Ouija Still Love Me Tomorrow? | Circus Magazine

Circus Magazine
April 14, 1977

Fleetwood’s Future Is Just Unfolding, Their Potential Barely

It is what it is at the time. Whatever comes out is what Fleetwood Mac is,” says John MeVie, that’s always been the way.”

And, probably, it always will be the way. Fleetwood Mac has traveled the roads of rock and roll a for almost a decade — spanning a musical range from electric blues to soft rock, surviving various personnel changes and a management burn that booked a bogus Fleetwood Mac on tour, and, finally, rising to “success-dom” in midst of some very heavy emotional difficulties last year. Lindsey Buckingham and Stevie Nicks joined Fleetwood Mac in 1975 after Bob Welch left the band to form his own group. The Buckingham/Nicks combination seemingly provided a refreshing impetus to Fleetwood Mac’s ongoing longevity. A few short weeks later, Mick Fleetwood, John McVie, Christine McVie, Lindsey Buckingham and Stevie Nicks went into the studio to record.

The result was Fleetwood Mac (WB), the album that took the temperately successful Mac and catapulted them to the top of the charts, an album that was still on Billboard’s charts after 90 weeks. But, there’s a paradox in being successful in rock and roll. Once a rock band does meet with success, everytime they pass “GO” on rock’s Monopoly board, they’re attacked by critics for being commercial. “No one ever sits down and says “This seems to be popular, so let’s do this.’ It’s just whatever it is, which is really healthy and which, I think, has a lot to do with the longevity.”

Continue reading Ouija Still Love Me Tomorrow? | Circus Magazine

Fleetwood Mac: a Realignment & Two New Parts | Rolling Stone

Rolling Stone Magazine
By Elliot Cahn
1975

SAN FRANCISCO Christine Mc-Vie glanced up from her drink – in the hotel bar, a look of surprise on her face. “You know, you’re the second person today who’s told me he thought Bob Welch was hogging the show,” said Fleetwood Mac’s attractive blond keyboard player. “It never struck me that much until the Don Kirshner TV show we did last fall. When I saw that, I said, *Hang on a minute. Am I in the band?'”

Bob Welch has moved increasingly into a position of dominance within the band since replacing Jeremy Spencer – who disappeared mysteriously in Los Angeles in early 1971, only to turn up with the Children of God. By last year Welch was playing lead guitar, cowriting and singing most of the group’s material and running the stage show. The rest of the band, especially McVic, their other singer/songwriter, was pushed into the background,.

“I don’t know how it really happened,” McVie added. guess I let myself get pushed back. Bob Welch was such an energetic, speedy guy. I was happy to let him do all the work. It just boiled down to basic laziness on my part. Anyway, it’s a lot more balanced now.”

Continue reading Fleetwood Mac: a Realignment & Two New Parts | Rolling Stone

Buckingham Nicks: Goodbye To The First Five Years | Birmingham After Dark

The following article was written after the last Buckingham Nicks concert in Birmingham, Alabama. Birmingham After Dark staff writer Jan Susina got a rare opportunity to sit down and chat with Lindsey Buckingham and Stevie Nicks.

This is a portion of that interview, which was printed in February 1975.

By Jan Susina

Major changes are underway for Lindsey Buckingham and Stephanie Nicks after their highly successful concert last Friday at the Birmingham Municipal Auditorium (one of two sellouts at the Auditorium during the last year). Back in L.A., the two will begin work, not as the Buckingham Nicks, but as members of Fleetwood Mac, later this month.

Both Lindsey and Stevie voiced strong misgivings over disbanding as a duo. “It wasn’t an easy decision for us, but we decided to do one album before we came out here (to Birmingham),” said Buckingham.

Continue reading Buckingham Nicks: Goodbye To The First Five Years | Birmingham After Dark