played for one President, when the group performed at Bill Clinton’s inauguration ball in January 1993.

2008-Promo

Their song, “Don’t Stop”, had been used as a campaign theme by President Clinton.

But he was pithy about performing for the current Republican incumbent of the White House.

He said he would be willing to play a song for President George W Bush and has already got one written: “It’s called Treason and it’s all about selfishness and greed.”

However, he said he is hopeful the group will be asked back to play for Barack Obama when he celebrates his arrival at the White House in January.

“I would be delighted if we could do that again,” Buckingham told the Daily Telegraph’s Mandrake. He concedes, however, that Bruce Springsteen is in a better position “especially as I see Bruce has already got himself the Superbowl slot”.

Treason is on his solo album “Gift of Screws,” which was released in October. Continue reading Fleetwood Mac’s Lindsey Buckingham wants to play a song for President George W Bush called ‘Treason’ | Daily Telegraph

Gift Of Screws – Uncut Magazine Review + Q&A

ALBUM REVIEW:
LINDSEY BUCKINGHAM – GIFT OF SCREWS

Fleetwood Mac man’s punchy pop-rock manifesto

He was, incredibly, the new wave one in Fleetwood Mac, but Lindsey Buckingham’s much-tromboned love of the Gang Of Four, Prag Vec and the Delta Five (or similar) never really seemed to make it into his music. (Certainly very few people who ever heard Love Like Anthrax ever went on to make a double album like Tusk). But he’s always had more of an adventurous spirit than his fellow band members. And this presumably why Mick Fleetwood and the McVies invited Stevie Nicks and him to join their old blues band, effectively bolting a Mustang body onto an old Bentley.

In fact, Buckingham’s extra-curricular creativity has been something of a problem for him, in that he keeps writing a lot of the best songs in his old band, all the while initially intending them for himself. Thus the first incarnation of Gift Of Screws which he worked on between 1995 and 2001, and which was, in a way, his Smile. A double album, it never came out, as Buckingham was persuaded to stripmine seven of its best songs for Fleetwood Mac, who duly recorded them, had big hits, and went away again. Buckingham released instead the perfectly acceptable Under The Skin in 2006, and no more was heard of Gift Of Screws until, as they used to say on Tomorrow’s World, now, that is. Continue reading Gift Of Screws – Uncut Magazine Review + Q&A