There is nothing to say, but sit back and enjoy………
(oh, maybe turn the volume up!)
Fleetwood Mac, O2 Arena – music review | Evening Standard
London Evening Standard
David Smyth
Wed 25th Sept 2013
The four ongoing members of Fleetwood Mac performed for the first time since 2009, with an epic set list drawn from the late Seventies. While Stevie Nicks still possessed a voice that bewitched, Lindsey Buckingham was a fiery leader, thumping his chest to celebrate every new solo accomplished
Though a rumoured reunion with the long-absent Christine McVie did not materialise last night, the four ongoing members of one of rock’s most turbulent bands looked like firm friends as Fleetwood Mac played in London for the first time since 2009.
It was all gushing introductions, a long hug for Lindsey Buckingham from Stevie Nicks, much hand-kissing and warm saluting. Given that most of their finest songs come from a period when their various couples were splintering painfully, time really is the great healer.
Most of an epic set list was drawn from that peerless period of the late Seventies when the Americans Nicks and Buckingham arrived to turn the bluesy Brits into superstars — The Chain, Tusk and Go Your Own Way all had energy to burn.
Nicks still possessed a voice that bewitched, especially on the acoustic Landslide. While even the engine room of Mick Fleetwood and John McVie had the occasional break, Buckingham was a fiery leader, thumping his chest to celebrate every new solo accomplished.
“There are quite a few chapters left in the book of Fleetwood Mac,” he claimed, airing one likeable new song and a long lost rarity. It’s been a fascinating read so far.
Also tonight and Friday, O2 Arena, SE10 (0844 824 4824,the02.co.uk)
Fleetwood Mac The O2 Arena, London | The Times
Will Hodgkinson
September 25 2013
Four Stars out of Five
Four Stars out of Five
Thirty-six years after Rumours became the soundtrack to the age of divorce, four of the five people that made it are reliving their personal dramas once more. With their soft rock masterpiece from 1977, Fleetwood Mac articulated the new rules of relationships, capturing the reality of affairs, tensions, betrayals and break-ups and selling over 40 million
copies in the process.
They also documented their own reality. Singer Stevie Nicks was splitting up from guitarist Lindsay Buckingham, songwriter Christine and bassist John McVie were getting divorced, drummer Mick Fleetwood was stuck in the middle, and they dealt with it all in the best way Seventies rock stars in Los Angeles could: by taking huge amounts of cocaine. Now all but Christine McVie have come back for more. Without the cocaine.
Buckingham said that Rumours “brought out the voyeur in everyone”. It also spoke to millions: the emotional truth of the music jumped out of the grooves. Judging by the hordes filling a packed O2 arena, it still does. Floaty scarves hung from Nicks’ microphone, but beyond that the stage was bare: fitting for a concert dedicated to an album defined by its simplicity. Continue reading Fleetwood Mac The O2 Arena, London | The Times
Eye Of The Hurricane | Classic Rock Magazine, Oct 2013
Words: Paul Elliott
Portrait: Neal Preston
Heroic drug abuse, physical violence, epic strops… Forget Rumours, Fleetwood Mac’s craziest album was Tango In The Night.
In December 2012, three members of Fleetwood Mac cried together. in public, at the memory of something that had happened all of 25 years previously. Singer Stevie Nicks, guitarist Lindsey Buckingham and drummer Mick Fleetwood were doing a round of media interviews to announce the band’s 2013 tour when they were asked about the events of 1987, when Buckingham quit the band following the release of the album Tango In The Night. Buckingham did not respond directly to the interviewer. Instead he turned to Nicks and Fleetwood and reiterated his reasons for leaving the group at a critical stage of their career: foremost among them, his sense that Nicks and Fleetwood had lost their minds and souls to drugs.
“What Lindsey said in that interview was very moving, ” Fleetwood says. “He told us: ‘I just couldn’t stand to see you doing what you were doing to yourselves. Did you ever realise that? You were so out of control that it made me incredibly sad, and I couldn’t take it any more.’ It was really powerful stuff. This was someone saying: ‘I love you.’ It hit Stevie and me like a ton of bricks. And we all cried, right there in the interview.” Continue reading Eye Of The Hurricane | Classic Rock Magazine, Oct 2013
Spotlight: Stevie’s prediction for Fleetwood future | Manchester Evening News
The singer is relieved her tip about the band’s big return has come true, writes Sarah Walters
‘I TOLD the press last year that 2013 was going to be the year of Fleetwood Mac,” comes the nervous confession of Stevie Nicks, the band’s vocalist and songwriter. “I was just hoping with all my heart that this big statement was gonna come true!”
Certainly, the UK hasn’t made a liar out of Nicks who, at the age of 65, is about to embark on a headline trip around the country’s biggest arenas. Nor, in fact, has the rest of the world: the band’s biggest selling album, 1977’s Rumours, found itself nearing the top of several worldwide charts again this year – adding hundreds of thousands more sales to the 40m copies shifted since its release.
Nicks is still a blonde stunner, and it’s hard to believe she’s preparing to celebrate her 40th year with the group in 2014; in that same year, Fleetwood Mac – completed by Mick Fleetwood (drums), John McVie (bass) and Lindsey Buckingham (vocals, guitar) since the departure of Christine “Perfect” McVie in 1998 – will reach the grand age of 47. Continue reading Spotlight: Stevie’s prediction for Fleetwood future | Manchester Evening News
First night: Fleetwood Mac, The 02, Dublin | The Independent
THE INDEPENDENT
SUNDAY 22 SEPTEMBER 2013
Three songs into the first European date Fleetwood Mac have played since 2009 comes the first of several magical moments as mad-eyed drummer and ringmaster Mick Fleetwood suddenly hits his monogrammed kit harder to underpin the “loneliness of a heartbeat drives you mad” lyric of the US chart-topper ”Dreams” Stevie Nicks is delivering in her trademark low yearning voice. This perfect marriage of musicians from two different countries united by a common language and purpose is part of what makes the Mac such a compelling concert attraction and must-see act into their fifth decade.
However, the main ingredient remains the soap opera of their intertwined relationships, acknowledged from the off with ”Second Hand News” from 1977’s epochal Rumours, and given a sense of closure with the apposite ”Say Goodbye” at the end. Not many set lists have a narrative arc or the feel of a group therapy session but no band, not even ABBA, have lived their personal lives in public and used this emotional roller-coaster as inspiration like the Mac. Guitarist Lindsey Buckingham, wearing a Ramones-like tight jeans and leather jacket combo, admits as much, talking about “the power of change” before an impassionate solo version of ”Big Love”. He has just been hugged by Nicks after a sublime double whammy of ”Sisters Of The Moon” and ”Sara”, two of four selections from Tusk, the somewhat self-indulgent double set the Mac issued in 1979, since reclaimed by left-field acts like Camper Van Beethoven. Continue reading First night: Fleetwood Mac, The 02, Dublin | The Independent
It’s not just a rumour: Fleetwood Mac are back | The Independent
THE INDEPENDENT
SUNDAY 22 SEPTEMBER 2013
Fiona Sturges hails the legacy of the Mac, a band who have weathered more storms than the Atlantic
Fleetwood Mac may have had their ups and downs but they sure know a thing or two about timing. Last year singer Stevie Nicks told Rolling Stone that 2013 would be “the year of Fleetwood Mac”. And so it has proved. Thirty-six years on from their 40 million-selling album Rumours, a languid, harmony-laden work about heartbreak which now resides in one in six US households, the Mac are back on top.
Since their Seventies heyday the band have been as famous for broken marriages and drug addictions as their music, and only recently has their back catalogue been deemed ripe for reappraisal. Following a series of re-issued LPs, next week their comeback tour rolls into the UK. Meanwhile, a new generation of artists are making known their appreciation. Below some of them explain the band’s appeal and pick their favourite LP from the back catalogue.
Tom McRae, solo artist
Favourite album: Rumours
“I first heard Fleetwood Mac via my older sister’s record collection, at a time when I had no concept of what was cool and what wasn’t. Fleetwood Mac didn’t connect with this country as they did in America. When I was living in LA I would turn the dial on the radio and they would come on five times.
When [1977’s] Rumours came out it was dismissed as AOR, but I think it was cooler than that. It chimed with the demographic and the technology. Where a lot of their contemporaries were playing rough-around-the-edges folk-rock, Fleetwood Mac came up with this pristine sound coupled with incredible songwriting.
Rumours is the Seventies equivalent of Thriller – every song is a potential single. What was going on privately [between warring couples Stevie Nicks and Lindsey Buckingham, and Christine and John McVie] made it that much more potent. Dylan might have got the poetry of Blood on the Tracks out of divorce, but Fleetwood Mac got all the hits.” Continue reading It’s not just a rumour: Fleetwood Mac are back | The Independent
Fleetwood Mac, O2 Arena, Dublin, review – Telegraph
The Telegraph – Live Music Reviews
Sunday 22 September 2013
Fleetwood Mac: Stevie Nicks, Mick Fleetwood and Lyndsey Buckingham back in the spotlight
Amidst an absolute thunder of drums, a sleek, racing Formula One bass line and a fuzzed-up guitar attack, a high male and low female voice coalesce in a gorgeous California sunshine harmony to deliver Fleetwood Mac’s key message: “You can never break the chain.”
Apparently not. They’ve been going 45 years in one incarnation or another, yet they still seem quite unlikely, a fundamentally disparate and unstable set of elements forced through sheer popularity to share a stage together with results that may well be greater than the sum of the parts but still teeter on the brink of a kind of explosive disintegration. This long-running soap opera of conflicting personalities and opposing musical styles remains extraordinarily alive and compelling.
Even without the perfect pop songs of Christine McVie (who left the soap at the end of the last century but is rumoured to be returning for a guest appearance at their London concerts this week) and unwilling to draw on nine early albums of blues rock, Fleetwood
Mac still seem to comprise at least three groups in one. There’s the British rhythm section of Mick Fleetwood and John McVie, looking all Chas & Dave in waistcoats and flat caps, driving everything along with a propulsive pub rock efficiency. Then there’s Lyndsey Buckingham’s new wave art rock energy, hopping up and down on the spot in tight pants and leather jacket as he rips out trippy, echoing guitar parts and sings snappy songs like he’s going to combust if he doesn’t get the words out. Meanwhile Stevie Nicks, the hippie wet dream now looking like a dark folk witch, still waving her scarves about and drawling poetic fantasies in a voice that no longer floats ethereally but cuts and thrusts with the Americana grit of a female Dylan. On paper, this is a combination that shouldn’t work. Yet
that sense of hanging together by a thread is part of what lends the old troupers such vitality. This may be the least comfortable excercise in nostalgia I have ever seen and all the better for it. Continue reading Fleetwood Mac, O2 Arena, Dublin, review – Telegraph
Fleetwood Mac: the Time Lords of rock – Telegraph
The Telegraph
Friday 20 September 2013
Fleetwood Mac’s reunion with Christine McVie at the beginning of their European tour is another regeneration for this musical soap opera, says Bernadette McNulty.
Fleetwood Mac perform in Philadelphia in April this year Photo: REX
For a band that have had more than their share of “not before hell freezes over” moments, the news that Christine McVie would be reuniting with Fleetwood Mac on stage in London for two nights this week has still managed to raise eyebrows. Only last year Stevie Nicks declared that there was little chance of the Brummie songwriter returning after she walked out 15 years ago.
Admittedly, as reunions go it’s fairly perfunctory. McVie won’t accompany the tour beyond London, apparently down to her fear of flying, and she will only join her former band mates on stage for one song. That the number will be Go Your Own Way, however, does sound like the band at least have a sense of humour.
This, of course, is just another plot twist in the life of a band that has regenerated itself as often as a Time Lord. While they are most often portrayed as a baby boomer soap opera in two acts – the respected but struggling British blues combo of the Sixties who merged with the American couple Lindsay Buckingham and Stevie Nicks in the early Seventies to become multi-million selling soft-rock behemoths – the mutation of the band has been constant. Fleetwood Mac were a band born out of a splintering from the Bluesbreakers, and they continued to fuse and split with a kind of nuclear energy throughout the next four decades. Continue reading Fleetwood Mac: the Time Lords of rock – Telegraph
Birmingham’s set for return of Mac
Coventry Telegraph
20 Sep 2013 09:41
Stevie Nicks is back on tour with Fleetwood Mac. Steve Adams chats to her about what fans should expect.
Rock legends Fleetwood Mac are back on the road for their first UK shows in four years and the buzz is that keyboardist Christine McVie – who quit the band in 1998 – will rejoin other members of the band’s classic line-up for at least a couple of performances.
The move has delighted singer Stevie Nicks as much as the fans, as she formed an instant bond with the band’s only other female member when she joined in 1975 alongside guitarist Lindsey Buckingham.
“I knew from the beginning when Lindsey and I joined Fleetwood Mac, that Christine and I had to really stand our ground,” says the enigmatic singer.
“We had to be a force of nature or we would be considered second-class rock stars. And between the two of us that was never gonna happen! Continue reading Birmingham’s set for return of Mac
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