Fleetwood Mac, Mick Fleetwood, Peter Green, Solo Activity, UK Articles

Mick Fleetwood’s All-Star Peter Green Tribute review — a ‘dream come true’ celebration | The Times

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James Jackson
The Times

★★★★★

It’s not often that you get members of Fleetwood Mac, Pink Floyd, the Who, Aerosmith, Metallica and Oasis jostling about on the same stage. In fact, this never happens. Except, that is, when it’s Mick Fleetwood organising a “dream come true” celebration of his onetime bandmate and mentor, Peter Green. The drummer clearly has quite an address book.

Former bandmates Mick Fleetwood and Jeremy Spencer on stage together for the first time in 50 years

It’s not just Fleetwood who reveres Green either. The Syd Barrett of blues burnt briefly but brilliantly in the late 1960s before LSD triggered mental collapse (Green is an elusive presence today, but by all accounts more content). As with the best guitarists, you could always hear something deeper in his playing, some indefinable evidence of a fragile soul.

No one could quite capture that magic, not even the top-tier musicians on this night, but several came close. Not least the former Mac member Rick Vito, who took charge of the breezy opening numbers Rollin’ Man and Homework. From there the star cavalcade began: Billy Gibbons of ZZ Top added a Texas shuffle to Doctor Brown, John Mayall gave some vocal welly to All Your Love (at 86 he still has the blues) and Steven Tyler of Aerosmith brought rock-star charisma to Rattlesnake Shake.

With respect to these luminaries, early on it was Jonny Lang’s earthy solo attacks and Vito’s slide-playing on Love That Burns that offered the most mesmeric moments — far more so than Noel Gallagher’s attempt at acoustic blues or even the windmilling Pete Townshend’s demonstration of the link between Won’t Get Fooled Again and Station Man. Continue reading Mick Fleetwood’s All-Star Peter Green Tribute review — a ‘dream come true’ celebration | The Times →

Lindsey Buckingham, Solo Activity, Tour Info

Lindsey Buckingham Announces 2020 Solo Tour Rolling Stone

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By Andy Green,
Rolling Stone
Feb 11, 2020

Shows will mark first performances since he was sidelined by a heart attack in 2019

Two months after announcing that he’d be performing at Tennessee’s Beale Street Music Festival in May, Lindsey Buckingham has rolled out dates for a 12-date tour of the U.S. It kicks off April 25th at the Smith Center in Las Vegas and wraps up May 13th at the Magnolia Performing Arts Center in El Cajon, California.

These will be his first concerts since he was sidelined by a heart attack in February 2019.

“Unfortunately, the life-saving procedure caused vocal cord damage,” his family said in a statement at the time, “the permanency of which is unclear.”

He re-emerged just three months after the surgery to perform the Fleetwood Mac classic “Landslide” at his daughter Leelee’s high school graduation ceremony, but the students handled the vocal parts. He has not sang in public since the surgery and the state of his voice is not known, but last year his wife Kristen Tweeted out that he had met with vocal specialists. “We’re ready for whatever is next,” she wrote. “Love conquers all.”

Buckingham was let go from Fleetwood Mac in 2018 after years of tension with Stevie Nicks and replaced by Neil Finn of Crowded House and Mike Campbell of Tom Petty and the Heartbreakers. He sued the band for breach of fiduciary duty, breach of oral contract and intentional interference with prospective economic advantage. The matter was settled out of court.

Last month, Mick Fleetwood ruled out any scenario where Buckingham would return to the band. “We’re very, very committed to Neil and Mike, and that passed away a time ago, when Lindsey left,” he told Rolling Stone. “And it’s not a point of conversation, so I have to say no. It’s a full drama of Fleetwood Mac, no doubt. His legacy is alive and well, and as it should be. A major, major part that will never be taken away, and never be down-spoken by any of us.”

Lindsey Buckingham Tour Dates

Apr 25th – Las Vegas, NV @ Smith Center
Apr 28th – Boulder CO @ Boulder Theater
Apr 30th – Kansas City, MO @ Uptown Theater
May 1st – St Louis, MO @ The Pageant
May 3rd – Memphis, TN @ Beale Street Music Festival
May 5th – Atlanta, GA @ The Woodruff Arts Center
May 6th – Knoxville, TN @ Bijou Theatre
May 7th – Huntsville, AL @ Von Braun Center Arena
May 9th – Wichita, KS @ Orpheum Theatre
May 10th – Oklahoma City, OK @ The Criterion
May 12th – Tucson, AZ @ Fox Tucson Theatre
May 13th – Cajon, CA @ Magnolia Performing Arts Center

 

Fleetwood Mac, Fleetwood Mac 2018/19, Mick Fleetwood, Peter Green

Mick Fleetwood on His Peter Green Tribute Show, Future Plans, and Lindsey Buckingham | Rolling Stone

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By Andy Green
Jan 28, 2020
Rolling Stone

“Lindsey’s legacy is alive and well, and as it should be,” says the drummer. “It will never be taken away, and never be down-spoken by any of us.”

phone via: Randee St. Nicholas

Mick Fleetwood should be relaxing. He just wrapped up a 13-month world tour — Fleetwood Mac’s first since parting ways with Lindsey Buckingham and replacing him with Tom Petty and the Heartbreakers guitarist Mike Campbell and Crowded House frontman Neil Finn — but the 72-year-old drummer is already deep into planning his next project: a tribute concert to Peter Green, who co-founded Fleetwood Mac and wrote many of the group’s early classics before being sidelined by mental illness and addiction issues. The show is set for February 25th in London, with special guests David Gilmour, Christine McVie, John Mayall, and Steven Tyler. “I wanted people to know that I did not form this band — Peter Green did,” Fleetwood says. “And I wanted to celebrate those early years of Fleetwood Mac, which started this massive ball that went down the road over the last 50 years.”

Peter Green hasn’t been seen much in public over the past decade. When is the last time that you and he spoke?
It was about a year and a half ago. I went out with my girlfriend, and spent the day with him. He’s not the Peter that I knew, clearly. But he plays acoustic guitar. He loves painting, and fishing is his hobby. It’s no secret that he took a left turn and never came back, but he’s OK. He also has really little or no ego at all, which is unbelievable. You want to go, “Do you realize what you did?” “No, no. Yeah, I suppose so.” He has no ego about what he did. Continue reading Mick Fleetwood on His Peter Green Tribute Show, Future Plans, and Lindsey Buckingham | Rolling Stone →

Release Info, Solo Activity, Stevie Nicks

Stevie Nicks – Bella Donna (2016 Remaster Gold Vinyl)

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STEVIE NICKS – BELLA DONNA (2016 REMASTER GOLD VINYL)

Release Date: 1/17/2020

The first solo album from two-time Rock and Roll Hall Of Fame inductee, Stevie Nicks. The timeless album features the hit songs: “Stop Draggin’ My Heart Around,” “Leather and Lace,” and “Edge of Seventeen”.

DISC 1
1. Bella Donna (2016 Remaster) 5.18
2. Kind of Woman (2016 Remaster) 3.08
3. Stop Draggin’ My Heart Around (with Tom Petty and The Heartbreakers) [2016 Remaster] 4.02
4. Think About It (2016 Remaster) 3.33
5. After the Glitter Fades (2016 Remaster) 3.27
DISC 2
1. Edge of Seventeen (2016 Remaster) 5.28
2. How Still My Love (2016 Remaster) 3.51
3. Leather and Lace (2016 Remaster) Stevie Nicks & Don Henley 3.55
4. Outside the Rain (2016 Remaster) 4.17
5. The Highwayman (2016 Remaster) 4.49
Christine McVie, Fleetwood Mac

“Finally, Fleetwood Mac’s unsung hero Christine McVie is getting the spotlight she deserves” | Stylist

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Posted by Christobel Hastings
28 Dec 2019

She’s the longest-serving female member of Fleetwood Mac, and the group’s most successful singer-songwriter, but Christine McVie has always been overshadowed. But in a BBC documentary profile, Fleetwood Mac’s Songbird, the unsung hero of one of the world’s biggest bands finally gets to take the spotlight

There is one quiet moment of reflection in the BBC documentary, Fleetwood Mac’s Songbird, that perhaps sums up its subject more than anything else in the 90-minute retrospective of rock music history. It comes when Christine McVie, the longest-serving female member of Fleetwood Mac, and the group’s most successful singer-songwriter, speaks affectionately about her longtime friend, Stevie Nicks: “I could no more do twirls in chiffon than Stevie could do blues on the piano.” As she acknowledges her friend’s affinity for the spotlight, she showcases her brilliant talent for saying so much with so few words. It was this gift, we discover, that was intrinsic to the band’s success, and one that has ultimately allowed Fleetwood Mac to connect with people all around the world for over five decades.

Fleetwood Mac’s Songbird: Christine McVie in 1975

How and why the driving force behind one of the world’s best-selling bands was overlooked for so long is a question that is slowly unravelled in this fascinating profile of the legendary singer-songwriter, which traces McVie’s early beginnings in Birmingham, the British blues explosion in 1960s London, and her first foray into music. We learn that McVie was working as a window dresser in the department store Dickins & Jones, until she moved back to Birmingham to join her old friends Andy Silvester and Stan Webb in a blues band called Chicken Shack. Although she was initially tasked with playing keys and singing background vocals, when the band scored a hit with a cover of Etta James’ I’d Rather Go Blind with McVie on lead vocals, it quickly became evident that she was destined for greater things. Continue reading “Finally, Fleetwood Mac’s unsung hero Christine McVie is getting the spotlight she deserves” | Stylist →

Lindsey Buckingham, Tour Info

Lindsey Buckingham Announces First Concert Since Open-Heart Surgery | Rolling Stone

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Rolling Stone
Kory Grow
20 December 2019

Former Fleetwood Mac singer-guitarist will appear at Beale Street Music Festival in Memphis

Former Fleetwood Mac singer-guitarist Lindsey Buckingham will return to the stage this coming spring for his first concert since he underwent emergency open-heart surgery in early 2019, an operation that reportedly damaged his vocal cords. Doctors fed tubes down his throat so he could breathe.

The performance will take place at the Beale Street Music Festival, in Memphis’ Tom Lee Park; the dates for the festival run May 1st to the 3rd.

Buckingham experienced a heart attack in the early part of 2019, and, at the time, his wife Kristen said she didn’t know if the vocal-cord damage would be permanent or not. In May, Buckingham made an appearance at his daughter’s high school graduation, where he played — but did not sing — “Landslide.” Instead, the students sang the Fleetwood Mac hit.

The last time he played a full concert was in December 2018. It was a solo show, since Fleetwood Mac dismissed him in the spring of 2018, reportedly over tension with Stevie Nicks. Buckingham sued Fleetwood Mac in 2018 and settled out of court.

“The past year has been a very stressful and difficult year for our family to say the least,” Kristen said in her statement at the time of Lindsey’s heart attack — referencing his dismissal from the band. “But despite all of this, our gratitude for life trumps all obstacles we have faced at this moment. … Needless to say, all touring and shows currently scheduled have been put on pause for the moment as he gathers strength to heal completely.”

Although she released numerous tweets attacking Fleetwood Mac — calling them “awful people, void of conscience,” and Mick Fleetwood, in particular, a “dishonest coward” — Kristen hasn’t said anything about her husband’s ability to sing. That said, in May, she tweeted that Buckingham was seeing a vocal specialist, and in September, she wrote that “life, love and Lindsey are all great.”

Since Lindsey’s heart attack, the Buckinghams have placed their Brentwood, Los Angeles, home on the market, with an asking price of $29.5 million; they sold another home there for $19 million last year.

Christine McVie, Mick Fleetwood, Peter Green

Mick Fleetwood Announces Concert to Honor Peter Green and Early Fleetwood Mac | Rolling Stone

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By Emily Zemlar
November 11, 2019

The event will take place at the London Palladium in February



Mick Fleetwood will host a one-of-a-kind concert honoring the early years of Fleetwood Mac and its co-founder Peter Green on February 25th at the London Palladium.

Fleetwood has enlisted an all-star cast of musicians to perform, including Billy Gibbons, David Gilmour, Jonny Lang, John Mayall, Christine McVie, Zak Starkey, Steven Tyler and Bill Wyman.

“The concert is a celebration of those early blues days where we all began, and it’s important to recognize the profound impact Peter and the early Fleetwood Mac had on the world of music,” Fleetwood said in a statement. “Peter was my greatest mentor and it gives me such joy to pay tribute to his incredible talent. I am honored to be sharing the stage with some of the many artists Peter has inspired over the years and who share my great respect for this remarkable musician.”

Fleetwood will act as the house band alongside Andy Fairweather Low, Dave Bronze and Ricky Peterson, and producer Glyn Johns will be the executive sound producer for the concert. The event will be filmed for eventual release and directed by Martyn Atkins.

Exclusive pre-sale tickets go on sale Wednesday November 13th at 10 a.m. GMT while public tickets go on sale Friday November 15th at 10 a.m. GMT via Ticketmaster. A donation from the event will go to Teenage Cancer Trust, a U.K. charity dedicated to providing specialist nursing and emotional support to young people with cancer.

Green co-founded Fleetwood Mac in 1967 alongside Fleetwood, John McVie, Jeremy Spencer and Danny Kirwan. Fleetwood told Rolling Stone in 2017 that there was little possibility of the original lineup of the band reforming down the road.

“I went there many years ago,” he said. “We got into it and we were going to put a whole thing together at the [Royal] Albert Hall. This is years and years and years ago. Probably about 15 years ago. And right at the last minute, Peter, in the world that he lives in, just suddenly pulled out. … Suddenly it was not a good idea. And we had put a whole bunch of things together, I had even booked the venue. So I would never do that again.”

Christine McVie, Fleetwood Mac, John McVie, Lindsey Buckingham, Mick Fleetwood, Peter Green, Stevie Nicks

Fleetwood Mac’s ‘Tusk’: 10 Things You Didn’t Know | Rolling Stone

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By Ryan Reed
Rolling Stone Online
October 11, 2019

How an in-studio bathroom replica, juvenile dick jokes, and a Peter Green guitar cameo informed the band’s sprawling, experimental follow-up to Rumours

BOSTON, MA – NOVEMBER 17: Stevie Nicks performs with Fleetwood Mac at the Boston Garden on Nov. 17, 1979. (Photo by Janet Knott/The Boston Globe via Getty Images)

Fleetwood Mac’s 12th album is both demented and debonair, familiar and foreign — a sprawling double LP that, like the Beatles’ White Album before it, reveled in its own messiness, jumbling together the work of three distinct songwriters. Singer Stevie Nicks and keyboardist Christine McVie carried the commercial weight on Tusk, penning playful pop grooves (the latter’s “Think About Me”) and stormy rockers (the former’s “Sisters of the Moon”) that massaged the same sweet spot as their previous record, the mega-platinum 1977 masterwork Rumours.

But Lindsey Buckingham was unwilling to repeat himself. Savoring the edgier modern sounds of New Wave and punk, the singer-guitarist prepared to march into the unknown — whether or not his bandmates were interested in the journey. That friction ultimately defines Tusk, the band’s fractured masterpiece. 

“The explosion of the punk movement had changed the musical landscape, and the popular conception was that bands like ours, Led Zeppelin, the Stones, Elton John and everyone else from our era, were a bunch of dinosaurs who’d lost touch with the real world,” drummer Mick Fleetwood wrote in his 2014 autobiography, Then Play On. “That wasn’t true, of course — we were in touch and aware of all those changes in culture, Lindsey most of all. He was intrigued by punk bands like the Clash and lots of New Wave artists such as Talking Heads and Laurie Anderson, and he wanted to follow that muse creatively. The issue for him was whether or not he was going to be able to do that with the rest of us.” Continue reading Fleetwood Mac’s ‘Tusk’: 10 Things You Didn’t Know | Rolling Stone →

Fleetwood Mac, Release Info

Classic Fleetwood Mac Albums to be reissued on Coloured Vinyl | Far Out

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Fleetwood Mac released five back-to-back multi-platinum albums between 1975 and 1987, an effort which led to them being one of the best-selling bands around the globe.

Now, those classic albums will be reissued individually on coloured vinyl on November 29. The albums include Fleetwood Mac on white vinyl; Rumours on clear vinyl; Tusk on a silver vinyl 2-LP set; Mirage on violet vinyl; and Tango In The Night on green vinyl. On the same day, all five coloured-vinyl LPs will be presented together in slipcase as a limited edition, individually numbered set of 2,000 copies, available exclusively at the Rhino store. This collection is available to pre-order now.

A new incarnation of Fleetwood Mac debuted in the summer of 1975 that included Mick Fleetwood, John McVie and Christine McVie, along with new members Stevie Nicks and Lindsey Buckingham. The group’s first album together, Fleetwood Mac (sometimes called “The White Album”), topped the Billboard album chart, spent more than a year in the Top 40 and sold more than five million copies in the U.S. thanks to songs like ‘Landslide’, ‘Say You Love Me’, and ‘Rhiannon’.

In 1977, the band followed up with Rumours, considered by many to be among the greatest albums of all time. It won the Grammy for ‘Album of the Year’ and has sold more than 40 million copies worldwide. Its unforgettable tracks include: ‘Go Your Own Way’, ‘Gold Dust Woman’ and the band’s first number one smash, ‘Dreams’.

The double-album Tusk arrived in 1979. It sold more than four million copies worldwide and introduced fans to hits like ‘Sara’, ‘Think About Me’, and the title track. Three years later, in 1982, Fleetwood Mac again topped the charts with Mirage. Along with hits like ‘Hold Me’ and ‘Gypsy’, Mirage also features great album tracks like ‘Oh Diane’ and ‘Straight Back’.

In 1987, Tango in the Night became the second-most successful album of the band’s career, selling more than 15 million copies worldwide with the massive hits ‘Everywhere’, ‘Big Love’ and ‘Little Lies’.

Pre-order the collection, here, and have a closer look below.

Fleetwood Mac

Self-indulgence and acrimony: the making of Fleetwood Mac’s 1979 album ‘Tusk’ | Independent.ie

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Saturday 5 October 2019
The Independent.ie
John Meagher

It was 1978 and Stevie Nicks was having to get used to the business of being extremely famous. She had appeared on the cover of the previous year’s biggest selling album, Rumours, and her vocals were adorning some of the most played songs of the era. She had gone from relative obscurity to the big time on joining Fleetwood Mac with then boyfriend Lindsey Buckingham just a few years before and now, at the age of 30, she had the world at her feet.

But life was far from rosy for the Arizona-raised, California-adopted singer and her complicated love life would prove inspiring when it came to writing a song that would be the centrepiece of Fleetwood Mac’s next album as well as perhaps being the most emblematic of her entire career.

That song was ‘Sara’ and Nicks spent more time fashioning it than on any other – before or since. Months before the band reconvened for the marathon recording sessions of what would become the double-album, Tusk, Nicks had a nine-verse, 16-minute song on her hands. It would eventually be whittled down to just over six minutes on the original vinyl version of the album and trimmed further to four-odd minutes when released as a single.

‘Sara’ was inspired by a large number of things that were taking Stevie Nicks’ headspace at the end of the 1970s. It was, ostensibly, written about her friend Sara Recor and her relationship with Mick Fleetwood, one of band’s founding members and with whom Nicks had an intimate relationship after she and Buckingham had finished. And it’s a hirsute Fleetwood who appears on the Rumours cover, of course.

Despite the pair having broken up, and Nicks being in what would turn out to be a short-lived relationship with the Eagles’ Don Henley, she admitted to have been upset by her friend’s new romance with her former paramour. Fleetwood, she later said, had been a steadying influence during the acrimonious Rumours sessions and she immortalised him in the line, “And he was just like a great dark wing/ Within the wings of a storm”. Continue reading Self-indulgence and acrimony: the making of Fleetwood Mac’s 1979 album ‘Tusk’ | Independent.ie →