And then there were five. Again.

FLEETWOOD MAC – THE FORUM, LOS ANGELES
FRIDAY, 10 APRIL 2015

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It might be that for Fleetwood Mac there’s no other option: they have to start their show with a brace of their biggest hits because hits are all they have, and because hits are alI their generation-spanning fanbase will accept. And that expectation and appreciation are, in part at least, what are keeping these multi-millionaire 60- and 70-somethings trucking along on a year-long world arena tour (another one), even as decades-old “issues” refuse to go quietly into the night.

The name of this new jaunt defiently tells it like it is: this is Fleetwood Mac’s On With The Show tour. They hit the stage running in Los Angeles. They open with The Chain, its signature bass solo ground out with cool aplomb by John McVie. Flat-capped and rocksteady as ever, the 69-year-old is clearly very much back In the saddle after his 2013 cancer diagnosis.

Also back-in-Mac: his former wife, Christine McVie. After 17 years out of the fold – fear of flying and, well boredom of rocking caused her to exit, stage right, for retirement in the Kent countryside – the singer/keyboard player rejoined the band 18 months ago. Song two tonight is one of the 71-year-old’s signature classics from the era-defining Rumours album. You Make Loving Fun is defiantly funky, sprightly and blushingly giddy four decades on from its composition. Vocally. Christine sounds fantastic — aII the more remarkable considering that this is the 77th show of the tour.

Whether the subject matter still narks John is a moot point: Christine wrote it for her new fella after she and the bassist had split —her new fella being Fleetwood Mac’s lighting director Curry Grant. Badtimes for John, goodtimes tor Rumours, the 40 million-selling 1977 album whose grooves contained a whole soap opera of hits, splits and lovers’ tiffs.

Continue reading Hit Parade, Fleetwood Mac Review at The Forum, Los Angeles | Q Magazine, July 2015 →

Tom McCooey
tom.mccooey@jpress.co.uk
Wigan Today
2nd July 2015

LIGHTS down, mobile phone cameras puncturing the black canvas, Mick Fleetwood’s right foot sets the tone.

Thud, thud, thud, thud – fans know what’s coming – and when a band can open on a monster such as ‘The Chain’, the night promises to show off some of the best songwriting to be heard.

But it would be wrong to expect the latest installment of Fleetwood Mac’s ‘On with the Show’ tour – at the Manchester Arena on Wednesday night – to be a flawless evening of note perfect music.

That’s not why fans, ranging from those who had their first dance to ‘Everywhere’ to the newly grown-up kids from those relationships, are out on a sweltering night.

Shivers as guitar interludes morph into songs which bring hibernating memories alive, knowing every word, being able to say: “I saw Fleetwood Mac,” is why most are here.

The band’s older voices sometimes crack – even with a few songs knocked down a semi-tone or two – but genuine moments of pure joy excuse imperfections.

And the inclusion of Christine McVie, on tour after a 17-year absence from the band, makes the experience more authentic – this really is the Rumours lineup – the record we’ve all bought five times and played to death four.

An energetic opening sees hits ‘You Make Loving Fun’, ‘Dreams’ and ‘Second Hand News’ chalked off before the intoxicating voice of Stevie Nicks shifts the mood with a haunting rendition of ‘Rhiannon’.

For fans with numerous live albums in the car glovebox, Lindsey Buckingham didn’t disappoint with his mesmerising solo performance of ‘Tango in the Night’ opener ‘Big Love’ – a version many fans prefer over the 1987 album offering.

Nicks had another opportunity to induce stomach butterflies in the audience with ‘Landslide’ – lyrics: “‘Cause I’ve built my life around you…. And I’m getting older too,” taking on new significance, as it becomes apparent this band is playing on a radio in the background somewhere in a staggering number of life’s flashpoints.

There were moments of self-indulgence to sit through though – the main culprit being Buckingham whose solo on ‘I’m So Afraid’ was more than a touch too long – and the camaraderie between members in between songs did at times feel forced.

But what can be expected from a band which has come through such thoroughly documented turbulence spanning more than half a lifetime?

And just when eyes were beginning to roll – the band relit the fire as ‘Go Your Own Way’ came to life, paving the way for a mammoth two-part encore, culminating in McVie and Buckingham wrapping-up with ‘Songbird’.

This was made more touching by McVie’s unpolished but heartfelt performance.

For the 98th night of a tour spanning two years and two legs – due to finish in November this year – Fleetwood Mac put on a show fans won’t forget.

The downsides (including a £15 programme with no editorial in it) were soothed with enough moments of magic to make their ticking off on the gig bucket list a satisfying one.

Fleetwood Mac continue their ‘On with the Show’ tour in Leeds, Birmingham and Glasgow next week.

By Mark Casci
Yorkshire Evening Post
July 1st, 2015

A wild-eyed genius named Mick Fleetwood says it better than I ever could as Fleetwood Mac exit the stage – “The Mac is BACK!”

A blistering two hour and 20 minute set from the classic (yes, that word is ENTIRELY appropriate) Rumours-era line-up elicits one of the most passionate responses I have seen from an audience in my life.

A four-song opening shot from said record that made them famous the world over was always going to put us on the right foot.

The Chain, all close harmonies and blues guitar gives way to one of the most memorable of bass lines and Leeds is all theirs. You Make Loving Fun, Dreams and Second Hand News are all delivered as they should be, note perfect and intense.

The rock solid, bomb-proof rhythm section of Mr Fleetwood and his self-professed dearest friend John McVie form the bedrock of tonight’s show.

Highlights come from their front people throughout however.

Returning from a 17 year hiatus from music, Christine McVie still has the voice of an angel, as evidenced by set-closer Songbird and Everywhere.

Lindsay Buckingham storms around the stage like a man a quarter of his age, his distinctive finger-picking guitar style as ferocious and precise and it ever was. His solo-rendition of Big Love was a thing of majesty,

Best of all is centre-stage throughout. Stevie Nicks, 67, still mops the floor with any other front woman out there. During Gold Dust Woman she does not just command the stage but dominate it,

The highlight for this humble reviewer is Landslide, performed by the couple Buckingham and Nicks, whose well-documented fallings-out inspired so much of their greatest art, is tear-jerking. Stevie owns the spotlight, a magisterial performance.

Despite Mick’s bullish claim we will most-likely never see these five together again. But tonight’s gig capped a truly unique and inspirational career and cemented their legacy as one of the most special and unique rock n roll bands of all time.

The Mac is back? The Mac never left us and never will.