Tag Archives: John McVie

COMPETITION: Win a copy of ‘Live in 1967’ from John Mayall’s Bluesbreakers, that features Mick Fleetwood, John McVie and Peter Green

On Apr 20th Forty Below Records released ‘Live in 1967’ from John Mayall’s Bluesbreakers on CD that includes the first live captured performance of Mick Fleetwood, John McVie and Peter Green before they formed Fleetwood Mac.

Live in '67 Low Res Cover copy

Forty Below records have graciously offered this website two copies of the new live album for distribution to the readers of this site, to have a chance to win this rare live record from the pre-fleetwood mac band, please like and share our Facebook page and comment on the Facebook page why you want to listen to this live CD

Two winners will be drawn from all entries with the most impressive reason to listen to this album.

This competition is open for two weeks now till 23.59 on Friday 15th May

UPDATE
The two winners were: Ken McKinney and Jeanie Warrington Pressler, your CD is in shipment now

Thanks to all the entries to the competition and thanks to Forty Below Records (http://www.fortybelowrecords.com) and Tracy Gosling PR (http://tracygoslingpr.com) for the prizes

Prize Draw Rules

Continue reading COMPETITION: Win a copy of ‘Live in 1967’ from John Mayall’s Bluesbreakers, that features Mick Fleetwood, John McVie and Peter Green

Release of ‘Live in 1967’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

Live in '67 Low Res Cover copyOn Apr 20th Forty Below Records will release ‘Live in 1967’ from John Mayall’s Bluesbreakers on CD that includes the first live captured performance of Mick Fleetwood, John McVie and Peter Green before they formed Fleetwood Mac.

John Mayall’s Bluesbrealers – Live in 1967

John Mayall – Vocals, Harmonica
Peter Green – Guitar
John McVie – Bass Guitar
Mick Fleetwood – Drums

In 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John’s Mayall Bluesbreakers. The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel to reel tape recorder into five London clubs and capture this exciting glimpse into music history. For almost fifty years these tapes habe remained unheard until John recenetly got them and began restoring them with the technical assistance of Eric Come of Forty Below Records. Come adds “While the source recording was very rough and final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

You can pre-order this CD, MP3 or Vinyl via the links below:
CD | Vinyl | MP3
Continue reading Release of ‘Live in 1967’ from John Mayall’s Bluesbreakers that includes Mick Fleetwood, John McVie & Peter Green

Archive clips of Fleetwood Mac on BBC Four ‘Biggest band Breakups and Makeups’

BBC Four in the UK aired a new music documentary program last night (10th April 2015) that delved into the biggest band breakups and makeups, of course any program that focused on disfunctional bands had to include Fleetwood Mac, and we were not disappointed, below is the section of that show that covers Fleetwood Mac’s turbelent relationships….

The clips contains archive footage of brief soundbites with John McVie and Stevie Nicks from interviews shown on the BBC in the past, as well as live clips of Don’t Stop, Dreams, Go You Own Way and On Diane (however Oh Diane has Dreams playing over the clip).

One item that I found very encouraging is that the BBC have kept good quality archive footage of the Fleetwood Mac at 21 documentatry that aired originally in 1988 and the Oh Diane clip from The Late Late Breakfast show that aired originally in 1982.

Enjoy the very brief snippet from the show and if you wish to watch the complete one hour documentatry and you are able to view BBC iPlayer, the link for the full program is below..

– http://www.bbc.co.uk/programmes/b05q472d

 

Early Fleetwood Mac History: Release of pre-Fleetwood Mac live album | Press Release

JOHN MAYALL’S BLUESBREAKERS LIVE IN 1967 – ALBUM RELEASED 20TH APRIL 2015

John Mayall’s Bluebreakers – Live in 1967, an ultra rare collection of, never-before-heard, live recordings featuring John Mayall, Peter Green, John McVie and Mick Fleetwood, will be released on 20th April, on Forty Below Records.

Live in '67 Low Res Cover copyIn 1967, before there was a Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood were John Mayall’s Bluesbreakers.  The four musicians were only together for three months, which makes it even more remarkable that a staunch fan from Holland was able to sneak a one channel reel-to-reel tape recorder into five London clubs and capture this exciting glimpse into musical history.

For almost fifty years these tapes have remained unheard until Mayall recently got them and began restoring them with the technical assistance of Eric Corne of Forty Below Records.  Corne adds “While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

The significant discovery of these live recordings will surely thrill Mayall fans around the world but, moreover, it has enabled the creation of an historical document, which captures a very special moment in the evolution of British Blues music.

John Circa '67 Low res

Fleetwood Mac Return Without Leaving | CREEM Magazine

Creem Magazine
September 1987
by J. Fordosh

Up in the hills of Bel Air is Lindsey Buckingham’s house, Lindsey Buckingham’s croquet-perfect lawn, Lindsey Buckingham’s pool, Lindsey Buckingham’s radio-controlled toy submarine that’s busted, but could be fun in the pool, Lindsey Buckingham’s home studio, The Slope-where the final work on Fleetwood Mac’s Tango In The Night was done-and, indeed, Lindsey Buckingham himself.

Lindsey, like everyone in Fleetwood Mac, will tell us something of this latest record-and something of this immensely popular band. Their times and their troubles, stuff like that.

Fleetwood Mac’s saga has been a strange one: since Lindsey and Stevie Nicks joined up in 1975, the band’s made five studio albums, including Tango. The first four have sold something like 33 million copies-about 20 million of those courtesy of 1977’s monstrous Rumours.

You can perceive that, despite their relatively sluggish output, this band has a lot of fans. As I write this, Tango is safely ensconced in the Top 10, where it may well remain for eternity or the next Fleetwood Mac album, whichever comes first. But, coming almost five years after Mirage, we can correctly assume that there’s a story behind the story, so let’s start here . . .

Continue reading Fleetwood Mac Return Without Leaving | CREEM Magazine

Gypsies, Tramps or Thieves? The World According To Fleetwood Mac | CREEM Magazine

Creem Magazine
Feb 1983
by John Mendelssohn

One day soon, there will be no more stuffed animals in the world. No stuffed koalas or pandas or ocelots or giraffes will remain for parents to bring their brave little tykes in the pediatric wards of hospitals. Pubescent girls will have no more stuffed leopards or ponies or lynxes to snuggle while they jabber on the telephone. And no stuffed teddy bears will be found in the rooms of Elvis impersonators who are intent on recreating every phase of the King’s life.

One day soon, all the stuffed animals in the world will have been presented to Stevie Nicks while she is on stage with Fleetwood Mac.
Or on stage without Fleetwood Mac. Industry insiders assure us that it won’t be long before Stevie Nicks goes her own way, for she has her own manager, who won’t let her talk to Rolling Stone, and a hit solo album and tour to her credit. Likewise, Lindsey Buckingham, the other half of the duo whose recruitment in 1976 transformed Fleetwood Mac from the blues band that time forgot into mega-platinum ultra superstars, makes no secret of the fact that he much prefers working on own projects these days. And John McVie gives the very distinct impression of not being long for this world, let alone the group. Which means that the time to get to know these five nice people who make nice music for nice people is right now, before they scatter every which way.

An electrician who did some wiring in her home assured CREEM that keyboard- ist Christine McVie, in marked contrast to her boyfriend at the time, Dennis Wilson, is as unaffected and gracious person as one might yearn to do wiring for, her deportment on stage serves to affirm this impression. The only time she gets stuffed animals or bouquets is when somebody who’s about to be throttled by a security gorilla despairs of getting Stevie’s attention. But she neither glowers or sulks about this, nor makes a spectacle of herself in an attempt to pilfer some of Stevie’s thunder. In doing so, she represents the English temperament at its noblest.

Continue reading Gypsies, Tramps or Thieves? The World According To Fleetwood Mac | CREEM Magazine