If any act were to top Blur’s glorious Saturday-night set, it would surely be folk-rock behemoths Fleetwood Mac. And so it proved, as the sun went down on what’s been the best Isle of Wight festival in years, overflowing with nostalgia thanks to its affectionate nod to the 45th anniversary of Jimi Hendrix’s famous performance here.

Weary bodies, battered by rain on the Friday night, hauled themselves to the Main Stage to witness the English-American quintet, who seemed to have shrugged off the illness that forced them to cancel their Birmingham and Manchester gigs earlier in the week.

It was marvellous to behold. Making their first ever appearance at Isle of Wight, this volatile soap opera of a group are now restored to their classic configuration, with singer-pianist Christine McVie returning after a 16-year hiatus. That they were here to close proceedings represented a major coup for the festival – especially when you consider Michael Eavis has been trying to sign them up for Glastonbury for ages. Continue reading Isle of Wight Festival 2015: Fleetwood Mac, Paolo Nutini, review: ‘the best Isle of Wight in years’ | The Telegraph →

The Chain made for a suitably dramatic opening, showing off the restored Fleetwood Mac to full effect with that fantastic bass, thunderous drums, blood quickening guitar solo and gorgeous wall of harmonies insisting the chain cannot be broken. Going straight into You Make Loving Fun drove the point home, showcasing Christine McVie’s smooth vocal and funky keyboards. “I think we can safely say our girl is back” trilled Stevie Nicks.

This tour marks the full reunion of the classic line-up, with the return of Christine McVie after 16 years. The band have become almost the definition of a heritage act in her absence, regularly touring sets of their greatest hits to nostalgic audiences, so you can’t really say she was missed. But there is no doubt she restores some balance, both in musical and pop cultural terms.

Musically, she takes some of the weight off virtuoso guitarist Lindsey Buckingham, her smooth, lush pop songs softening his sharper arty edges. Flowing gems as potent as Everywhere, Little Lies and Songbird were restored to their rightful place in the centre of a Fleetwood set and for that alone audiences have reason to be grateful.

But there is a sense too that the dysfunctional family is back together, healing old wounds with the balm of time and music, a message that, in itself, speaks volumes to lifelong fans

Fleetwood Mac make much of their history of “ups and downs” as Buckingham puts it. Now that Christine is back playing again with ex-husband bassist John McVie there are three former couples on stage, if you take into account that drummer Mick Fleetwood romanced singer Nicks behind the back of Buckingham. Continue reading Fleetwood Mac, O2 Arena, review: ‘Nothing less than extraordinary’ | The Telegraph →