Category Archives: Fleetwood Mac

Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

By Halina Watts
27th Jan 2018
The Mirror

Christine McVie said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio

Stevie Nicks, John McVie, Christine McVie, Lindsey Buckingham and Mick Fleetwood onstage during MusiCares Person of the Year at Radio City Music Hall in New York City on Friday (Image: Getty Images North America)

Rock royalty Fleetwood Mac got high to try to numb the ­misery of being together, Christine McVie has revealed.

The singer-songwriter said failed relationships in the band – including splits and affairs – put them all in the depths of despair in the studio.

They turned to alcohol, cocaine and even quaaludes tranquilisers to “cheer themselves up” and get through sessions.

Her candid words came as Fleetwood Mac were honoured at the MusiCares Person of the Year pre-Grammy event.

Christine, 74, said of wild drug use in their heyday: “Everybody was doing it. I don’t have any regrets at all.

“I would not change those days but you have to remember it was uniform – it was a badge of honour, and everybody was doing that kind of thing.”

Christine McVie and Stevie Nicks perform onstage during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26 (Image: Getty Images North America)

Explaining their over-indulgence at work, she added: “Our situation in the studio, that was angst and I think we probably needed a little something to cheer us up in that situation. Continue reading Christine McVie says Fleetwood Mac got high to try to numb misery of being together | The Mirror

Fleetwood Mac Shares Early Version of 1975 Classic ‘Monday Morning’ | Billboard

Billboard Online
11th Jan 2018
by Gary Graff

As the opening track on 1975’s five-times-platinum Fleetwood Mac album, “Monday Morning” was the first thing most fans heard from the new incarnation of the band after Lindsey Buckingham and Stevie Nicks joined. But the song also revealed a new Buckingham. You can listen to an exclusive early take of the song, from the upcoming Fleetwood Mac deluxe edition here

The singer-guitarist and his then-girlfriend Nicks joined Fleetwood Mac at the recommendation of co-producer Keith Olsen, after releasing their own Buckingham Nicks album. And Buckingham freely acknowledges that becoming part of a group required him to adjust his approach to music.

“If you go all the way back to before Stevie and I joined Fleetwood Mac, the application of guitar was a lot more prevalent in the whole scheme of the space that was taken and the work that was done by a particular instrument,” Buckingham, who wrote the buoyant, surging “Monday Morning” for a second Buckingham Nicks album, told Billboard previously. “I wasn’t even sure what my role was gonna be at that point; Obviously it was kind of a lesson in adaptation for me, and maybe giving up on certain things and concentrating on other things which were maybe strengths for the good of the band. So part of the exercise of joining Fleetwood Mac was adapting down to not only fit a sound, but I had to get off the guitar I was using and get on to a Les Paul. Their sound was very fat, and the nature of the playing with Christine (McVie) and John (McVie), there was a lot of space taken, so you had to sort of take what was left and fit into it.”

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Continue reading Fleetwood Mac Shares Early Version of 1975 Classic ‘Monday Morning’ | Billboard

Miley Cyrus, Imagine Dragons to Honor Fleetwood Mac at MusiCares, Bill Clinton Set to Present Award | Billboard

Billboard Online
10th Jan 2018
by Melinda Newman

More Artists Join Lorde, Harry Styles And OneRepublic

Imagine Dragons, Miley Cyrus, Little Big Town, Juanes, Portugal. The Man, Brandi Carlile, Zac Brown Band, Alison Krauss and Jerry Douglas have been added to the lineup to fete MusiCares Person of the Year Fleetwood Mac on Jan. 26 at New York’s Radio City Music Hall.

They join previously announced performers Lorde, OneRepublic, Harry Styles, Keith Urban and Haim.

Additionally, President Bill Clinton will present Fleetwood Mac their award. The band’s hit “Don’t Stop” was his campaign song while running for president in 1992 and has become his unofficial theme.

Fleetwood Mac is the first band to be honored as MusiCares Person of the Year. Past honorees include Tony Bennett, Bono, Natalie Cole, Phil Collins, David Crosby, Neil Diamond, Bob Dylan, Gloria Estefan, Aretha Franklin, Don Henley, Billy Joel, Elton John, Quincy Jones, Carole King, Paul McCartney, Luciano Pavarotti, Tom Petty, Bonnie Raitt, Lionel Richie, Paul Simon, Bruce Springsteen, Sting, Barbra Streisand, James Taylor, Brian Wilson, Stevie Wonder, and Neil Young.

With the Jan. 28 Grammy Awards moving to New York this year for the first time in 15 years, MusiCares will break tradition by taking place in a concert venue instead of a ballroom or convention center.  After the concert, there will be an after-party and silent auction at the New York Hilton Midtown. Individual orchestra seats range from $1,750 to $8,500. Mezzanine seats are on sale to the general public through Ticketmaster with prices ranging from $356 to $606.

Proceeds go to the MusiCares Foundation, which offers health and human services and programs to members of the music community, including emergency financial assistance.

Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME

NME
By Damien Jones
Nov 16th, 2017

Band are also planning a world tour in 2018

Fleetwood Mac have announced plans to reissue their self-titled 1975 album, featuring unreleased material.

The remastered album will be available in three different formats: a single-CD, a 2xCD collection featuring unreleased studio and live recordings, and a 3xCD/LP/DVD deluxe edition that features additional live material.

Among the previously unreleased recordings are live performances and early takes of a number of tracks including ‘Rhiannon’, ‘Landslide’, and ‘Say You Love Me’.

The live songs were recorded during concerts in 1976, and the deluxe edition will include 14 additional unreleased live tracks.

The deluxe edition will also include the original album pressed on 180-gram vinyl, plus a DVD featuring 5.1 surround sound and high-resolution 24/96 stereo audio mixes of the record.

The reissue will be released on January 19 via Warner Bros.

The tracklisting for the deluxe edition is listed below:

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Continue reading Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME

Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News

Mick Fleetwood is the backbone of the band that bears his name; the man who kept Fleetwood Mac rolling through the best and hardest of times.

In the early days he was their manager, hiring and firing musicians like a soft rock Alan Sugar.

By the late 70s, he was the bandage that stopped them falling apart amidst drug abuse, infidelity and betrayal.

And sitting behind his “back to front” drum kit, Fleetwood is the band’s beating heart, constructing dozens of unforgettable rhythms – from the syncopated shuffle of Go Your Own Way, to the fidgety cowbell riff of Oh Well.

But surprisingly, the 70-year-old doesn’t rate his own drumming.

“There’s no discipline,” he says. “I can’t do the same thing every night.”

Anyone who’s listened to the deluxe edition of Fleetwood Mac’s Tusk will know otherwise. There, you can hear multiple outtakes from the title track, with Fleetwood sitting doggedly on the song’s distinctive groove for more than 25 minutes.

Still, he insists: “I am very not conformed, I change all the time.”

The confession is prompted by a discussion about Fleetwood’s lavish new picture book, Love That Burns, which chronicles his early career and the first incarnations of Fleetwood Mac. Continue reading Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News

British blues: New book heralds early days of Fleetwood Mac | Daily Mail

By Associated Press
Oct 6th, 2017

LONDON (AP) – Mick Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.

A common tale, true, but this one has a happy ending. Fleetwood fell in with some talented blues enthusiasts, paid (barely) his dues, and soared to stardom with the first incarnation of Fleetwood Mac – and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band.

“School was not a good thing for me,” said Fleetwood, dressed in classic British style, complete with a pocket watch on a chain.

Mick Fleetwood, the drummer and co-founder of the band Fleetwood Mac speaks before the start of an interview at a hotel in London, Thursday, Sept. 28, 2017. Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.
A common tale, true, but this one has a happy ending. As a teen, Mick Fleetwood fell in with some talented blues enthusiasts, paid his dues, and soared to stardom with the first incarnation of Fleetwood Mac and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band. (AP Photo/Matt Dunham)

“I had a learning disability, no doubt, and no one understood what those things were. I was sort of drowning at school academically. My parents were like, ‘Go and do it.’ They were picking up on the fact that I had found something. They saw the one thing that I loved with a passion was teaching myself how to play drums at home,” he said. “So they sent me off with a little drum kit to London and the whole thing unfolded.”

Fleetwood didn’t really have to rebel, though rebellion was in the air, and he had the good fortune to make friends early with Peter Green, the supremely talented guitarist whose blues sound shaped the band’s early years. Continue reading British blues: New book heralds early days of Fleetwood Mac | Daily Mail

Mick Fleetwood: ‘Next tour will not be Fleetwood Mac’s last’ | Belfast Telegraph

The 70-year-old rocker reveals the band’s 2018 world tour will include a few rarities. Fleetwood Mac leader Mick Fleetwood has assured fans the band’s 2018 tour won’t be a finale.

Bandmate Christine McVie has hinted that the upcoming 18-month global trek will be a farewell, but the drummer insists the band has more music to play and perhaps record.

“In my mind, it’s not (the final tour), and everyone in the band has decided that it’s not,” he tells Rolling Stone, “but we thought we were finished 30 years ago…

“I don’t know if morbid is the correct word here, but when everyone is in their 70s and you think about five years from now… Phil Collins is calling his tour Not Dead Yet. Well, we’re not dead yet, but God forbid, we might be, so you could be like, ‘I better go and see them!’

“But you will not see a poster saying this is our farewell tour that I could dream of.”

And Fleetwood, 70, reveals he and Stevie Nicks recently met up in Italy and checked out some old forgotten songs they’re thinking of revamping for the 2018 tour.

“She said to me, ‘Let’s sit down and really listen to some stuff that sort of almost got forgotten’,” he shares. “So I know she’s already thinking she wants to do some things we haven’t done in years. I always think that Stevie and Lindsey (Buckingham) should do a Buckingham Nicks song in the set. And Christine should do a blues song.”

And there’s always the possibility that the band could play an entire album onstage – like Rumours.

“It would be fantastic, but we’d have to be like Bruce Springsteen – out there for seven hours,” Fleetwood laughs. “Then it could be the last tour. You’ll see wooden boxes onstage. Five of them.”

Belfast Telegraph Digital

Fleetwood Mac’s Lindsey Buckingham and Christine McVie Talk Debut Duo Album | Guitar World

Guitar World Magazine
By: Alan di Perna
21st Aug, 2017

The classic Fleetwood Mac lineup always was an odd bunch.

Three members—Mick Fleetwood, John McVie and Christine McVie—came out of the seminal Sixties British blues scene. Which means they had little in common musically with the other two members, the sunny California pop duo of Lindsey Buckingham and Stevie Nicks.

(Image credit: John Russo)

But out of these disparate musical backgrounds, and often conflicting personalities, came one of the great supergroups of the Seventies. With massive hits like “Rhiannon,” “Don’t Stop,” “Go Your Own Way,” “Dreams,” “Over My Head” and “You Make Loving Fun,” Fleetwood Mac ruled the charts throughout the decade. Their 1977 album Rumours has sold 20 million copies to date. Fleetwood Mac continue to be a huge concert draw, and will headline the massive Classic East and West Festivals in July.

Various members of Fleetwood Mac have stepped forward with solo albums and side projects over the years. Buckingham’s own body of sonically adventurous yet poppy solo discs have attracted a substantial following among guitar enthusiasts and fans of well-turned songcraft. But one combination that hasn’t been tried—until now—is pairing Buckingham with keyboardist-vocalist Christine McVie.

Simply titled Lindsey Buckingham/Christine McVie, the new album by Fleetwood Mac’s guitarist and keyboardist—not to mention two of the band’s three vocalists—showcases two superb talents that were often overshadowed by Fleetwood Mac’s iconic singer and dreamy, mystical tunesmith Stevie Nicks. And with Mick Fleetwood’s drumming and John McVie’s bass playing featured prominently on the album, it does at times seem like an alternate reality version of one of pop music’s most iconic bands.

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Continue reading Fleetwood Mac’s Lindsey Buckingham and Christine McVie Talk Debut Duo Album | Guitar World

Fleetwood Mac Caps Classic West With Poignant Closing Set | Billboard

Billboard Online
7/17/2017
by Fred Schruers

Fleetwood Mac operates on one’s imagination in a way few other bands can — whether within your musical memory, or onstage at Dodger Stadium as they were Sunday night (July 16), for the second evening of Classic West.

Kevin Mazur/Getty Images for Scoop Marketing
Stevie Nicks of Fleetwood Mac performs during The Classic West at Dodger Stadium on July 16, 2017 in Los Angeles.

The sweetly intoned, plaintive melodies of Christine McVie, the now-gentle, now-angry mini-operas of Stevie Nicks, and what might be called the ecstatic agonies (“Bleed To Love Her,” anyone?) of Lindsey Buckingham, all swirl into an understanding that emotion will come to the fore. The shorthand for their genre is “hits,” and they delivered plenty to a crowd that roared appreciatively from the time the lights went down to usher in “The Chain” to the last notes of “Don’t Stop,” 20 songs later.

The inherent drama that suffuses any Fleetwood Mac performance might be baldly stated as “Who’s still in love with whom?” and the band not only lives with that as a sometimes-aggravating hangover — reliving your late twenties onstage as a member of a band whose average age hovers near 70 can’t always be easy — but as an evergreen dramatic conceit.

Opening with “The Chain” definitely fed the beast of tortured past relationships as a topic: “And if you don’t love me now/ You will never love me again” reverberated with feeling even as it showcased the group’s durable trademark sound — Fleetwood’s funereal drumbeats, John McVie’s underrated mutterings on bass, the ladies’ baleful harmonies, and Buckingham’s venomous leads. Buckingham’s clearly incapable of pretending it’s an evening’s casual entertainment and would come on at the end — spotlight chasing him as he gyrated somewhere near the park’s bullpen — to reinforce that he’s one of the great closers in the trade. Continue reading Fleetwood Mac Caps Classic West With Poignant Closing Set | Billboard

Fleetwood Mac to earn MusiCares Person of the Year | Daily Mail

Associated Press
19th July, 2017

NEW YORK (AP) – Fleetwood Mac will be named the 2018 MusiCares Person of the Year, becoming the first group to receive the honor.

FILE – In this Oct. 9, 2014 file photo, John McVie, from left, Christine McVie, Stevie Nicks, Lindsey Buckingham and Mick Fleetwood from the band Fleetwood Mac appear on NBC’s “Today” show in New York. (Photo by Charles Sykes/Invision/AP, File)

The Recording Academy announced Wednesday that the 28th annual benefit gala will take place at Radio City Music Hall in New York on Jan. 26, 2018, two days before the 2018 Grammy Awards.

The organization said they are honoring the iconic group for “their significant creative accomplishments and their longtime support of a number of charitable causes.”

Mick Fleetwood, who called the award “tremendous” in a statement, will receive the honor along with Stevie Nicks, Lindsey Buckingham, Christine McVie and John McVie.

Past honorees include Bob Dylan, Aretha Franklin, Quincy Jones, Stevie Wonder and Barbra Streisand. The MusiCares Foundation offers health and human services and programs to members of the music community.

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Online:

https://www.grammy.com/musicares

 

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