Lindsey Buckingham, Original Content, Solo Activity, UK Articles

WHAT IF: Lindsey Buckingham “Out Of The Cradle” (expanded deluxe edition)

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Imagine you are working at Rhino and you have been given the project to curate an expanded and deluxe re-release of Out Of The Cradle by Lindsey Buckingham.

Whilst in this dream state, listed below is the content that I would add that has been culled from various releases throughout the years, the media would be a combination of CDs, Vinyl and Blu-Ray DVD as per the recent Fleetwood Mac deluxe sets…

Please note for anyone reading this, this post is a what-if, this release is neither planned nor scheduled. Continue reading WHAT IF: Lindsey Buckingham “Out Of The Cradle” (expanded deluxe edition) →

Fleetwood Mac, Release Info, UK Articles

Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME

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NME
By Damien Jones
Nov 16th, 2017

Band are also planning a world tour in 2018

Fleetwood Mac have announced plans to reissue their self-titled 1975 album, featuring unreleased material.

The remastered album will be available in three different formats: a single-CD, a 2xCD collection featuring unreleased studio and live recordings, and a 3xCD/LP/DVD deluxe edition that features additional live material.

Among the previously unreleased recordings are live performances and early takes of a number of tracks including ‘Rhiannon’, ‘Landslide’, and ‘Say You Love Me’.

The live songs were recorded during concerts in 1976, and the deluxe edition will include 14 additional unreleased live tracks.

The deluxe edition will also include the original album pressed on 180-gram vinyl, plus a DVD featuring 5.1 surround sound and high-resolution 24/96 stereo audio mixes of the record.

The reissue will be released on January 19 via Warner Bros.

The tracklisting for the deluxe edition is listed below:

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Continue reading Fleetwood Mac to reissue self-titled 1975 album featuring unreleased material | NME →

Christine McVie, Lindsey Buckingham, Release Info, Solo Activity

Duo from Fleetwood Mac goes its own way with new album, Minneapolis concert | Star Tribune

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By JON BREAM , STAR TRIBUNE
October 28, 2017 – 12:50 AM

Fleetwood Mac guitarist Lindsey Buckingham is notoriously meticulous in the recording studio. Remember how the band spent a then-record $1 million recording “Tusk” in 1979 because he was so particular?

So how did Mac keyboardist Christine McVie get Mr. Fussy to complete a duo album with her in near record time this year?

“This was not a concept we had in the beginning, to make a duo album. It just kind of happened,” said McVie, who will join Buckingham in concert Monday at Northrop auditorium in Minneapolis. “It didn’t take us that long.”

They worked on a few of her ideas, then went on tour with Fleetwood Mac in 2014 and later revisited the songs. Buckingham brought in five songs of his own, and before you know it they had an album.

“He and I always had a good chemistry musically,” McVie pointed out. “It seemed very natural to me. Easy, actually, to work with him in that way. We’re not the best of friends. We don’t hang out together. But when we get to the studio, we have a good connection.”

No Stevie, no tension

It could be because Stevie Nicks wasn’t involved. When Buckingham and his ex, Nicks, try to work together, there’s always, um, creative tension.

Nicks was busy doing a solo tour to promote her 2014 album “24 Karat Gold,” so Buckingham busied himself with the McVie collaboration.

The rest of Fleetwood Mac — founding drummer Mick Fleetwood and bassist John McVie — also participated in the recording. Not that this was ever going to be a Fleetwood Mac project.

The resulting album “Lindsey Buckingham Christine McVie” features five tunes by each, with Buckingham cowriting three of McVie’s numbers

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Continue reading Duo from Fleetwood Mac goes its own way with new album, Minneapolis concert | Star Tribune →

Books, Release Info, Solo Activity, Stevie Nicks

Book review: Rock biographer Stephen Davis chronicles Stevie Nicks in new book

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The Hutchinson News
By Jody Feinberg
Posted Oct 25, 2017 at 10:38 AM

“Gold Dust Woman: The Biography of Stevie Nicks” by Stephen Davis. St. Martin’s Press, 2017. 352 pages. $18.29 / £20.61

Stephen Davis has an unusual wish for a man prior to the release of his 18th rock book — a biography of Fleetwood Mac singer and solo artist and songwriter Stevie Nicks.

“The main thing is I want to be in the next issue of AARP,” said Davis, who wrote “Gold Dust Woman” out of his Milton, Massachusetts, home. “She’s almost 70 and I’m 70, and they send out something like 25 million copies (actually the magazine claims more than 47 million readers).”

Davis said he is fascinated by Nicks, who found stardom relatively late (for a rock star) in her 20′s and still fills an arena both solo and with Fleetwood Mac. She recently announced an 18-month tour starting in mid-2018 with Fleetwood Mac. Her 40 top-50 hits include “Don’t Stop,” the signature song of former President Bill Clinton’s campaign.

“The arc of the story is that initially she wasn’t really wanted in Fleetwood Mac and eventually she went out on her own and became a bigger star than Fleetwood Mac,” said Davis, who began researching “Gold Dust Woman” in 2012 and finished it in 2016. “When I started writing, I thought the book would be a valedictory thing about someone whose career is winding now. Now, I’m just trying to keep up with her and will need to update the book when the paperback comes out in a year.”

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Continue reading Book review: Rock biographer Stephen Davis chronicles Stevie Nicks in new book →

Books, Fleetwood Mac, Mick Fleetwood, UK Articles

Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News

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By Mark Savage
BBC Music reporter
15 October 2017

Mick Fleetwood is the backbone of the band that bears his name; the man who kept Fleetwood Mac rolling through the best and hardest of times.

In the early days he was their manager, hiring and firing musicians like a soft rock Alan Sugar.

By the late 70s, he was the bandage that stopped them falling apart amidst drug abuse, infidelity and betrayal.

And sitting behind his “back to front” drum kit, Fleetwood is the band’s beating heart, constructing dozens of unforgettable rhythms – from the syncopated shuffle of Go Your Own Way, to the fidgety cowbell riff of Oh Well.

But surprisingly, the 70-year-old doesn’t rate his own drumming.

“There’s no discipline,” he says. “I can’t do the same thing every night.”

Anyone who’s listened to the deluxe edition of Fleetwood Mac’s Tusk will know otherwise. There, you can hear multiple outtakes from the title track, with Fleetwood sitting doggedly on the song’s distinctive groove for more than 25 minutes.

Still, he insists: “I am very not conformed, I change all the time.”

The confession is prompted by a discussion about Fleetwood’s lavish new picture book, Love That Burns, which chronicles his early career and the first incarnations of Fleetwood Mac. Continue reading Mick Fleetwood on the early days of Fleetwood Mac and why he’s a terrible drummer | BBC News →

Fleetwood Mac, Mick Fleetwood, UK Articles

British blues: New book heralds early days of Fleetwood Mac | Daily Mail

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By Associated Press
Oct 6th, 2017

LONDON (AP) – Mick Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.

A common tale, true, but this one has a happy ending. Fleetwood fell in with some talented blues enthusiasts, paid (barely) his dues, and soared to stardom with the first incarnation of Fleetwood Mac – and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band.

“School was not a good thing for me,” said Fleetwood, dressed in classic British style, complete with a pocket watch on a chain.

Mick Fleetwood, the drummer and co-founder of the band Fleetwood Mac speaks before the start of an interview at a hotel in London, Thursday, Sept. 28, 2017. Fleetwood was 16 when he left school, told his parents he wanted to pursue a career in rock ‘n’ roll, and went to London in search of gigs.
A common tale, true, but this one has a happy ending. As a teen, Mick Fleetwood fell in with some talented blues enthusiasts, paid his dues, and soared to stardom with the first incarnation of Fleetwood Mac and then into the rock ‘n’ roll stratosphere with the second, more pop-oriented version of the band. (AP Photo/Matt Dunham)

“I had a learning disability, no doubt, and no one understood what those things were. I was sort of drowning at school academically. My parents were like, ‘Go and do it.’ They were picking up on the fact that I had found something. They saw the one thing that I loved with a passion was teaching myself how to play drums at home,” he said. “So they sent me off with a little drum kit to London and the whole thing unfolded.”

Fleetwood didn’t really have to rebel, though rebellion was in the air, and he had the good fortune to make friends early with Peter Green, the supremely talented guitarist whose blues sound shaped the band’s early years. Continue reading British blues: New book heralds early days of Fleetwood Mac | Daily Mail →

Lindsey Buckingham

5 Things You May Not Have Known About Lindsey Buckingham | Rhino

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Rhino Insider
Tuesday, October 3, 2017

He’s well known as the talented, often-astounding guitarist for Fleetwood Mac, but he’s also constructed a fantastic career as a solo artist. He’s Lindsey Buckingham, and today’s his birthday, so celebrate with our best-of-Buckingham playlist, which is filled top to bottom with solo songs, Fleetwood Mac material, and a number of tracks which feature Buckingham as either a producer or a performer. Also, we’ve taken some time to compile a list of five things that you may not known about our man Lindsey, so give it a read and have your mind blown a few times.

Lindsey Buckingham during Lindsey Buckingham in Concert at The Event Center at the Borgata – October 15, 2006 at The Event Center at the Borgata in Atlantic City, New Jersey, United States. (Photo by Nick Valinote/FilmMagic)
  1. His brother was an Olympic athlete.
    The Buckingham boys – Jeff, Greg, and Lindsey – were all athletically-inclined during their youth, with all of them competitive swimmers at various points. Although history obviously revealed that Lindsey dropped his athletic pursuits in favor of music, Greg subsequently won a silver medal at the 1968 Olympics in Mexico City.
  1. He wrote a song with Brian Wilson while the Beach Boy was under the questionable care of Dr. Eugene Landy.
    If you’ve ever investigated the expanded edition of Wilson’s self-titled solo album, then you’re probably aware of the track “He Couldn’t Get His Poor Old Body to Move,” the Buckingham/Wilson co-write in question. “Brian came up to my house with a song which was very catchy, but about exercising,” laughed Buckingham, in a 1992 interview with Q Magazine. “‘You don’t wanna do that,’ I said, so we rewrote it. It was a very unsettling situation. If Landy wasn’t there, he’d have these two little surf Nazis who would not let Brian out of their sight. I know Landy did him a lot of good in the beginning with his radical techniques, but in my opinion there was a role reversal where Landy glommed onto Brian as his ticket to a glamorous world. Brian was not happy, and there was no way he’d grow into a full adult in this situation. Musically, Landy was keeping him doing this ‘Baby, let’s ride to heaven in my car’ kinda stuff, when he really should have been getting into something a little more experimental, or adult at least. That was a little heartbreaking to watch.”
  1. He teamed with The Dream Academy to record a cover of The Korgis’ “Everybody’s Got To Learn Sometime.”
    The Dream Academy had taken a shot at covering the Korgis classic with Adam Peters, with the results sounding like an outtake from The Beatles’ WHITE ALBUM, but when the band didn’t feel like they’d quite nailed it, Lenny Waronker of Warner Brothers suggested that they send it to Lindsey Buckingham. “Mike Ostin had said, ‘If you’d like to we think you should work with Lindsey,’” recalled Nick Laird-Clowes, in an interview with Rhino.com. “And I was a huge fan, of course, particularly of Lindsey’s work with Fleetwood Mac because of TUSK. He obviously had great music-making and record-making sensibilities. Lindsey’s production can take a song and make it into a complete masterpiece. He’s an absolutely amazing record maker and a really original person. So, of course, I wanted to work with him. But when Lindsey heard it, he didn’t want to work on that version. He said, ‘That’s great, it’s like (THE WHITE ALBUM),’ but then he immediately set about tearing everything out and starting again.”
  1. Harold Ramis asked him personally to compose a couple of songs for National Lampoon’s Vacation.
    In her memoir Storms: My Life with Lindsey Buckingham and Fleetwood Mac, Carol Ann Harris recalled Ramis “arriving on our doorstep with his wife and very young daughter” and that he “convinced Lindsey to venture into movie soundtracks.” The end result: “Holiday Road” and “Dancin’ Across the USA.”
  1. During the recording of “We Are The World,” he ran into Michael Jackson in the restroom.
    In a 2009 interview, Buckingham recalled the moment with considerable laughter. “I think I walked into the bathroom and he was in there, and it kind of freaked him out! He was quite nervous just to be startled by someone walking in and I just nodded my head. I didn’t feel comfortable trying to engage him in a ‘hello’ at that point. He was really at the top of his game and I think probably even then was dealing with a lot of demons that were probably from way back when he was a kid. You know, I just didn’t want to intrude at all on his trip…”
Solo Activity, Stevie Nicks, UK Articles

Tom Petty dead: How the singer inspired Stevie Nicks song ‘Edge of Seventeen’ | The Independent

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The Independent
Jacob Stolworthy

The track’s title came from a conversation the Fleetwood Mac star had wife Petty’s first wife in 1979

Music legend Tom Petty, who has died at the age of 66, spent his illustrious career collaborating with many other musicians ranging from ELO’s Jeff Lynne, George Harrison and, of course, Stevie Nicks.

Interestingly, the singer served as the inspiration for one of the Fleetwood Mac singer’s most famous solo tracks in a rather circuitous way.

“Edge of Seventeen,” released in 1982, was the third single taken from her debut record Bella Donna and while Petty may not have featured on the track, he and first wife Jane Benyo served as inspiration for its title – all thanks to a simple case of miscommunication.

After meeting Benyo, Nicks asked her when she’d met Petty to which Benyo replied “at the age of seventeen,” a comment Nicks misheard as “the edge of seventeen.” According to the singer, she originally planned to write the song about the couple – and was even willing to give Benyo credit for the inspiration – but, the death of her beloved uncle and John Lennon in the same week (December 1980) saw her find new inspiration for the song. The title, however, remained.

Petty married Benyo in 1974 when he was 24. The couple met in their hometown of Gainesville, Florida before moving to LA in an attempt to further his music career. Two years later, Petty would release his debut record – Tom Petty and the Heartbreakers – which featured the songs “Breakdown” and “American Girl.”

 

Fleetwood Mac, Mick Fleetwood, Tour Info, UK Articles

Mick Fleetwood: ‘Next tour will not be Fleetwood Mac’s last’ | Belfast Telegraph

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The 70-year-old rocker reveals the band’s 2018 world tour will include a few rarities. Fleetwood Mac leader Mick Fleetwood has assured fans the band’s 2018 tour won’t be a finale.

Bandmate Christine McVie has hinted that the upcoming 18-month global trek will be a farewell, but the drummer insists the band has more music to play and perhaps record.

“In my mind, it’s not (the final tour), and everyone in the band has decided that it’s not,” he tells Rolling Stone, “but we thought we were finished 30 years ago…

“I don’t know if morbid is the correct word here, but when everyone is in their 70s and you think about five years from now… Phil Collins is calling his tour Not Dead Yet. Well, we’re not dead yet, but God forbid, we might be, so you could be like, ‘I better go and see them!’

“But you will not see a poster saying this is our farewell tour that I could dream of.”

And Fleetwood, 70, reveals he and Stevie Nicks recently met up in Italy and checked out some old forgotten songs they’re thinking of revamping for the 2018 tour.

“She said to me, ‘Let’s sit down and really listen to some stuff that sort of almost got forgotten’,” he shares. “So I know she’s already thinking she wants to do some things we haven’t done in years. I always think that Stevie and Lindsey (Buckingham) should do a Buckingham Nicks song in the set. And Christine should do a blues song.”

And there’s always the possibility that the band could play an entire album onstage – like Rumours.

“It would be fantastic, but we’d have to be like Bruce Springsteen – out there for seven hours,” Fleetwood laughs. “Then it could be the last tour. You’ll see wooden boxes onstage. Five of them.”

Belfast Telegraph Digital

Christine McVie, Fleetwood Mac, Lindsey Buckingham, Solo Activity

Fleetwood Mac’s Lindsey Buckingham and Christine McVie Talk Debut Duo Album | Guitar World

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Guitar World Magazine
By: Alan di Perna
21st Aug, 2017

The classic Fleetwood Mac lineup always was an odd bunch.

Three members—Mick Fleetwood, John McVie and Christine McVie—came out of the seminal Sixties British blues scene. Which means they had little in common musically with the other two members, the sunny California pop duo of Lindsey Buckingham and Stevie Nicks.

(Image credit: John Russo)

But out of these disparate musical backgrounds, and often conflicting personalities, came one of the great supergroups of the Seventies. With massive hits like “Rhiannon,” “Don’t Stop,” “Go Your Own Way,” “Dreams,” “Over My Head” and “You Make Loving Fun,” Fleetwood Mac ruled the charts throughout the decade. Their 1977 album Rumours has sold 20 million copies to date. Fleetwood Mac continue to be a huge concert draw, and will headline the massive Classic East and West Festivals in July.

Various members of Fleetwood Mac have stepped forward with solo albums and side projects over the years. Buckingham’s own body of sonically adventurous yet poppy solo discs have attracted a substantial following among guitar enthusiasts and fans of well-turned songcraft. But one combination that hasn’t been tried—until now—is pairing Buckingham with keyboardist-vocalist Christine McVie.

Simply titled Lindsey Buckingham/Christine McVie, the new album by Fleetwood Mac’s guitarist and keyboardist—not to mention two of the band’s three vocalists—showcases two superb talents that were often overshadowed by Fleetwood Mac’s iconic singer and dreamy, mystical tunesmith Stevie Nicks. And with Mick Fleetwood’s drumming and John McVie’s bass playing featured prominently on the album, it does at times seem like an alternate reality version of one of pop music’s most iconic bands.

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Continue reading Fleetwood Mac’s Lindsey Buckingham and Christine McVie Talk Debut Duo Album | Guitar World →