Tag Archives: Fleetwood Mac

Fleetwood Mac, Release Info, UK Articles

Fleetwood Mac – The Alternate Rumours to be released on vinyl on Record Store Day 2020

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RECORD STORE DAY 2020 Fleetwood Mac – The Alternate Rumours

Release Date: 9/26/2020 (postponed from 4/18/2020)
Format: LP
Label: Rhino/Warner Records
Quantity: 16000
Release type: RSD Exclusive Release

The album of alternate takes mirroring the original album, from the Rumours deluxe edition. Alternate takes include early versions and alternate versions for “Gold Dust Woman”, “The Chain”, “Don’t’ Stop”, “Dreams” and “Second Hand News”. On vinyl for the very first time.

Side 1 – 1.  SECOND HAND NEWS (Alternate) 2. DREAMS (Alternate) 3. NEVER GOING BACK AGAIN (Acoustic Duet) 4. DON’T STOP (Alternate) 5. GO YOUR OWN WAY (Alternate) 6. SONGBIRD (Alternate)

Side 2 – 1. THE CHAIN (Demo) 2. YOU MAKE LOVING FUN (Alternate) 3. I DON’T WANT TO KNOW (Early Take) 4. OH DADDY (Early Take) 5. GOLD DUST WOMAN (Early Take)

Fleetwood Mac, Fleetwood Mac 2018/19, Mick Fleetwood, Peter Green

Mick Fleetwood on His Peter Green Tribute Show, Future Plans, and Lindsey Buckingham | Rolling Stone

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By Andy Green
Jan 28, 2020
Rolling Stone

“Lindsey’s legacy is alive and well, and as it should be,” says the drummer. “It will never be taken away, and never be down-spoken by any of us.”

phone via: Randee St. Nicholas

Mick Fleetwood should be relaxing. He just wrapped up a 13-month world tour — Fleetwood Mac’s first since parting ways with Lindsey Buckingham and replacing him with Tom Petty and the Heartbreakers guitarist Mike Campbell and Crowded House frontman Neil Finn — but the 72-year-old drummer is already deep into planning his next project: a tribute concert to Peter Green, who co-founded Fleetwood Mac and wrote many of the group’s early classics before being sidelined by mental illness and addiction issues. The show is set for February 25th in London, with special guests David Gilmour, Christine McVie, John Mayall, and Steven Tyler. “I wanted people to know that I did not form this band — Peter Green did,” Fleetwood says. “And I wanted to celebrate those early years of Fleetwood Mac, which started this massive ball that went down the road over the last 50 years.”

Peter Green hasn’t been seen much in public over the past decade. When is the last time that you and he spoke?
It was about a year and a half ago. I went out with my girlfriend, and spent the day with him. He’s not the Peter that I knew, clearly. But he plays acoustic guitar. He loves painting, and fishing is his hobby. It’s no secret that he took a left turn and never came back, but he’s OK. He also has really little or no ego at all, which is unbelievable. You want to go, “Do you realize what you did?” “No, no. Yeah, I suppose so.” He has no ego about what he did. Continue reading Mick Fleetwood on His Peter Green Tribute Show, Future Plans, and Lindsey Buckingham | Rolling Stone →

Christine McVie, Fleetwood Mac

“Finally, Fleetwood Mac’s unsung hero Christine McVie is getting the spotlight she deserves” | Stylist

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Posted by Christobel Hastings
28 Dec 2019

She’s the longest-serving female member of Fleetwood Mac, and the group’s most successful singer-songwriter, but Christine McVie has always been overshadowed. But in a BBC documentary profile, Fleetwood Mac’s Songbird, the unsung hero of one of the world’s biggest bands finally gets to take the spotlight

There is one quiet moment of reflection in the BBC documentary, Fleetwood Mac’s Songbird, that perhaps sums up its subject more than anything else in the 90-minute retrospective of rock music history. It comes when Christine McVie, the longest-serving female member of Fleetwood Mac, and the group’s most successful singer-songwriter, speaks affectionately about her longtime friend, Stevie Nicks: “I could no more do twirls in chiffon than Stevie could do blues on the piano.” As she acknowledges her friend’s affinity for the spotlight, she showcases her brilliant talent for saying so much with so few words. It was this gift, we discover, that was intrinsic to the band’s success, and one that has ultimately allowed Fleetwood Mac to connect with people all around the world for over five decades.

Fleetwood Mac’s Songbird: Christine McVie in 1975

How and why the driving force behind one of the world’s best-selling bands was overlooked for so long is a question that is slowly unravelled in this fascinating profile of the legendary singer-songwriter, which traces McVie’s early beginnings in Birmingham, the British blues explosion in 1960s London, and her first foray into music. We learn that McVie was working as a window dresser in the department store Dickins & Jones, until she moved back to Birmingham to join her old friends Andy Silvester and Stan Webb in a blues band called Chicken Shack. Although she was initially tasked with playing keys and singing background vocals, when the band scored a hit with a cover of Etta James’ I’d Rather Go Blind with McVie on lead vocals, it quickly became evident that she was destined for greater things. Continue reading “Finally, Fleetwood Mac’s unsung hero Christine McVie is getting the spotlight she deserves” | Stylist →

Christine McVie, Fleetwood Mac, John McVie, Lindsey Buckingham, Mick Fleetwood, Peter Green, Stevie Nicks

Fleetwood Mac’s ‘Tusk’: 10 Things You Didn’t Know | Rolling Stone

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By Ryan Reed
Rolling Stone Online
October 11, 2019

How an in-studio bathroom replica, juvenile dick jokes, and a Peter Green guitar cameo informed the band’s sprawling, experimental follow-up to Rumours

BOSTON, MA – NOVEMBER 17: Stevie Nicks performs with Fleetwood Mac at the Boston Garden on Nov. 17, 1979. (Photo by Janet Knott/The Boston Globe via Getty Images)

Fleetwood Mac’s 12th album is both demented and debonair, familiar and foreign — a sprawling double LP that, like the Beatles’ White Album before it, reveled in its own messiness, jumbling together the work of three distinct songwriters. Singer Stevie Nicks and keyboardist Christine McVie carried the commercial weight on Tusk, penning playful pop grooves (the latter’s “Think About Me”) and stormy rockers (the former’s “Sisters of the Moon”) that massaged the same sweet spot as their previous record, the mega-platinum 1977 masterwork Rumours.

But Lindsey Buckingham was unwilling to repeat himself. Savoring the edgier modern sounds of New Wave and punk, the singer-guitarist prepared to march into the unknown — whether or not his bandmates were interested in the journey. That friction ultimately defines Tusk, the band’s fractured masterpiece. 

“The explosion of the punk movement had changed the musical landscape, and the popular conception was that bands like ours, Led Zeppelin, the Stones, Elton John and everyone else from our era, were a bunch of dinosaurs who’d lost touch with the real world,” drummer Mick Fleetwood wrote in his 2014 autobiography, Then Play On. “That wasn’t true, of course — we were in touch and aware of all those changes in culture, Lindsey most of all. He was intrigued by punk bands like the Clash and lots of New Wave artists such as Talking Heads and Laurie Anderson, and he wanted to follow that muse creatively. The issue for him was whether or not he was going to be able to do that with the rest of us.” Continue reading Fleetwood Mac’s ‘Tusk’: 10 Things You Didn’t Know | Rolling Stone →

Fleetwood Mac, Release Info

Classic Fleetwood Mac Albums to be reissued on Coloured Vinyl | Far Out

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Fleetwood Mac released five back-to-back multi-platinum albums between 1975 and 1987, an effort which led to them being one of the best-selling bands around the globe.

Now, those classic albums will be reissued individually on coloured vinyl on November 29. The albums include Fleetwood Mac on white vinyl; Rumours on clear vinyl; Tusk on a silver vinyl 2-LP set; Mirage on violet vinyl; and Tango In The Night on green vinyl. On the same day, all five coloured-vinyl LPs will be presented together in slipcase as a limited edition, individually numbered set of 2,000 copies, available exclusively at the Rhino store. This collection is available to pre-order now.

A new incarnation of Fleetwood Mac debuted in the summer of 1975 that included Mick Fleetwood, John McVie and Christine McVie, along with new members Stevie Nicks and Lindsey Buckingham. The group’s first album together, Fleetwood Mac (sometimes called “The White Album”), topped the Billboard album chart, spent more than a year in the Top 40 and sold more than five million copies in the U.S. thanks to songs like ‘Landslide’, ‘Say You Love Me’, and ‘Rhiannon’.

In 1977, the band followed up with Rumours, considered by many to be among the greatest albums of all time. It won the Grammy for ‘Album of the Year’ and has sold more than 40 million copies worldwide. Its unforgettable tracks include: ‘Go Your Own Way’, ‘Gold Dust Woman’ and the band’s first number one smash, ‘Dreams’.

The double-album Tusk arrived in 1979. It sold more than four million copies worldwide and introduced fans to hits like ‘Sara’, ‘Think About Me’, and the title track. Three years later, in 1982, Fleetwood Mac again topped the charts with Mirage. Along with hits like ‘Hold Me’ and ‘Gypsy’, Mirage also features great album tracks like ‘Oh Diane’ and ‘Straight Back’.

In 1987, Tango in the Night became the second-most successful album of the band’s career, selling more than 15 million copies worldwide with the massive hits ‘Everywhere’, ‘Big Love’ and ‘Little Lies’.

Pre-order the collection, here, and have a closer look below.

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Self-indulgence and acrimony: the making of Fleetwood Mac’s 1979 album ‘Tusk’ | Independent.ie

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Saturday 5 October 2019
The Independent.ie
John Meagher

It was 1978 and Stevie Nicks was having to get used to the business of being extremely famous. She had appeared on the cover of the previous year’s biggest selling album, Rumours, and her vocals were adorning some of the most played songs of the era. She had gone from relative obscurity to the big time on joining Fleetwood Mac with then boyfriend Lindsey Buckingham just a few years before and now, at the age of 30, she had the world at her feet.

But life was far from rosy for the Arizona-raised, California-adopted singer and her complicated love life would prove inspiring when it came to writing a song that would be the centrepiece of Fleetwood Mac’s next album as well as perhaps being the most emblematic of her entire career.

That song was ‘Sara’ and Nicks spent more time fashioning it than on any other – before or since. Months before the band reconvened for the marathon recording sessions of what would become the double-album, Tusk, Nicks had a nine-verse, 16-minute song on her hands. It would eventually be whittled down to just over six minutes on the original vinyl version of the album and trimmed further to four-odd minutes when released as a single.

‘Sara’ was inspired by a large number of things that were taking Stevie Nicks’ headspace at the end of the 1970s. It was, ostensibly, written about her friend Sara Recor and her relationship with Mick Fleetwood, one of band’s founding members and with whom Nicks had an intimate relationship after she and Buckingham had finished. And it’s a hirsute Fleetwood who appears on the Rumours cover, of course.

Despite the pair having broken up, and Nicks being in what would turn out to be a short-lived relationship with the Eagles’ Don Henley, she admitted to have been upset by her friend’s new romance with her former paramour. Fleetwood, she later said, had been a steadying influence during the acrimonious Rumours sessions and she immortalised him in the line, “And he was just like a great dark wing/ Within the wings of a storm”. Continue reading Self-indulgence and acrimony: the making of Fleetwood Mac’s 1979 album ‘Tusk’ | Independent.ie →

Fleetwood Mac, Release Info

Fleetwood Mac ‘Rumours’ Getting New Deluxe Edition

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Best Classic Bands

Fleetwood Mac are releasing a deluxe edition of their 1977 juggernaut, Rumours, to coincide with the band’s ongoing tour.

The 4-CD set, coming October 25 via Rhino, replicates the 2013 deluxe edition that included numerous previously unreleased takes from the album’s recording sessions and live performances from the subsequent world tour.

In recent years, the band have been methodically issuing deluxe editions of much of their 1970s and 1980s output. The new Rumours release raises eyebrows since the 2013 deluxe edition of the album is still in print. (The new edition omits the latter’s DVD and vinyl release of the studio LP.)

The 2019 deluxe edition of Rumours includes the original album and the b-side “Silver Springs,” a dozen live recordings from the group’s 1977 world tour, an entire disc filled with takes from the album’s recording sessions, and an additional disc of outtakes. Continue reading Fleetwood Mac ‘Rumours’ Getting New Deluxe Edition →

Christine McVie, Fleetwood Mac, TV Spot, UK Articles

What’s on TV tonight: Friday September 20, 2019 | The Times

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Fleetwood Mac’s Songbird: Christine McVie
BBC Four, 9pm

Christine McVie and Stevie Nicks in 1987
GETTY IMAGES

As always with BBC Four’s rock-doc tributes, the eulogies flow freely over introductory footage, in this case of Fleetwood Mac taking the stage at Wembley this summer. Anyone who was there will have been reminded how Christine McVie is the band’s not-so-secret weapon. Not only did she write their most beguiling hits (Songbird, You Make Loving Fun, Don’t Stop, Everywhere), her voice is a thing to cherish — a warm, bluesy thing, a world away from today’s bombastic divas. She is the longest-serving female member of any of the rock ’n’ roll acts that emerged from the 1960s, but this profile reminds us that she was famous before the Mac, as Christine Perfect, in the band Chicken Shack, singing their 1968 hit I Would Rather Go Blind. Then she saw Fleetwood Mac, met their bassist John McVie and the rest is rock history — mega-selling albums, cocaine, divorce, make-ups, seclusion in Kent, comeback glory. All covered in this rock-doc. Mrs McVie talks about how she was initially jealous of Stevie Nicks who took the spotlight while Christine was stuck behind the piano. Yet they also bonded as two women in rock’s boys’ club. “I told her, we will be a force to be reckoned with for all these men that surround us,” recalls Nicks. Christine talks of the infamous decadence during the Rumours era — she wrote You Make Loving Fun about the lighting guy with whom she was having an affair — one that was kept from John despite Christine singing the song on stage every night. At least the music was great. She also recalls her relationship with Beach Boy wild man Dennis Wilson, “really sweet man” but also a “nut”. Quite a life for an unassuming girl from Smethwick.

Catchup with the show on BBC iPlayer (UK viewers only)

Fleetwood Mac 2018/19, Reviews, Tour Info, UK Articles

Fleetwood Mac review – all the hits, with a sour aftertaste | The Guardian

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The Guardian
June 22, 2019

Wembley Stadium, London
3/5 Stars

Lindsey Buckingham’s absence casts a pall over a singalong show, despite sterling work from subs Neil Finn and Mike Campbell

‘Brutal calculation’: Fleetwood Mac onstage at Wembley Stadium, and on screen (clockwise from bottom left): Mick Fleetwood, John McVie, Stevie Nicks, Neil Finn, Mike Campbell and Christine McVie. Photograph: David Levene/The Guardian

There is no arguing with the numbers. Wembley Stadium is brimming with fans, even on a wet Tuesday. A dozen people fill the vast stage, reproducing some of the most opulent harmonies and venomous kiss-offs of the late 20th century. On Dreams, a bittersweet classic written by an enduringly swirly Stevie Nicks, a chandelier descends from the rigging. Amusingly, it goes back up afterwards, reappearing and disappearing with every one of her compositions on the final night of Fleetwood Mac’s European tour.

Superfan Harry Styles has brought his mum, Nicks reveals, complimenting her on what a well-brought-up young man he is. Super-producer Jimmy Iovine (Tom Petty and the Heartbreakers, Nicks’s 1981 solo album Bella Donna) has flown over from the States, she says. The Fleetwood Mac setlist – barely varying from Berlin to London – is replete with peak-period hits and refreshed by a couple of deeper cuts. One, the Peter Green-era blues Black Magic Woman, made famous by Carlos Santana, finds Nicks vamping her way through a female reading of the tune as the chandelier glitters darkly. Continue reading Fleetwood Mac review – all the hits, with a sour aftertaste | The Guardian →

Fleetwood Mac, UK Articles

Return of the Mac: Fleetwood Mac’s 20 greatest songs | Belfast Telegraph

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Marking the start of the European leg of Fleetwood Mac’s world tour, which kicked off in Dublin this week, Graeme Ross chronicles the legendary band’s 20 greatest songs

Graeme Ross
June 15 2019

Their story has been described as the ultimate rock soap opera. And, following the recent firing of Lindsey Buckingham and with new members Mike Campbell of the Heartbreakers and Neil Finn from Crowded House on board, it’s just one more chapter in the stranger-than-fiction career of Fleetwood Mac.

The band have just crossed the Atlantic to play three gigs as part of their latest world tour, having played the RDS in Dublin on Thursday and with two Wembley gigs tomorrow and Tuesday.

The NME, in a recent feature, concentrated solely on the Buckingham/Stevie Nicks post-1975 years for their greatest 20 Fleetwood Mac songs, as if the band hadn’t existed before, even if it was in a radically different guise.

This compilation goes all the way back to Peter Green’s blues-based Mac in 1967, with a couple of entries from the band’s “lost” years in the first half of the Seventies, reminding us that Fleetwood Mac were successful long before they morphed into laid-back West Coast soft rockers.

20 – Landslide
On joining Fleetwood Mac in 1975, Buckingham and Nicks brought several songs with them, including Landslide, one of Nicks’ most personal songs. When she wrote this emotional and reflective ballad the previous year, the duo’s sole album had bombed and their relationship was failing. Nicks stood at the crossroads of her life and poured all her doubts and fears into one cathartic song. Continue reading Return of the Mac: Fleetwood Mac’s 20 greatest songs | Belfast Telegraph →