Tag Archives: The Other Side Of The Mirror

How Stevie Nicks’ Lost Masterpiece ‘Ooh My Love’ Became a Cult Fan Favorite | Rolling Stone

By Rob Sheffield
Rolling Stone
May 30th, 2019

Deep cut from 1989’s ‘The Other Side of the Mirror’ summed up what Nicks called a “magical time” in her career

Mandatory Credit: Photo by Ian Dickson/REX/Shutterstock (8289678b)
Stevie Nicks in concert, 28 November 1989
Stevie Nicks in concert, Wembley Arena, London, UK – 1980s

Happy birthday to Stevie Nicks’ best song ever, “Ooh My Love.” It’s a buried treasure in her legendary career — never a hit, not even a single. She’s never sung it live. Just a deep cut from her most tragically underrated solo album, The Other Side of the Mirror, released 30 years ago, in the last days of May 1989. The album fell through the cracks — nobody was really checking for solo Stevie in the late Eighties. But it’s prized by hardcore Stevie freaks, especially “Ooh My Love.” For some of us, it sums up everything that makes her the ultimate rock queen — her most soulful moment ever, with or without Fleetwood Mac. If I had five minutes to convince a jury she’s a genius, “Ooh My Love” is what I would play. When my time comes, bury me with this song in Stevie’s shawl vault.

When I interviewed her in 2014, I confessed “Ooh My Love” was my favorite. “That’s one of my favorites too,” she said. “In fact, The Other Side of the Mirror is probably my favorite album. Those songs were written right before the Klonopin kicked in. ‘In the shadow of the castle walls’ — that song was very important to me. I was lucky those songs were written when they were, before that nasty tranquilizer. It was a really intense record. People don’t talk about that record much, but it was different from all the others. It was a moment in time. I had gotten away from the cocaine in 1986. I spent a year writing those songs. I was drug-free and I was happy.” Continue reading How Stevie Nicks’ Lost Masterpiece ‘Ooh My Love’ Became a Cult Fan Favorite | Rolling Stone

In The Nicks of Time | Record Mirror

Record Mirror
May 20, 1989

Stevie Nicks is one of pop’s most enduring personalities. As she releases her first solo album since 1986, Robin Smith meets the Joan Collins of rock and discovers a born survivor who’s just a romantic at heart


Stevie Nicks’ hotel suite is so large you could land a jumbo jet on the carpet or convert the place into an indoor golf course. But somehow, a smaller room just wouldn’t suit her. After all, Ms Nicks’ vocals have powered Fleetwood Mac to becoming one of the best seling groups of all time and she’s also pursued a very lucrative solo career. Her new single, ‘Rooms On Fire’, is nestling as comfortably in the charts as Stevie reclining on a plush sofa.

Stevie Nicks is the Joan Collins of pop. The struggling musician who scraped together a living as a waitress before she was whisked away to a limousine lifestyle. En route she’s suffered several broken love affairs, extreme loneliness and a drugs problem.

“Sometimes I think that not even the bubbliest, wildest soap opera could compare with being in Fleetwood Mac,” chuckles Stevie. “We’ve done a lot of laughing and a lot of bleeding in the band and I don’t think there are another group of people I could work with. There’s such a chemistry and a feeling of love and respect between us.” Continue reading In The Nicks of Time | Record Mirror