Category Archives: UK Articles

Fleetwood Mac (reissue, 1975) Review | Uncut Magazine

By Nigel Williamson
Uncut Magazine
Warners
9/10

Career-changing 1975 album expanded into three-disc deluxe edition

When Lindsey Buckingham was invited to join Fleetwood Mac in late 1974, it was the group’s final throw of the dice. After nine lineup changes in eight years, the previous album, Heroes Are Hard To Find, had barely sold enough “to pay the electric light bill”, as Mick Fleetwood put it. When Buckingham insisted that his girlfriend Stevie Nicks join with him, the group agreed with considerable reluctance. Yet the results were transformative.

The newcomers wrote six of the 11 songs on the next album, including Nicks’ all-time classics “Rhiannon” and “Landslide”, which came to define the Mac’s ‘new’ sound. Their presence also energized Christine McVie, who contributed two of her most enduring compositions in “Say You Love Me” and “Over My Head”. The album was released to initial indifference, but support built slowly. Fifteen months after its release, the album was sitting on the top of the US charts, by which time the group were already back in the studio recording the epoch-defining Rumours.

Extras 8/10. An alternate version of the original album comprising unreleased outtakes and early versions of each of the 11 songs, plus a plethora of 1976 live performances.

Thanks to Stéphane Blanc for providing this review

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Stevie Nicks: I will never get over the loss of Tom Petty | Daily Mail

Stevie Nicks has paid an emotional tribute to her friend Tom Petty.

The singer was close to tears as she spoke about the Free Fallin’ star, who died last year from an accidental overdose.

Speaking at the MusiCares Person of the Year event in New York honouring her band Fleetwood Mac, she said: “The loss of Tom Petty has just about broken my heart.”

She added: “He was not only a good man to go down the river with, as Johnny Cash said, he was a great father and he was a great friend.

“He was one of my best friends. My heart will never get over this.”

Petty was the honoree at the ceremony in 2017 and Nicks said Petty told her how important it was to him. Continue reading Stevie Nicks: I will never get over the loss of Tom Petty | Daily Mail

Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

By Halina Watts
27th Jan 2018
The Mirror

Christine McVie said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio

Stevie Nicks, John McVie, Christine McVie, Lindsey Buckingham and Mick Fleetwood onstage during MusiCares Person of the Year at Radio City Music Hall in New York City on Friday (Image: Getty Images North America)

Rock royalty Fleetwood Mac got high to try to numb the ­misery of being together, Christine McVie has revealed.

The singer-songwriter said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio.

They turned to alcohol, cocaine and even quaaludes tranquilisers to “cheer themselves up” and get through sessions.

Her candid words came as Fleetwood Mac were honoured at the MusiCares Person of the Year pre-Grammy event.

Christine, 74, said of wild drug use in their heyday: “Everybody was doing it. I don’t have any regrets at all.

“I would not change those days but you have to remember it was uniform – it was a badge of honour, and everybody was doing that kind of thing.”

Christine McVie and Stevie Nicks perform onstage during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26 (Image: Getty Images North America)

Explaining their over-indulgence at work, she added: “Our situation in the studio, that was angst and I think we probably needed a little something to cheer us up in that situation. Continue reading Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

Book Review: Gold Dust Woman: The Biography of Stevie Nicks

Enjoyed this book and completed it in a few days over the Christmas / New Year period whilst free from work duties.

The book was thorough and covered Stevie Nicks’ life in detail up to the year 2017 and covered a few items that I was not aware of, however, the author as an experienced writer that has written books on other members of Fleetwood Mac and other musical figures the fact-checking here was not very good, which makes me wonder if anything that I did not already know about Stevie’s life is actually accurate.

It is a shame as this book had the potential to be the definitive biography of Stevie Nicks (until she decides to write her own autobiography) but the fact-checking and errors really let this down, so near yet so far Mr Davis, please review with your editors in more detail before completing your next book as these errors really let you and the book down.

As a recommendation, I would say this book is good and thorough, but for a recent book on the life of Stevie Nicks and Fleetwood Mac I would refer anyone to Mick Fleetwood’s recent memoir ‘Play On‘ that was released in 2014, at least you know that much of the content is accurate, or as accurate as Mick remembers, and of course he was there!

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The Songs of Lindsey Buckingham | Promo CD Sleeve Notes

The Songs of Lindsey Buckingham

Promo CD from EMI Publishing
Released in the UK in 2002

Born on October 3rd. 1949. in the upper-middle class suburb of Atherton, near Palo Alto, CA. Lindsey was the third, and youngest son of Morris and Rutheda Buckingham Morris, known as Buck to his friends, owned a coffee plant and was also a member of the Menlo Country Club, where Jeff. Greg and Lindsey were all encouraged to swim competitively (Greg went on to win a silver medal in the 1968 Olympics in Mexico City)

The first Elvis record Lindsey remembers hearing was ‘Heartbreak Hotel’ and he began playing along to Jeff’s 45’s on a toy Mickey Mouse guitar Once he’d taught himself to play a few songs on this, his parents bought him a $35 Harmony guitar. Jeff’s record collection became so extensive that Lindsey recalls, ‘It was like having the story of rock n’ roll unfurled in front of me. Continue reading The Songs of Lindsey Buckingham | Promo CD Sleeve Notes

WHAT IF: Lindsey Buckingham “Out Of The Cradle” (expanded deluxe edition)

Imagine you are working at Rhino and you have been given the project to curate an expanded and deluxe re-release of Out Of The Cradle by Lindsey Buckingham.

Whilst in this dream state, listed below is the content that I would add that has been culled from various releases throughout the years, the media would be a combination of CDs, Vinyl and Blu-Ray DVD as per the recent Fleetwood Mac deluxe sets…

Please note for anyone reading this, this post is a what-if, this release is neither planned nor scheduled. Continue reading WHAT IF: Lindsey Buckingham “Out Of The Cradle” (expanded deluxe edition)

Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME

NME
By Damien Jones
Nov 16th, 2017

Band are also planning a world tour in 2018

Fleetwood Mac have announced plans to reissue their self-titled 1975 album, featuring unreleased material.

The remastered album will be available in three different formats: a single-CD, a 2xCD collection featuring unreleased studio and live recordings, and a 3xCD/LP/DVD deluxe edition that features additional live material.

Among the previously unreleased recordings are live performances and early takes of a number of tracks including ‘Rhiannon’, ‘Landslide’, and ‘Say You Love Me’.

The live songs were recorded during concerts in 1976, and the deluxe edition will include 14 additional unreleased live tracks.

The deluxe edition will also include the original album pressed on 180-gram vinyl, plus a DVD featuring 5.1 surround sound and high-resolution 24/96 stereo audio mixes of the record.

The reissue will be released on January 19 via Warner Bros.

The tracklisting for the deluxe edition is listed below:

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Continue reading Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME

Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News

Mick Fleetwood is the backbone of the band that bears his name; the man who kept Fleetwood Mac rolling through the best and hardest of times.

In the early days he was their manager, hiring and firing musicians like a soft rock Alan Sugar.

By the late 70s, he was the bandage that stopped them falling apart amidst drug abuse, infidelity and betrayal.

And sitting behind his “back to front” drum kit, Fleetwood is the band’s beating heart, constructing dozens of unforgettable rhythms – from the syncopated shuffle of Go Your Own Way, to the fidgety cowbell riff of Oh Well.

But surprisingly, the 70-year-old doesn’t rate his own drumming.

“There’s no discipline,” he says. “I can’t do the same thing every night.”

Anyone who’s listened to the deluxe edition of Fleetwood Mac’s Tusk will know otherwise. There, you can hear multiple outtakes from the title track, with Fleetwood sitting doggedly on the song’s distinctive groove for more than 25 minutes.

Still, he insists: “I am very not conformed, I change all the time.”

The confession is prompted by a discussion about Fleetwood’s lavish new picture book, Love That Burns, which chronicles his early career and the first incarnations of Fleetwood Mac. Continue reading Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News

British blues: New book heralds early days of Fleetwood Mac | Daily Mail

By Associated Press
Oct 6th, 2017

LONDON (AP) – Mick Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.

A common tale, true, but this one has a happy ending. Fleetwood fell in with some talented blues enthusiasts, paid (barely) his dues, and soared to stardom with the first incarnation of Fleetwood Mac – and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band.

“School was not a good thing for me,” said Fleetwood, dressed in classic British style, complete with a pocket watch on a chain.

Mick Fleetwood, the drummer and co-founder of the band Fleetwood Mac speaks before the start of an interview at a hotel in London, Thursday, Sept. 28, 2017. Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.
A common tale, true, but this one has a happy ending. As a teen, Mick Fleetwood fell in with some talented blues enthusiasts, paid his dues, and soared to stardom with the first incarnation of Fleetwood Mac and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band. (AP Photo/Matt Dunham)

“I had a learning disability, no doubt, and no one understood what those things were. I was sort of drowning at school academically. My parents were like, ‘Go and do it.’ They were picking up on the fact that I had found something. They saw the one thing that I loved with a passion was teaching myself how to play drums at home,” he said. “So they sent me off with a little drum kit to London and the whole thing unfolded.”

Fleetwood didn’t really have to rebel, though rebellion was in the air, and he had the good fortune to make friends early with Peter Green, the supremely talented guitarist whose blues sound shaped the band’s early years. Continue reading British blues: New book heralds early days of Fleetwood Mac | Daily Mail

Tom Petty dead: How the singer inspired Stevie Nicks song ‘Edge of Seventeen’ | The Independent

The Independent
Jacob Stolworthy

The track’s title came from a conversation the Fleetwood Mac star had wife Petty’s first wife in 1979

Music legend Tom Petty, who has died at the age of 66, spent his illustrious career collaborating with many other musicians ranging from ELO’s Jeff Lynne, George Harrison and, of course, Stevie Nicks.

Interestingly, the singer served as the inspiration for one of the Fleetwood Mac singer’s most famous solo tracks in a rather circuitous way.

“Edge of Seventeen,” released in 1982, was the third single taken from her debut record Bella Donna and while Petty may not have featured on the track, he and first wife Jane Benyo served as inspiration for its title – all thanks to a simple case of miscommunication.

After meeting Benyo, Nicks asked her when she’d met Petty to which Benyo replied “at the age of seventeen,” a comment Nicks misheard as “the edge of seventeen.” According to the singer, she originally planned to write the song about the couple – and was even willing to give Benyo credit for the inspiration – but, the death of her beloved uncle and John Lennon in the same week (December 1980) saw her find new inspiration for the song. The title, however, remained.

Petty married Benyo in 1974 when he was 24. The couple met in their hometown of Gainesville, Florida before moving to LA in an attempt to further his music career. Two years later, Petty would release his debut record – Tom Petty and the Heartbreakers – which featured the songs “Breakdown” and “American Girl.”