Category Archives: Fleetwood Mac

BRIT Awards 1998 – Outstanding Contribution to British Music

Fleetwood Mac

Over thirty years after they were formed and two decades since the release of their most famous and biggest selling album, Fleetwood Mac are being honoured with the BRIT Award for Outstanding Contribution to the British Music Industry.

The Anglo/American rock group emerged from Britain’s blues boom of the late 1960s, moved to America in the mid 70s, released the 20 million selling album “Rumours” in 1977 and re-appeared last year with their million selling comeback album ‘The Dance,” During that time Fleetwood Mac have featured a total of 16 musicians in more than a dozen different line-ups built around the one remaining original member, drummer Mick Fleetwood. But it is the five piece of Fleetwood, John McVie, Christine McVie, Lindsey Buckingham and Stevie Nicks (the band that created the award-winning “Rumours” album and re-formed last year) which is acknowledged as the classic Fleetwood Man line-up and the group honoured at this year’s BRIT Awards ceremony. Continue reading BRIT Awards 1998 – Outstanding Contribution to British Music

Mick Fleetwood fought off insecurity | Classic Rock

Classic Rock Website
MARTIN KIELTY
July 30 2012

Mick Fleetwood admits it took him years to stop feeling insecure about his approach to playing music.

But now he’s learned to live with it, he believes his “back to front” attitude is the only way he could ever perform his percussion duties.

The Fleetwood Mac icon tells Music Radar: “I approach my own work in a very emotional, personal way, and so I have to rely on one thing – the essence of feel.

“I didn’t always understand what it was and I used to be insecure about that. But now I truly know that I feel most comfortable when I’m emotionally involved.

“I don’t think about what I’m going to play until I feel a personal and emotional dynamic.”

That attitude has led to a style of performance which has been called “back to front” by some. Fleetwood explains: “The fills are usually not in the obvious places – it’s because I don’t really know what I’m doing. I just do it spontaneously. Through the years I believe I’ve honed it down to an accidental skill. Continue reading Mick Fleetwood fought off insecurity | Classic Rock

Psychosis, sex cults, suicide and the curse of Fleetwood Mac guitarists | Daily Mail

Daily Mail
Monday June 11th 2012
by Tom Leonard

An autumn night in 1972, and minutes before Fleetwood Mac are due on stage for the latest gig of their U.S. tour, a drama is unfolding in their dressing room. Danny Kirwan, talented guitarist and the glamour boy of the band, is drunk. At just 22, he is an alcoholic who goes for days without food, existing only on beer. Increasingly mentally fragile, he suddenly loses his temper over the simple process of tuning a guitar. Banging the wall with his fists, he hurls his expensive Gibson Les Paul instrument at a mirror, showering broken glass over his bandmates. He then stomps off into the auditorium, pausing only to smash his head against a wall until blood pours from his face. Refusing to come on stage, he spends the show heckling the band from the audience as they struggle to play without him. Perhaps it’s not surprising to learn that after he was swiftly sacked, Kirwan developed mental health problems as the effect of drink and drug abuse caught up with him. He even ended up living homeless on the streets of London. But if Danny Kirwan’s story is a salutary warning of the excesses of rock and roll, he was certainly not the only member of Fleetwood Mac to suffer bizarre breakdowns or personal tragedy.

Now, yet another former guitarist with the group has succumbed to what many people regard as something of a hoodoo.
Last week, Bob Welch, 66, was found dead by his wife after writing a suicide note and shooting himself in the chest. Bob Weston, another former guitarist with the band, was found dead following a brain haemorrhage at his flat in North London in January. He was 64. According to one source, Welch — who lived in Nashville, Tennessee — had spinal surgery three months ago. Informed by his doctors that he would never recover the use of his legs, he told his wife Wendy he did not want her to have to care for an invalid. It was a heartbreaking end for the soft-spoken Californian who years ago fell out with his old bandmates after he sued them over the rights to royalties — and was then excluded from Fleetwood Mac’s induction into the Rock and Roll Hall Of Fame.

The band’s singer Stevie Nicks said his death was ‘devastating’, hailing ‘an amazing guitar player, he was funny, sweet and he was smart’. She was, she added: ‘So very sorry for his family and for the family of Fleetwood Mac — so, so sad.’
Sad for sure, but Welch’s tragic end could not be called entirely unexpected given that — even by the standards of rock bands — the Fleetwood Mac ‘family’ is as turbulent and dysfunctional as they come.

The long-lasting British-American group may be remembered for such hits as Don’t Stop, Little Lies and Go Your Own Way, but in terms of drug-bingeing, partner-swapping, back-stabbing drama, it made the Rolling Stones look like a village fete brass band. And perhaps no job in rock has proved so ill-starred as being a Fleetwood Mac guitarist. Welch was the second of them to die this year.

Bob Weston died in London in January from a haemorrhage aged just 64. He was found in bed with the TV on at his flat in Brent Cross, North London. Friends had called police after not being able to contact him for several days. What current frontman Lindsey Buckingham recently dubbed ‘The Curse of the Fleetwood Mac Guitarist’ started back in the late Sixties.

Guitar hero Peter Green founded Fleetwood Mac as a blues band in London in 1967. Colleagues noticed that by the time they released their fourth album in 1969, he was going off the rails mentally. After taking large amounts of the hallucinogenic drug LSD, he grew a beard, began to wear robes and a crucifix and told the band’s manager he was Jesus. He became obsessed by the supposed immorality of them becoming rich and wanted to give the band’s earnings away. The others could not believe he was serious. Touring Europe in March 1970, Green binged on dangerously impure LSD at a party thrown by a bunch of rich Communists in a Munich commune. Friends said he was never the same again, transforming from mildly eccentric to fully-fledged basket case. Green, who said he’d had a vision at the party in which he saw an angel holding a starving child, left the band two months later, complaining drummer Mick Fleetwood had refused his request that they donate all their royalties to charity.

He was later diagnosed with schizophrenia. Green spent time in various psychiatric hospitals in the 1970s undergoing electroconvulsive therapy, and his friends were shocked to find him in an almost continual trance.

The man who had been hailed as one of the finest blues guitarists of his generation fell into destitution, having to find work as a hospital porter and even a gravedigger. Much of his financial troubles were self-inflicted. In 1977, police surrounded his house and he was arrested for threatening the band’s accountant, David Simmons, with a shotgun. Bizarrely, Green said he was furious because Simmons was still sending him royalty cheques. Mick Fleetwood used to visit Green regularly, but eventually gave up. ‘I was just so sad I couldn’t wave a magic wand and have him be the person I wanted him to be . . . he was very sick,’ he said.

Green managed some sort of recovery after he moved in with his mother in Great Yarmouth and even managed to resurrect his musical career in 1995 with a band called The Splinter Group. But he will always be remembered as one of the great Sixties musical talents cut off in his prime by drugs.

Slide guitarist Jeremy Spencer, one of the Fleetwood Mac’s original members, was notoriously wild on stage, imitating Elvis Presley and Buddy Holly. Offstage, he couldn’t have been more different, a closet religious fanatic who sneaked away from the rest of the band on tour to read from one of the small Bibles he hid in the linings of his jackets.

Former band members say Spencer, too, had a bad trip — in his case on the mind-altering drug mescaline — during a 1971 tour of the U.S. After an earthquake hit Los Angeles, he had a premonition that something bad would happen there. It did — for Fleetwood Mac. Spencer told Mick Fleetwood he was popping out to Hollywood Boulevard to buy a magazine. He never came back. Days later, his frantic fellow band members discovered he had joined the Children of God, a sinister cult which used sex to ‘show God’s love’ and win converts. Spencer refused to rejoin the band.

He later explained he had been approached in the street by a Children of God member named Apollos, got chatting about religion and was invited to visit a nearby ‘church mission’. He still works for the organisation, now called The Family International, writing and illustrating stories.

Then there was Kirwan, a talented if humourless musician who was so emotional he would cry as he played. Landed with much of the songwriting duties after Spencer vanished, he was soon out of control, struggling to handle fame and gradually unravelling — as the story of the smashed guitar illustrates all too well.

And what of the tragic Bob Welch, who took his life last week? A young hippy whose father was a successful Hollywood producer, he joined the band after Jeremy Spencer joined the Children of God. Mick Fleetwood credited Welch with saving the group — a sane and good-humoured presence who kept spirits up in those dark years. Sadly for him, he left the band in 1974 just before Fleetwood Mac recruited Nicks and Buckingham, and made Rumours — which until Michael Jackson’s Thriller was the best-selling album of all time.

Before his departure, though, yet another guitarist sparked a drama that threatened to tear the band apart. Plymouth-born Bob Weston was revealed to be having an affair with Mick’s wife, Jenny Boyd — sister of Pattie Boyd, the former wife of both George Harrison and Eric Clapton. Devastated, Fleetwood sacked Weston and the band cancelled a planned tour of America. Determined to recoup some of his financial losses, manager Clifford Davis launched one of the most bizarre stunts in the history of rock. Without telling the band, he formed a ‘new’ Fleetwood Mac — none of whom had ever played in the group — and packed them off to play the U.S. dates. In the ensuing legal battle over ownership of the band’s name, neither the real nor the fake Fleetwood Mac were able to play. Bob Welch put up with the madness for another year before he left and launched a moderately successful solo career.

Today, after going through a staggering 15 different personnel line-ups, Fleetwood Mac still reunites for occasional project. As for the curse on their guitarists, Buckingham is still going strong, somehow avoiding ever becoming a deranged alcoholic, drug-addled schizophrenic or Bible-carrying cult member. In his last interview, Welch mused that he, at least, had found happiness in Fleetwood Mac. ‘I just wanted to play guitar in a good band,’ he said. For several of his old bandmates, it wasn’t quite such a great career move.

 

 

Bob Welch obituary | The Times

The Times

Guitarist with Fleetwood Mac during the band’s transition from hard-driving blues to mainstream rock

Elvin Bishop and Bob Welch, 1980
REX FEATURES

Bob Welch played a key role in the transition of Fleetwood Mac from gritty British blues band to multimillion-selling American soft-rock heroes. As a guitarist, singer and songwriter, he performed on five albums by the band in the early 1970s, including Heroes Are Hard to Find (1974), which gave Fleetwood Mac its first American Top 40 hit.

Welch was widely credited with keeping the group going through several difficult years. Under his influence Fleetwood Mac swapped its early hard-driving blues sound in favour of a more melodic and radio-friendly style, heard to fine effect on compositions such as Sentimental Lady and Hypnotise. The first American member of the British-based group, he was also instrumental in persuading Fleetwood Mac to relocate to his home town of Los Angeles, a move which was pivotal in their subsequent success.

He left the group in late 1974 and was replaced by Lindsey Buckingham and Stevie Nicks. The new line-up went on to record Rumours, one of the biggest-selling albums of all time and a record which, in many ways, was the logical outcome of the musical direction in which Welch had taken the band.

Initially there was no bitterness on his part at having missed out on the group’s greatest commercial success. He remained close friends with former bandmates Mick Fleetwood and Christine McVie, both of whom played on his 1977 million-selling album French Kiss, which also gave him three hit singles with the title track (which he had previously recorded with Fleetwood Mac), Ebony Eyes and Hot Love, Cold World.

But his solo career subsequently petered out, in part due to heroin addiction, and relations with his old bandmates also turned sour. He sued for underpayment of royalties. Although the case was settled in 1996, the resentment lingered. Two years later, when Fleetwood Mac was inducted into the Rock’n’Roll Hall of Fame, he was not among the former members invited to participate. “My era was the bridge era,” an angry Welch complained at the time. “It was a transition, but it was an important period in the history of the band. Mick Fleetwood credited me with ‘saving Fleetwood Mac’. Now they want to write me out of the history of the group. It hurts.” Continue reading Bob Welch obituary | The Times

New Press Kits Added

Press Kit for The Other Side of The Mirror uploaded – http://www.fleetwoodmac-uk.com/articles/presskits/pk_OSOTM.html

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Press Kit for TUSK uploaded – http://www.fleetwoodmac-uk.com/articles/presskits/pk_tusk.html

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Yesterday’s gone, but you would never know it | The Times

Pete Pahides
Oct 10, 2009

Fleetwood Mac
Copenhagen
*****

Fleetwood Mac hardly need to be made aware of the fact, but hindsight can have a way of teasing you into your dotage. Thirty-three years after the group’s classic line-up released the 20-million-selling album Rumours, it has long become clear that – contrary to what arguably its most well-known song would have you think – going your own way is somewhat more easily said than done.

As Fleetwood Mac’s Unleashed tour finally reached Europe, it took Lindsey Buckingham all of three songs to address the “fairly convoluted emotional history” of the group who knew no equals when it came to alchemising their complicated hotel-room arrangements into FM pop gold.

Buckingham and his ex-partner Stevie Nicks have since sporadically ventured into solo territory, but even in a characterless hangar on the outskirts of Copenhagen it became clear that the on-stage dynamic between Buckingham and Nicks still exerts a fascinating hold.

With no new studio album to promote, a ruddy, red-shirted Buckingham suggested that band and audience were bound by no greater motive than to “have fun”. In the case of the 61-year-old Nicks – who delivered star turns such as Gypsy and Dreams with all the wistful gauziness you remembered from their recorded counterparts – that was easy enough to believe.

On a thrilling sprint through The Chain, drummer Mick Fleetwood showed a level of facial commitment that looked more like something out of the Jim Henson workshop than a rock show. However, anyone who has seen Buckingham perform will know that fun, in the straightforward sense, isn’t a concept you would apply to the 60-year-old’s stage manner. Far from being a problem, however, it accounted for many of the evening’s most gripping spectacles. On the tribal paean to paranoia that was Tusk, from 1979, he was a picture of demonic intent.

Left alone altogether to perform the group’s 1987 hit Big Love, Buckingham was revelatory. By the time he navigated the song from an intricate folk-picking whisper to a finger-shredding climax, all residual chatter from the back of the hall had dissipated.

Lest we had dared forget, of course, Fleetwood Mac’s success in the years predating Buckingham and Nicks was partly predicated on the brilliance of their troubled guitarist, Peter Green.

Paying tribute to his predecessor, Buckingham turned his attention to Green’s own pièce de résistance Oh Well – while, behind him, Fleetwood and John McVie locked effortlessly into the song’s piledriving blues. If Buckingham, on several occasions, looked close to stealing the show, it was to Nicks’s credit that she seemed happy to allow him.

Even when occupying the spotlight for Sara, the female singer — dressed in figure-hugging black – left her microphone and ambled over to Buckingham.

As the song finished, she hugged him and, sweetly, he simply allowed his head to rest on her shoulder. Time may have healed old wounds but, in the case of certain songs, it made little difference to the pride that Fleetwood Mac took in showing them off.

Nicks, ceremonially donning a top hat, grandly returned to her mike stand for Go Your Own Way. As ever, her performance was an object lesson in poise and control, while Buckingham’s was about the absence of those qualities. Minutes later, hindsight issued another tease – a valedictory Don’t Stop, complete with the exhortation “Yesterday’s gone, yesterday’s gone”. Few noticed, less still cared.

Tour begins Glasgow SECC, October 22

(www.fleetwoodmac.com)

Lindsey Buckingham: Getting Fleetwood Mac Back Together for One Last Tour

image-1
By Andy Threlfall
September 10, 2009
BlackBook

The tangled web that’s the story of Fleetwood Mac is easily one of rock and roll’s, well, quirkiest. A once-quintessentially English blues band came to be the sound of California dreaming in the mid-70s when, seemingly washed up and on the verge of permanent disbandment, drummer Mick Fleetwood asked L.A. husband and wife singer-songwriting team Lindsey Buckingham and Stevie Nicks to join the group in one last desperate throw of the musical dice. The rest was multi-platinum history; Rumours still boasts a place a place in the top-ten selling albums ever. But while the songs have endured, the addictions, the divorces, the petty band politic chipped away at their legacy for 30 years. Here, a reflective Lindsey Buckingham tries to find new meaning in those lost days of summer, and how being lucky enough to survive them has allowed Fleetwood Mac to get on stage one more time for their 2009 World Tour. Continue reading Lindsey Buckingham: Getting Fleetwood Mac Back Together for One Last Tour

Fleetwood Mac UK Arena Tour

Rumours? No it’s all true
ROBIN MURRAY / Clash Magazine

NEWS / 02 · 06 · 2009

One of the best selling groups of all time Fleetwood Mac are set to re-unite for a very special UK arena tour.

fleetwood_mac

Emerging from the British blues boom, Fleetwood Mac would go on to dominate the pop market with some of the most popular albums ever released. The band perhaps peaked with the spectacular success of ‘Rumours’, and the line up that crafted this album is set to gather for an extremely rare tour.

To gather the roots of Fleetwood Mac would take a box set. Formed by guitar hero Peter Green, the band used some of the finest musicians from the British blues scene. However Green would depart in 1970 after a period of mental decline, leaving the band to battle on.

Centred on the rhythm section pairing of Mick Fleetwood and John McVie, Fleetwood Mac would later gather the twin talents of Lindsey Buckingham and Stevie Nicks.

The group would later inter-marry, but the pressures of success took their toll on the relationships with the band divorcing just a few years later. The inter-band politics seemed to drive them on to greater artistic endeavours, crafting the massively successful album ‘Rumours’.

To date the album has sold over 25 million copies, and spawned the classic hits ‘Go Your Own Way’, ‘Dreams’ and ‘Don’t Stop’.

In total, the band have sold a staggering 100 million albums making them one of the most popular rock acts ever. Subsequent albums such as ‘Tusk’ and ‘Tango In The Night’ would enhance Fleetwood Mac’s reputation as a supreme artistic outfit, yet full scale tours are few and far between.

Fleetwood Mac have only played two full scale tours in more than twenty years. In fact, it is over a decade since the band’s last appearance in public together.

Hell, even solo appearances are hard to come by. Since the release of a live album in 1998 the band members have taken time off, with Mick Fleetwood said to be the lynchpin behind getting the group to reform.

More than thirty years on from the release of ‘Rumours’ Fleetwood Mac remain one of the most popular groups on the planet. A rare chance to catch this band in the live arena, make sure you don’t miss out!

Fleetwood Mac are set to play the following dates: Continue reading Fleetwood Mac UK Arena Tour

Fleetwood Mac will tour in 2009

Fleetwood Mac are definitely reforming for live dates to take place next year, the band’s guitarist Lindsey Buckingham has said.

The legendary band will reform for a tour in early 2009, their first since 2003, and they are also planning on making a new studio album too, once they have played together for a while.

Buckingham has said in an interview with US publication Billboard.com: “I think maybe there was even a sense that we would make a better album if we went out and hung out together first on the road …Maybe even sowing some seeds musically that would get us more prepared to go in the studio rather than just going in cold. It takes the pressure (off) from having to go in and make something cold.”

As previously reported here on uncut.co.uk, Buckingham has enlisted the help of Fleetwood Mac members Mick Fleetwood and John McVie for two tracks on his forthcoming solo album ‘Gift of Screws’, due for release on September 16.

Fleetwood Mac Reunite in the Studio

Fleetwood Mac’s Lindsey Buckingham has enlisted the help of band members Mick Fleetwood and John McVie on at least two of the tracks for his forthcoming fifth ‘solo’ album ‘Gift of Screws.

The three of them have worked on tracks, including the album’s title track and one called “Wanna Wait For You. “Buckingham, who earlier this year spoke of the possibility of a Mac reunion tour in 2009, has commented on his forthcoming album, saying: “This album distills several periods of time. It has false starts to make albums, songs that go back a number of years that took a while to find a home and brand-new songs. I wanted to bring it all together in one place. As an artist I’m still, for better or worse, clinging to my idealism and to my sense that there is still much to be said. This album is a culmination of that.”Gift of Screws was originally titled way back in 2001, after songs were being written and recorded between 1995 and 2000. Some of the tracks were orignially recorded live by Fleetwood Mac and subsequently used on The Dance tour.

There is no more comment on news of a full band reunion tour, but recording together is a pretty auspicious start.Buckingham’s Gift of Screws, due out in September, full track listing is:

“Great Day” 
“Time Precious Time” 
“Did You Miss Me” 
“Wanna Wait for You” 
“Love Runs Deeper” 
“Bel Air Rain” 
“The Right Place to Fade” 
“Gift of Screws” 
“Underground” 
“Treason” 

– http://www.uncut.co.uk/news/fleetwood_mac/news/11911