Category Archives: Release Info

Lindsey Buckingham | Classic Rock

Interview: Bill DeMain
Classic Rock Magazine, Dec 2021, Issue 296

Ousted from Fleetwood Mac, the guitarist/vocalist bounced back with one of our albums of 2021. While happy to continue as a solo artist, he’s still hopeful that he can make one more record with the Mac.

We had this legacy that was all about rising above our difficulties,” Lindsey Buckingham tells Classic Rock. “That was always the subtext of Fleetwood Mac – that we stayed together through thick and thin.” Buckingham is reflecting on his lingering disappointment over being forced out of the band in 2018. It couldn’t have been fun seeing the Mac then tour without him, even if it did take two guitarists to fill his absence. “I didn’t see the show, but looking at the set list I thought: ‘Hmm, it’s like a covers band.” Add to that his triple bypass heart surgery, a vocal cord scare and covid, and it’s been a tumultuous few years for the singular 72-year-old-musician and producer. All of which helps make his brilliant new self-titled solo album such a triumph. Deeply personal songs, artful vocal arrangements and fiery guitar work – it has all his trademark touches, and also, as he describes below, a weird prescience about it.

This record totally upends the cliché of a seventy-something artist and diminishing returns and having your best work behind you.

Thank you, that’s very kind. I think a lot of it is about the choices you make along the way, and somehow not losing your perspective, you know? I’ve seen a lot of people do that. I’ve seen people in Fleetwood Mac do that, allowing themselves to be defined by external forces and expectations rather than their inner beliefs and the soul of where all this stuff should come from. Staying creative takes work and not getting distracted by the task of that, for sure.

Continue reading Lindsey Buckingham | Classic Rock

Lindsey Goes His Own Way – Rolling Stone

ROLLING STONE – Oct 2021
BY Stephen Rodrick

Split from Fleetwood Mac and recovering from a major health scare, he’s still making noise

LINDSEY BUCKINGHAM will tell you that he isn’t about the drama these days. He leaves that to his former bandmates in Fleetwood Mac.

Not everyone in his family subscribes to the same feeling. His son Will issued a declarative statement shortly after he was booted out of the band in 2018: “God, they ruined your life.”

“Not even close,” Buckingham replies, flashing a wan smile.

He’s right, in a way. Over the past three years, there have been other life ruination candidates. In short order, Buckingham nearly died, lost his voice, had an album repeatedly delayed, and suffered through a pandemic funk.

Still, he insists, he is in a good place. Right now, Buckingham is in a Burbank rehearsal space preparing for a tour supporting his new solo album, a self-titled 10-song, 37-minute pop gem sprinkled with enough California melancholy, domestic uncertainty, and sunny hooks to satisfy a divorced Santa Cruz poet. The album has been done for three years, but because of the aforementioned hiccups it remained unreleased until last month. Combined with the best songs on his 2017 duet album with ex-bandmate Christine McVie, Buckingham has churned out an hour’s worth of pop masterpieces at an age when most contemporaries are having a hard time pushing back from the all-you-can-eat nostalgia buffet. The new record is just the latest in a startling late-career renaissance that, not coincidently, began shortly after consummate bachelor Buckingham married his wife, Kristen Messner, and his three children were born.

His new album was recorded in a home studio behind their main house. “Recording with the band was like a movie production, you had to have a schedule, a script, and negotiate everything, a constant push and pull,” Buckingham tells me.

Continue reading Lindsey Goes His Own Way – Rolling Stone

Fleetwood Mac’s Lindsey Buckingham on Stevie Nicks: ‘She’s never been over me’ | The Times

The Times (UK)
Will Hodgkinson
September 17 2021

Last week the singer revealed he had been fired from the group by Nicks. The reason? She’s probably still in love with him, he tells Will Hodgkinson

Lindsey Buckingham: “It’s hard for me to know what Stevie’s mentality is towards me — but I know what mine is to her”CHANTAL ANDERSON/NEW YORK TIMES/REDUX/EYEVINE
Lindsey Buckingham: “It’s hard for me to know what Stevie’s mentality is towards me — but I know what mine is to her” CHANTAL ANDERSON/NEW YORK TIMES/REDUX/EYEVINE

The soap opera continues. Last week Lindsey Buckingham announced that he was fired in 2018 from Fleetwood Mac because Stevie Nicks made an ultimatum: it was either him or her. They chose her. It was, says the guitarist who joined the band in 1975 with Nicks, then his girlfriend, the result of long-simmering tensions. They reached boiling point after Nicks refused to delay a tour so Buckingham could promote his solo album, and because of a perceived slight during her speech at the MusiCares charity event in New York, when she felt he was smirking behind her back. Nicks responded by stating: “I did not have him fired, I did not ask for him to be fired, I did not demand he be fired. Frankly, I fired myself.”

Rather than fuel the he-said-she-said back and forth, I’m interested to know where all this antipathy came from in the first place. Fleetwood Mac’s 1977 masterpiece, Rumours, was dominated by songs about the pair’s romantic tussles. She wrote Dreams about him, he wrote Go Your Own Way, Second Hand News and Never Going Back Again about her, and since then they have dealt with cocaine addiction, alcohol abuse, solo careers, Nicks going through rehab, Buckingham getting married to the interior designer Kristen Messner, and countless worldwide tours. If they could survive all of that, why should it fall apart in 2018 over a tour delay and a snigger? Continue reading Fleetwood Mac’s Lindsey Buckingham on Stevie Nicks: ‘She’s never been over me’ | The Times

LINDSEY BUCKINGHAM – THEN PLAY ON | UNCUT

Uncut Magazine
September 2021

There’s not much that can keep LINDSEY BUCKINGHAM down.

Not heart surgery, the pandemic or even his exit from Fleetwood Mac. As he resumes his solo career as one of rock’s most discreet musical radicals, Buckingham tells Tom Pinnock about false starts, his “crisp and dirty” new songs, the death of Peter Green and the ongoing soap opera around his alma mater. “Who knows,

LINDSEY Buckingham steps out into the afternoon heat of west Los Angeles. Surrounded by dogs, he takes the short walk across the yard from his home to his out-house studio.

“We’ve got way too many actually,” he explains. “We’ve got one miniature poodle, a miniature Australian shepherd, a white lab and two Pomeranians. Yeah, I think one is enough…”

Based around an old reel-to-reel tape machine, the studio appears to be a fairly primitive set-up – at least for a man of Buckingham’s wealth and reputation. But then, Lindsey Buckingham has always been one to confound expectations. He hasn’t used the studio much since 2018, when the 10 songs on his new, self-titled solo album – his first in a decade – were recorded. Back then, things were different. Buckingham’s heart was doing fine, Covid was unheard of, and he was still a member of Fleetwood Mac.

In fact, the subject of Buckingham’s departure from the group in 2018 – after he requested a delay to their upcoming tour so he could release his own album – comes up early in our conversation, after Buckingham himself raises it. It is, he explains, inexorably tied in with the origins of this new album. “Once I’d been ousted from the band – which in itself was just so absurd after all the troubles we’d been through and managed to overcome for 40-plus years – I was poised to put the album out. Then / ended up having a bypass operation, so we had to kick it down the road a little further. And then the pandemic hit. So it’s been a sort of running gag, to have so many false starts.”

Continue reading LINDSEY BUCKINGHAM – THEN PLAY ON | UNCUT

Lindsey Buckingham Drops Jubilating New Single ‘Scream’ | Rolling Stone

By
Sept 1, 2021
Rolling Stone

“It just seemed like a good place to start the album,” Buckingham says. “It’s very upbeat and very optimistic and very positive”

Lindsey Buckingham has dropped “Scream,” the opening track to his upcoming self-titled solo LP.

The single opens with instrumentation that builds as Buckingham’s voice enters in a cathartic rush. “I love you when you scream,” he sings on the chorus.

“Everything on the record is me, for better or worse,” Buckingham said. “Many of the songs on this album are about the work and discipline it takes in maintaining a long-term relationship. Some of them are more about the discipline and some of them are more about the perks. ‘Scream’ is about the perks. It felt very celebratory and it was also very, very simple and short. To the point. It didn’t evolve into some huge thing. It made its case and got the hell out.”

“It just seemed like a good place to start the album, somehow,” he added. “It’s very upbeat and very optimistic and very positive. It’s a celebration of an aspect of life.”

“Scream” follows the singles “I Don’t Mind” and “On the Wrong Side.” Lindsey Buckingham arrives on September 17th via Reprise. Buckingham will kick off his tour in support of the record on Wednesday, hitting the Pabst Theater in Milwaukee, Wisconsin. The U.S. trek wraps up in Boulder, Colorado on December 20th.

Mick Fleetwood: ‘You’re talking to the dude who never gives up. We’re still a band’ | The Times (UK)

Will Hodgkinson
The Times

The drummer talks about the soap opera that has been Fleetwood Mac since 1967 — and the all-star tribute to bandmate Peter Green

Mick Fleetwood at last year’s London Palladium concert
ROSS HALFIN

For the past 54 years Mick Fleetwood, 73, has kept Fleetwood Mac going in the face of insurmountable odds. When the guitarist Lindsey Buckingham was fired from the band in 2018, in part linked to his former girlfriend Stevie Nicks announcing that she could not bear to share a stage with him again, it was just the latest hurdle for the soft-rock stadium fillers who have faced everything from divorces to affairs to drug-induced breakdowns.

The problems began when Peter Green, the band’s founder and one of the greatest guitarists, took LSD at a commune in Munich in March 1970 and never recovered. He left Fleetwood Mac a few months later.

“He was a lot of fun, right up until the day he walked out of the band,” says Fleetwood down the line from his home in Hawaii. “He had a real sense of ambition about what he wanted to do. You can listen to Man of the World now and hear the signs [in 1977 Green was diagnosed with schizophrenia], but I thought Peter had just written a sad song about a feeling.”

Perhaps that hindsight helped to spur Fleetwood on to put together a remarkable concert, which took place at the London Palladium on February 25, 2020 — just before the pandemic hit the UK — in honour of Green. Everyone from Fleetwood Mac’s keyboardist and singer Christine McVie to Pete Townshend to David Gilmour joined in, alongside some rather surprising Peter Green fans. Continue reading Mick Fleetwood: ‘You’re talking to the dude who never gives up. We’re still a band’ | The Times (UK)

Fleetwood Mac’s ‘Live’ is better then ever on expanded remaster | Pop Matters

By Jordan Blum
6 April 2021

Fleetwood Mac’s Live sounds better than ever, giving both longtime fans and newcomers a stronger glimpse into how immaculate they were at the turn of the decade.

Almost no other rock band was bigger than Fleetwood Mac in the mid-to-late 1970s. Sure, they’d been going strong for roughly a decade by then; however, it was the inclusion of Stevie Nicks and Lindsey Buckingham (following the departure of Bob Welch) on 1975’s self-titled tenth LP that took their mainstream appeal to the next level. Of course, 1977’s Rumours was even bigger, while 1979’s experimental double album, Tusk, continued their creative prosperity (despite being considered a commercial failure at the time).

Naturally, the greatness of that trilogy meant that the band’s debut concert recording, 1980’s Live, was as highly anticipated as it was enormously satisfying. Comprised mostly of material from the 1979 – 1980 Tusk tour (as well as a few pieces from the preceding Rumors and Fleetwood Mac tours, of course), it contained virtually every song you could possibly want to hear from their most recent records. Continue reading Fleetwood Mac’s ‘Live’ is better then ever on expanded remaster | Pop Matters

Fleetwood Mac Prep Deluxe Edition of 1980 Live Album, Drop ‘The Chain’ Performance | Rolling Stone

By Angie Martoccio
Rolling Stone
Feb 10, 2021

Majority of the album was recorded during the Tusk tour

UNITED KINGDOM – JUNE 25: WEMBLEY ARENA Photo of FLEETWOOD MAC, L-R: John McVie, Lindsey Buckingham, Christine McVie, Stevie Nicks performing live onstage (Photo by Pete Still/Redferns)

Fleetwood Mac are revisiting their 1980 live album for a super-deluxe edition out April 9th via Rhino.

Fleetwood Mac Live was mostly recorded mostly during their tour for Tusk, but the super deluxe-edition will contain unreleased live music recorded between 1977 and 1982. The collection comprises a three-CD/two-LP set, as well as a bonus 7-inch single of previously unreleased demos for “Fireflies” and “One More Night.” To accompany the release, the band dropped a raucous version of “The Chain” from the Richfield Coliseum in Cleveland, Ohio, which took place on May 20th, 1980.

The deluxe edition of Live is packaged in a slipcase containing a booklet, an itinerary for the Tusk tour, and a history of the album by writer David Wild. “Then and now, Fleetwood Mac Live artfully marks a fascinating time period for a group that, in one form or another, has been on the global stage for more than half a century,” he wrote. “It’s a wildly entertaining rock & roll circus in full swing under a big tent of the band’s own creation as they leave audiences dazzled in locales from Paris, France, to Passaic, New Jersey.”

Rhino is also selling a “Tour Edition” limited to 1,000 copies, which contains replicas of ephemera, from a backstage pass to an iron-on patch. Both editions are available on Rhino’s website. 

Continue reading Fleetwood Mac Prep Deluxe Edition of 1980 Live Album, Drop ‘The Chain’ Performance | Rolling Stone

Stevie Nicks: “In Fleetwood Mac, Christine McVie and I were a force of nature” | NME

On the eve of her new concert film, the Fleetwood Mac singer talks new solo material, Trump’s response to COVID-19 and the chances of a ‘Rumours’-era reunion

SACRAMENTO, CA – DECEMBER 13: Stevie Nicks performs during her “24 Karat Gold Tour” at Golden 1 Center on December 13, 2016, in Sacramento, California. (Photo by Tim Mosenfelder/Getty Images)

Nothing will slow Stevie Nicks down. When Fleetwood Mac concluded their year-long world tour at the end of 2019, the 72-year-old singer songwriter decamped to her Santa Monica home with the intention of taking the year off from touring. Like the rest of us, she didn’t expect to be holed-up for quite so long. “I’ve been quarantined solid since March,” Nicks tells NME. “I figured that I’d probably do about ten gigs and then I was just going to work on a miniseries for Rhiannon but then the door slams and we have a pandemic.”

Out of these dark days, Nicks has kept a busy schedule. ‘Show Them The Way’, worked upon remotely with the help of Dave Grohl, is her first single in six years. She has also helped produce 24 Karat Gold The Concert, a spellbinding concert film from the 2016/7 tour of the same name, which in cinemas for two nights later this month featuring staples such as ‘Edge of Seventeen’ and ‘Stop Draggin’ My Heart Around’ alongside unreleased gems and deep cuts.

Whilst a viral TikTok video may have drawn headlines and pushed her song ‘Dreams’ back into the charts recently, the two-time Rock and Roll Hall of Famer had other things on her mind when we caught up with her, including her issues with Trump, the lost ‘Buckingham Nicks’ album and why she is fatalistic if ‘Rumours’era Fleetwood Mac are to never play together again.

Your first single for six years and the 24 Karat Gold The Concert film – this is turning into a very busy time for you…

“In a million years, I never thought I’d have two projects coming out within two weeks of each other. It’s been a lot of work over the last two months, let me tell you. I’m pretty excited and really proud of everything. I think the film is the closest anyone is going to get to a real, serious concert until the pandemic is over. And I think the song is ‘right now’ with what’s going on in our country. Our country is so divisive. We have gone back so far. It is very sad and very scary.” Continue reading Stevie Nicks: “In Fleetwood Mac, Christine McVie and I were a force of nature” | NME

Rock Goddess Stevie Nicks On Insomnia, Inventing Her Own Style, And Her White Knight Harry Styles | Vogue

BY KERRY MCDERMOTT
14 OCTOBER 2020

© Fin Costello

Stevie Nicks had a call from a surprising white knight during the lockdown. Just as people in the UK were offering up their spare tins of tomatoes or dropping off prescriptions for vulnerable neighbours, that same sense of community spirit was flourishing in LA. But when the Fleetwood Mac singer picked up her phone to an offer of help, it was Harry Styles on the line. “He called a couple of times and said if you guys need anything, I can drop by,” says Nicks, 72, who was isolating at her Spanish Colonial home in Santa Monica with one goddaughter, one roommate, one assistant and three dogs.

Of course, Stevie and Styles go back. She’s previously joked that the 26-year-old is “Mick [Fleetwood]’s and my love child”, while he called her “a magical gypsy godmother”. Their love-in continued last year, when the Gucci muse inducted Nicks into the Rock and Roll Hall of Fame (her second time), and joined her on stage for a rendition of “Stop Draggin’ My Heart Around”. So perhaps it’s no wonder that, when the over-70s were instructed to stay at home in March, it was Stevie that Styles thought of on his Erewhon run.

On stage in her signature look, which she scribbled down on a “stick girl” for designer Margi Kent. © Richard McCaffrey

“He is an amazing man,” says Nicks over the phone from California. “He’s so talented, he is a really, really great artist, and he’s so funny. He could actually have a TV show, like James Corden or Johnny Carson – he could do that. When you’re with Harry Styles, you’re not with a famous person, he’s just Harry.” Continue reading Rock Goddess Stevie Nicks On Insomnia, Inventing Her Own Style, And Her White Knight Harry Styles | Vogue